Archive for the ‘Frontpage Feature’ Category

When it comes down to the new Megadeth album TH1RT3EN, there’s one thing people can agree on: At least it’s not ‘Lulu’. Click on to read our review of Mega Dave’s latest opus.

We here at Teeth of the Divine (dot com) love giving people stuff. Especially if its someone else’s stuff. Or Herpes. So, those fine folks and Listenable Records and Clawhammer PR have been kind enough to donate eight (8) CDs to two lucky winners. What CDs you ask? Well how about the latest albums from Listenable artists Sarah Jezebel Deva, Tornado, Tormented and Serpentcult??? Let’s rock’n’roll!

According to blabbermouth.net, veteran Swedish death metallers Dismember have called it a day in a statement issued by bassist Tobias Cristiansson; “After 23 years, DISMEMBER have now decided to quit. We wish to thank all our fans for your support.” Dismember, one of the founding fathers of the Swedish death metal scene, have been one […]

APMD (All Pigs Must Die) is a band committed to uncompromising sonic warfare. Its sound and lyrics assault the listener in a fury of blackened death filled anthems.” Yep, I lifted that straight from the band’s Facebook page, thinking it a perfectly apt description of the aural terror inflicted upon the listener by All Pigs Must Die. One of a growing number of bands that blend gnarly death, d-beaten crust, and vicious hardcore in a way that is somehow fresh and exciting, APMD swoops in like an elite commando unit, executing its mission with deadly efficiency, leaving as quickly as they arrived, and with not a soul left alive in its wake. That’s what is in store for you with each and every spin of Southern Lord full-length debut God is War. Featuring members of Bloodhorse, The Hope Conspiracy, and Converge, this is one band does not – in the most direct way I can put it – fuck around. Adam Wentworth provides the debriefing.

What’s this? A new giveaway? That’s right, folks and what a giveaway it is! We’ve got no other than one of rock and roll’s legends and shock rock originators on board: Mr. ALICE COOPER! The man of horror has just released his latest album ‘Welcome 2 My Nightmare’ and to celebrate the occasion—and the fact that it’s a great record—we’re giving away two copies of the album on CD format. But that’s not all as one of the copies is signed by Alice Cooper! So come on up and take part in Teeth of the Divine’s ALICE COOPER horror madness!

With album number 3, Maledictus Eris, Denmark’s Svartsot have continued their consistent enjoyable take on folk laced death metal. However, rather than frolicking synths and fruity jigs, Svartsot deliver folk metal with a bearded, burly presence that’s as much Amon Amarth than anything else. But what makes the consistency surprising is the band turn over and the fact that guitarist Cris Frederiksen is the only remaining member from the debut, Ravenes Saga. So I visited with Cris to get a little more insight in the band’s new line-up, as well as some details on the new album.

This year Tuska Open Air was relocated from the middle of Helsinki to a new location. Just a five minute ride away to former energy hub, Suvilahti. The scenery had shifted from a dusty city park to pure industrial concrete jungle. With scorching heat and some 30,000 metalheads crammed together, Tuska Open Air’s three-day metallic meal, headlined by Morbid Angel, Devin Townsend and Amon Amarth, could’ve been the onset of the apocalypse. Was it?

Goddammit! Yeah, the summer vacation is over and it’s time to return back to the routines; work, natural disasters, war, famine and whatever else plagues y/our mundane lives from 9 to 5. Luckily for you, Underworld Records have hooked us to provide you with an opportunity to make your fall play out on with a positive note: Three bands. Six CDs. Two lucky winners. We’ve got SLIME IN THE CURRENT, we’ve got KILLGASM and we’ve got EXCOMMUNICATED CDs ready to go.

I’m thinking this is the third interview I’ve done with Billy Nocera of Razorback records over a time span of what must be approaching 10 years, maybe eight. Heck, I don’t remember precisely, but I know that up until now I hadn’t interviewed him for Teeth of the Divine. Given some changes in Billy’s life on both the domestic and label fronts, it seemed a good time to check in with this long-time lurker of the underground. In this installment of the, uh, Razorback interview series Billy talks about the label’s doomier end, his marriage to Vanessa and their relocation to Kentucky, the world of underground distribution, and various other Boar-ing topics. If you’ve any interest in acts like Wooden Stake, Fester, Crypticus, Hooded Menace, Mausoleum, Church of Misery, Coffins, Blizaro, Revolting, Scaremaker, Mausoleum, Decrepitaph, and Fondlecorpse (to name a handful), then you should probably take the plunge and read on. Have horror will travel. Can you dig it? The grave I mean.

