Archive for the ‘Frontpage Feature’ Category

As usual, we will be taking a little break here at Teethofthedivine .com for the Holidays. Whatever ever seasonal celebration you celebrate, we hope you have a safe holiday season. The elves here at Teethofthedivine will be let off for a few days from providing you with top notch reviews and features so we can recuperate from 2018’s amazing onslaught of metal, and allow the dedicated TOTD staff some time with their families or homeless shelter roommates.

Back in 2013,  Germany’s Sulphur Aeon made quite a splash in the death metal genre with their churning Lovecraftian based debut album, Swallowed By the Ocean’s Tide, then followed it up with the more miasmal, Gateway to the Antisphere is 2015, an album that had lofty expectations but still grew on me. Both albums made my year-end […]

Coming to proper metal age, i.e. my teenage years, during death metal’s initial ’90’s explosion not only introduced me to what would become some of the greatest music on the planet, but it also introduced me and many like-minded individuals to the fantastically macabre offerings of H.P. Lovecraft. Considering that damn near every band at […]

A staple and standout in the tech death metal scene since 2005s Neurotripsicks, France’s Gorod have delivered 5 albums of superb technical, yet playful and catchy death metal. And I’ll admit that I was a little concerned about the band switching to their own label, Overpowered Records, for album number 6, as this might indicate […]

When you deliver an debut album that arguably reinvigorated melodic death metal in 2004s A Celebration Guilt, expectations tend to pile on and pile up, and despite a Children of Bodom like trajectory, founder and brainchild James Malone has largely responded well with subsequent albums, maybe with the exception of 2010s more rock based Starve for the […]

The death metal scene was abuzz when Paradise Lost‘s Nick Holmes was announced as the new vocalist for Swedish Death metal super group Bloodbath.. The resultant album, The Grand Morbid Funeral was solid, but certainly nothing compared to the band’s first two Akerfeldt and Peter Tagtgren fronted, classic releases. Well, Holmes is back, and is […]

After locking into their sound on 2005’s I. Monarch, Erik Rutan and Hate Eternal have delivered 4 damn fine albums of American death metal that’s one of the more solid discographies of the last decade or so. And with the addition of drummer Hannes Grossman (Alkaloid, ex Necrophagist) on drums to Rutan and JJ Hrubovcak (on his […]

Despite not being overly prolific, (only one EP, The Dagger and the Chalice and one album, Abysmal Thresholds,  along with a split and a 7″ since 2011) Finland’s Corpsessed remains my favorite Dark Descent Records band- no small feat when you consider the label’s quality over the years. So this has been one of my most anticipated releases […]

Behemoth – noun: a huge or monstrous creature, something enormous; especially a big and powerful organization.  The definition of that word is also apt for the band Behemoth, who are arguably the best blackened death metal band on the planet.  Or one of the best metal bands period.  I can say for me personally, they’re […]

“Tis the times’ plague, when madmen lead the blind.” ― William Shakespeare, King Lear Boy, who knew Shakespeare was a prophet? But I digress. After one self released EP, and a killer debut album, The Spear and the Ichor that Follows in 2015 on Dark Descent Records, Minnesota’s House of Atreus signed with Iron Bonehead Productions and […]

One could argue that within the Finnish melodic death metal scene, you have the ‘big three’ comprised of Amorphis, Insomnium and Omnium Gatherum. But nipping at their heels are a couple of bands I really like in Noumena and Wolfheart, the brain child of Tuomas Saukkonen, whose former projects Before the Dawn and Black Sun Aeon, […]

Back in 2004, New York death metal veterans, Internal Bleeding released Onward to Mecca with then sole original member/drummer Bill Tolley and a bunch of NYDM hired guns. However, Bill was tragically killed in 2017 while performing his job as a New York firefighter. So now, in a case of history repeating itself,  original member Chris Pervelis who […]

