After nearly a decade of inactivity, Novembre are back with one of 2016’s most anticipated returns. Ursa marks album number seven for the Italians and it wholeheartedly embraces everything that has made the band such a stylish international gem in the extreme metal universe. If you’ve adored the output from Carmelo Orlando and company over […]
In a short, to the point message on the band’s Facebook page, Washington’s influential black/folk metal act Agalloch have decided to end their illustrious career: “Following 20 years, 5 full length albums, many tours around the world, and numerous other recordings, John Haughm and the rest of the band (Don Anderson, Jason Walton, and Aesop […]
Kicking it since 1999, Spain’s best and most brutal band Wormed, have had their fair share of ups and downs. After several high profile demos, the band released Planisphærium in 2003. To say this album was phenomenal is an understatement. I did not find out about this gem of a band until after this album […]
Unique Leader looks to be having the same sort of outlandishly good year as it had in 2014 with the likes of Ohmnihilty, Inherit Disease, Ahtme, Omaphagia, and The Zenith Passage so far, and then you have the upcoming monster from Katalepsy still yet to come. But I’m pretty confident in stating that this will […]
The year was 2004. In Flames had released Soundtrack to Your Escape, arguably putting the final nail in the coffin of melodic death metal. A genre that had eaten itself and become synonymous with the peaking US metalcore, and the genre was now almost a parody of itself. However, there was a hero to emerge. After one EP, The Porter, 2 years earlier, Germany’s Disillusion were about to reinvigorate an entire scene with their full length debut, the aptly named Back to Times of Splendor
If Vertikal and its companion piece Vertikal II were Cult of Luna’s final, triumphant shout, then it’s poetic that silence followed afterwards. The band has created a career from the interplay between thunderous, violent peaks, and soft, hypnotic lulls. All the same, I was disappointed to learn that there’d be no more brilliant and mesmerizing […]
The lone traveler on the cover of Arktis, Ihsahn’s sixth solo release, may as well be the man himself. Ever since departing Emperor, Ihsahn has charted his own paths across rough and largely unknown terrain. Previous album Das Seelenbrechen veered off into particularly strange and challenging territory – even for me, a die-hard fan of his work […]
Love ‘em or hate ‘em, it doesn’t matter – Babymetal are now the Supreme Overlords (or perhaps the Overlord Supremes) of their own Cult of Kawaii. And if you do hate ‘em, then lighten the fuck up. The absurdity of three J-pop teenyboppers fronting a metal band is too ridiculous not to love – and […]
It happens every year. In the mad shuffle to painstakingly put our year-end lists together, stuff gets missed. Whether they were sent to us after the fact, slipped through the cracks, or were simply overlooked, a number of killer releases found themselves in year-end limbo. A few of our staff compiled a list of the praise-worthy releases that missed the cut for our year-end 2015 feature, which means you should still consider them to be some of last year’s best.
Megadeth has gone through many line-ups throughout the years and mainman Dave Mustaine is no stranger to controversy. Among the classic albums, there’s been a few shadier ones, but despite everything, the band is still kicking and putting out new music. Does the engine still have any power left? We take a look at Megadeth’s latest output, Dystopia.
The fine folks at Clawhammer PR and the Fine Dude at Unspeakable Axe Records are in a giving mood. They have decided that one lucky Teethofthedivine reader is going to get a veritable swag bag of Unspeakable Axe goodies including 3 CDs, 1 Cassette, 1 vinyl record AND a damn T- shirt to boot. How Awesome is that?
By the time you read this article, California’s Absymal Dawn will be embarked on one of the year’s (if not longer) best death metal tours. They will be opening for three certifiable legends in Cryptopsy, Cannibal Corpse and Obituary. But Abysmal Down is no normal opener, a wide eyed rookie death metal act. These guys have been around since 2003. Have released 4 albums, 3 of which on metal behemoth label Relapse. So these guys DESERVE to share the stage with such seminal acts.
Horror and metal have always been gore filled bedmates and inherently related. The misanthropy the (sometimes unfortunate) misogyny, the shock value, the violence, the extremity and the allure for society’s outcasts. The relationship was perfected in 1986s Trick or Treat (not the 2007 shit fest) with Ozzy Osbourne and Gene Simmons bringing metal to the big screen.
The US and mainly fertile Floridian death metal explosion of the early 90s is stuff of legend; Death, Cynic, Atheist, Obituary, Deicide, Nocturnus, Malevolent Creation, Morbid Angel, Cannibal Corpse and the Morrisound ‘sound produced some of the best death ever, that to this day is considered seminal and whose influnce is still going well over 25 years later. Well in 1993 a band called Brutality released Screams of Anguish on label monsters Nuclear Blast, and while it arguably juuuuuust missed the genre’s peak its more classical based style insured that it rubbed shoulders with some of the classics of the day.