One of those “old and forgotten Eastern European jewels“ that I Hate Records has been mining as of late, the rediscovered, repackaged, and reissued Let Draka/Flight of the Dragon from the Czech Republic’s Drakar nearly defies classication. Progressive thrash? Sort of. Quirky metal? You’ve just gotten in warmer. Creative music? Let’s go with that one. Vocalist/guitarist, founder, and visionary Ivan Sekyra takes us back to beginning, moves us through the middle, fast forwards to 2011 and tells the tale of a small Swedish label reissuing a little known album – in two-disc format for English and Czech speakers alike – from a killer cult Czech band . Read on; you just might learn something.

That ominous rumble you’re hearing in the distance is not a thunderstorm forming somewhere in the east. It’s the sound of CIANIDE’s Gods of Death moving steadily toward you. If you’re a friend, chances are you’ll survive the arrival. Foe? Forget about it; assume the position and starting kissing your ass goodbye. The long-running Chicago outfit has been leaving bruises and abrasions with every release unleashed, but the ugly death marches and rotten speed-kills of Gods of Death (Hells Headbangers) will in all likelihood be the one to inflict the most damage on unsuspecting listeners, in some cases lethally. Vocalist/bassist Mike Perum offers some pointers that will help you prepare for the impending carnage. Pay attention; your life depends on it.

Bassist/vocalist Jon Necromancer, drummer Joe Warlord, and guitarist Carcass Chris are veterans of the Chicago metal scene who knew exactly what they wanted to do when the self-titled debut from Bones was recorded. Screw pretension, fuck marathon studio sessions, and to hell with anything that isn’t made from a vocal, a bass line, a guitar riff, and drum beat. A power trio on multiple levels Bones brings it hard from note one, grooves it up, breaks it down to its bare essence, and kicks a ridiculous amount of ass in the process. Since all are ex-members of defunct Chicago legends Usurper, vagaries of that sound are present. But even more prominent is a bludgeoning, raw, and righteously rockin’ vibe that fuses the styles of bands like Master, Venom, and vintage-era Motorhead in a way that is 100 percent Bones. Jon Necromancer breaks it down even further for us. [DISCLAIMER: This interview, as well as the album review, was written before Bones became a client of ClawHammer PR, so don’t think for a moment that there is some insidious connection between the two.]

Color me blown away, bowled over, and knocked flat on my back by Running out of Daylight, the sophomore album from international metal outfit The Living Fields! Chicago-based, but inclusive of a vocalist in Jonathan Higgs (Monsterworks) that lives in London (and who has never met the other members) and a Canadian drummer (Chad Walls) that’s done time in death dealers Lecherous Nocturne and Brodequin (among others), the story of this band of brilliants is as interesting as the music is ridiculously good. Guitarist/bassist/composer Jason Muxlow (Earthen Grave) is the ring leader and the newest TLF Syndicate member is guitarist Samu Rahn. Progressive doom is the workable description, provided you realize that it there is more at work here. Masterful incorporation of strings (violins, cello, etc), epic arrangements, memorable melodies, tons of riff crunch, and the impacting versatility of Higgs’ vocals begins to tell the full story. You just need to buy the damn thing; that is, if you’re at all interested in owning one of the best metal albums of 2011. Perhaps the view from native New Zealander and London resident Higgs will paint you a clearer picture.

Looking at the SAUNA OPEN AIR line-up is like taking a DeLorean for a spin; it’s a rad time machine back to the ‘80s. Or what else would you call a festival that gathers acts like Accept, Ozzy, Saxon, Doro, Helloween and Judas Priest together? Whatever it is, SAUNA OPEN AIR’s metalgrounds were filled with prowling headbangers―old and relatively young―craving for pure Heavy Metal.

It has been nearly two weeks since returning home from Hellfest and I am still trying to wrap my mind around everything I experienced in just a few short days. Such an amazing whirlwind of music,places and most importantly, all the fantastic people we met from all over the globe! The combination of all these things made for a trip that we will never forget. For the majority of the planet, taking a seven hour plane ride, fifteen hour bus ride and venturing into a completely foreign world, where you speak absolutely zilch of the spoken language, may seem like a disaster in the making,but when you are crammed on said bus with fifty other stark-raving mad metal maniacs, it didn’t seem nearly as preposterous! Add to that the thoughts of the endless streams of the glorious music that awaited us in the remote town of Clisson, France and all in attendance were giggling like goons.