Revocation has carved out an impressive and prolific career since dropping their solid debut, Empire of the Obscene, a decade ago. The Boston purveyors of technically sparkling death-thrash have rarely put a foot wrong during a career marked by consistent high quality and dazzling musicianship, attached to energetic, aggressive and catchy songs. However, 2016’s Great […]

Teethofthedivine’s own Frank Rini is reuniting with Internal Bleeding!!!!!!!!!!!!!!!!!!!!   From Internal Bleeding’s Facebook page:   “Internal Bleeding is all about family. And since the beginning we’ve always put great emphasis on taking care of our fans as well as each other. Recently, some important family issues have affected both vocalist Joe Marchese and bassist […]

One of the things about this whole writing gig is discovering bands I would never in a million years ever hear, and then pass on you, good reader. Yeah, we all will be exposed to and hear the new Deicide and new Terrorizer albums, and that’s great. But without this site I would never get […]

The post Hoffman brothers era of Deicide has been an up and down affair. From the excellent (but divisive to some), more melodic Ralph Santolla led release The Stench of Redemption, to the crap fest of ‘Til Death Do Us Part, the blistering To Hell With God, then back to crap again with In The Minds Of […]

The autumn should be here but it’s not because, hey, turns out climate change is fucking real. To enjoy all that drought, floods and other catastrophes, Teeth of the Divine teams up with Clawhammer PR and Angerot to giveaway one copy of Angerot’s latest album ‘The Splendid Iniquity’ in vinyl! That’s right. One lucky bastard, chosen at random, will walk out with the limited edition black/red splatter vinyl. It also comes with a 12-page comic book, 11×17″ poster and the bonus track “The Conquering” as a digital download. So come on in and participate, it’s easy!

Though the band’s debut’ Imperial Doom is regarded as a Floridian death metal classic  (“Horror Infinity” still gets regular airplay for me), in the grand scheme of things, Monstrosity were never quite as revered as brethren like Deicide, Obituary, Morbid Angel, Malevolent Creation, or even similarly peripheral Brutality, being not quire as productive, unique or […]

While Burial Invocation‘s Abiogenesis is getting the lion’s share of the attention in the realms of murky, Incantation-y death metal (and rightly so, it’s a killer release), the second album from Italy’s Eroded is just as good and certainly one of the best releases of the year in the now common place style. I have […]

Did you find your self craving the new Jungle Rot record this year? Do you like meat and potatoes? Do you like chunky, no frills Death metal? Did you enjoy Grave’s last 4 albums? if you answered yes to the previous questions, just go ahead and order the third album from Germany’s Supreme Carnage. Seriously- what […]

Although I enjoyed the debut from North Carolina’s Abhorrent Deformity, Entities of Malevolence, I can say I have not revisited it since its 2015 release. It was a solid slab of brutal/tech death that hinted at something better, and here is the something better. Way better. Though certainly still lingering in the putrid Comatose wheelhouse […]

I’ll get right to it- I still think Deafheaven’s Sunbather is a landmark album, black metal or other wise and consider its standout tracks “The Pecan Tree”, “Dreamhouse” and “Sunbather” absolute gems that I still play regularly. However, I wasn’t nearly as enamored with the follow up, New Bermuda as the band tried to be […]

Considering my love of all things symphonic, especially symphonic black metal and even more especially my love of French horns and brass, you’d think i’d be more aware of Hungary’s Sear Bliss. I have heard the name whispered on the lips of the elite  with 2004s Glory and Perdition often mentioned as a classic black […]

Sometimes as a reviewer, you get a bit burnt out. It often becomes tiring trying to find new and creative ways to describe the vast multitude of styles and genres within the metal universe. In particular, black metal continues to grow, expand and develop, shattering ceilings and pushing envelopes with artists like Deafheaven, Vallendusk, Paths, […]

Reviewing something lovingly created by one of your peers is always a challenge. The balance between being honest yet objective and not destroying friendships or relationships is a hard one. Such is the case with All is Phantom, the debut from Ghostbound a project from the mind of Alec A Head, a man whose reviews […]