2015. Another, goddamn, year over already. And how’d it end? With a major downer with Lemmy going somewhere else. Who do we have left? Ozzy? Rob? Alice? Anyone else? Damn. It wasn’t all that bad of a year though, even if the world seemed to become even crazier than 2014 — if Fox News is to be believed. Plenty of good music got released and what we’ve got here is a top list of metal related stuff that Teeth of the Divine’s staff handpicked themselves. Unlike most of our corporate overlords, we don’t outsource our opinions, enslave some poor bastards and build safety nets around them just in case they decide to call it quits. Actually, that’s not true. We’re not a hive mind, we enslave people to write for us but we sure as hell aren’t spending any of our huge advertising revenue to keep them alive. Ha! Anyway, browse around and find some worthy stuff you might have missed!
The thing that seemed most impossible, has happened, and with great sadness we bow our heads at the news that Lemmy’s life long tour has finally come to a close. Just two days after his birthday on December 26th, Lemmy was diagnosed with cancer and two days from there, the man, the myth and the living legend had passed away. Another metal and rock’n’roll icon, taken, but whose music and uncompromising attitude will forever live on.
We here at Teeth give our condolences and utmost respect to the family and friends of Lemmy and our gratitude for his direct and impactful involvement in shaping the music that has gotten many of us through the challenges that life has thrown at us.
Raise a toast, drink some more, blast a few tunes and celebrate all the good times. Even in death, the man will not die.
Thank you, Lemmy.
Born to lose, live to win.
Teeth of the Divine will wind down a bit for the remainder of 2015. Some of us, and you, will perhaps celebrate some of the various holidays. Some will find peace through detox. But whatever your chosen action is, we wish you happy hunting and nod our thanks to you for following us throughout the year — this and the past ones. We’ll be back with more reviews, perhaps some interviews and our yearly best of -list in no time. So merry whatever, have a good one and catch you closer to 2016.
In this ‘journalism’ gig you run across hundred of people and bands. I’ve done countless interviews, got countless emails and Facebook messages and so forth, but you rarely make a connection. Something more than just the grinding wheels of music and reviewing/interviewing. However, sometimes you do make a deeper connection and dare I say, friendship. I like to think I made one such connection with Nathan Gearhart, the vocalist for the re-activated Arizona Death metal band, Vehemence.
While summer 2015 didn’t met all the expectations, there was at least one constant in that equation; Wanaja Festival held in Hämeenlinna, Finland. Again, its inclusion on a heavy metal site is questionable at best and totally schizophrenic at worst, as most of the artists on the bill aren’t necessarily singing about Satan or promoting safe sex with dead people. But as always, there’s at least a band or two that gives us an excuse to attend the festival and live to tell about it on a heavy metal website. So gather around for some egotistically driven babble about the experience from few months back — when the weather was actually still nice.
More likely than not, you have already decided if you will like or purchase Deafheaven’s new album, regardless of this review. Am I right? I mean, you either loathed or loved 2013’s watershed album, Sunbather (full disclosure – it was my top pick for the year), or you simply don’t care for the band’s style, the ‘hipster’ […]
It is without a doubt in my mind that Pakistan’s crust/grind champions Multinational Corporations are the best new grind band of the last decade. I’d stake my reputation, house and hell my balls on it! Taking their name from a blistering cut off of Napalm Death’s Scum classic, the duo of Hassan (vocals/words) and Sheraz (all instruments) do it in the same old school fashion as the legends from which they culled their namesake.
The Beginning of Times and Circle were both solid Amorphis albums, each with a few memorable standout tracks, yet I haven’t returned to them often. Instead, when I’ve been in the mood for some of the Finns’ melancholic majesty, I’ve chosen Skyforger, which I think is the quintessential album for the band’s now-lengthy third era (by my classification, anyway; era 1 […]
“SLAYERRRRRRRR!!!!” “PLAY SOME FUCKIN’ SLAYERRRRRRRRR!!!!!!” You hear it at every show you go to, it seems. There’s always that one or maybe two douchebags that scream at the band on stage to play some “fuckin’ Slayer, man”. I feel it’s more than likely one of the prime reasons why Slayer gets a mostly bad rep […]
Contra ain’t nothing to fool around with, you hear me? This is the very definition of a POWER trio. There’s no soft stuff or any singer getting in the way, just three men bashing their way through riff after riff of runaway heavy groove with a rhythm section tighter than a noose primed for a good sunrise hangin’. These fellas aren’t strangers to the heavy. Chris honed his guitar chops in the much missed Sofa King Killer, Aaron’s pummeling battery was an integral part of Fistula and several other infamous Ohio sludgers and Adam’s background is a bit of a mystery to me (though I’ll find out!)
Wisconsin’s Jungle Rot have been toiling in the US death metal scene for over 20 years now. But the last few years, since the band signed to Victory Records in 2011, has seen a second coming of the long running act. The three albums for the label (2011’s Kill on Command, 2013’s Terror Regime and this year’s Order Shall Prevail), sees the band at the very top of their game, aging like a fine wine.