With the release of their third album, Scotland’s Alestorm have not only continued with the metallic shanties about all things Pirate-y, but they’ve upped the ante of their scope and grandiosity. As Black Sails at Midnight Improved upon Captain Morgan’s Revenge, so has Back Through Time also improved; bigger, more raucous fun and more metal, Back Through Time shows Alestorm as consistent as any folk act in the scene today. Oh and you want epic? How about Vikings battling Pirates (“Back Through Time”) and the return of the mighty Leviathan in an eight minute black metal styled track (“Death Throes of the Terror Squid”)? I visited with scallywag Chris Bowes to find out even more about one of my very favorite current bands and one of my favorite albums of 2011.

Roger “Rogga” Johansson (Bone Gnawer, Demiurg, The Grotesquery, Ribspreader, Paganizer, etc) is at it again! The multi-instrumentalist, composer, death metal warrior, and affable Swede, is pleased as punch with In Grisly Rapture, the excellent new album of catchy, horror-choked death metal from the Revolting trio. And he damn well should be! Everything from the music to the lyrics to the artwork is first rate and will surely end up one of my favorite death metal albums of 2011. Rogga breaks it down for us.

A stalwart of the Chicago doom/death metal scene for over a decade, Novembers Doom raised some eyebrows with their last 2 albums; 2007s The Novella Reservoir and 2009s Into Nights Infernal Requiem. The band injected more pure and aggressive death metal into their melancholy laced sound, with surprisingly brutal results. However with their latest release, Aphotic, the band appears to have returned to their doomier, sadder and more tempered releases of their first 5 albums. So while casually Facebook chatting with Novembers Doom drummer and fellow metalreview.com writer Sasha Horn a full fledged interview sort of evolved. And here is the subsequent impromptu result….

Peter Tägtgren is a man who is defined by his work, a body of music and ideas that is always morphing and pulling to and from the abyss. He has given life (and death) to fathomless classic albums and hardly needs an introduction, so one won’t be given here. The at one time one-man project Pain, and new album You Only Live Twice, is the man’s current focus, the details of which he divulges here. But fear not — the Hypocrisy mastermind also discusses that which put him on the metal map.

An interesting thing this nostalgia; it can make you blind. Take the case of Believer who in the late 80s/early 90s were recognized for their musically inventive, thought provoking style of thrash metal on albums like 1989’s Extraction from Mortality, 1990’s Sanity Obscure, and though apparently befuddling to some, 1993’s über-expansive Dimensions album. After 2009’s comeback album Gabriel and even more so on this year’s Transhuman (both on Metal Blade), many outside of the ironbound devotees were up in arms about the thrash part of the equation being pushed toward the background in the case of the former and all but eliminated on the latter in favor of a more melodic and song-based (though still progressive and full of great riffs) approach to metal. As it turns out, it was Transhuman that was my formal musical introduction to Believer, which allowed me to see things more clearly; that is, without the distorting effects of nostalgia. The fact of the matter is that Transhuman is a brilliantly composed, incredibly catchy and progressive album that still packs a punch with its meaty and inventive rhythms/riffs, as well as smart use of keyboards and beautiful atmospherics. Of course, the lyrical content about transhumanism and the ethical challenges arising from technological advances that are threatening to blur the lines between human and machine is absolutely fascinating. Of the hundreds of interviews I’ve conducted over the years, this one with vocalist/bassist/guitarist Kurt Bachman and keyboardist Jeff King is one of the most intellectually stimulating I’ve ever experienced. And by the way, you might want to reconsider the “Christian metal” tag that has been attached to Believer since the beginning, as it doesn’t really, nor has it ever, fit with the lyrical approach. Rather, that approach is one of intellectual discussion that touches on many areas, including the religious. Read, think, and form your own opinion. Don’t believe everything you read, except for the content of this interview of course.

Sweden’s Grand Magus occupies an elite place in the world of heavy metal. Every album is filled with the spirit of classic heavy metal and comes with those doomy shades that make the band somewhat of a unique entity. Bassist/backing vocalist Fox Skinner, guitarist/vocalist Janne “JB” Christoffersson, and drummer Sebastian “Seb” Sippola are ace players, the songwriting – great riffs, deep lyrics, catchy choruses – are built to last, and the albums are ones that are best heard as start-to-finish experiences. It was 2008’s Iron Will that knocked me off my feet, but the more I listen to Hammer of the North the more I think that it is at least on par with it, and when all said and done I may end up dubbing it the trio’s best work. Time will tell. But for now I thought it best to let JB tell the story of the album, including the track-by-track commentary that you’ll read below. By all means, proceed.

Taking over the metal and post-hardcore scene by storm with a consistently massive ever-growing fan base, Minnesota’s After the Burial is quickly rising pretty high in the ranks. It’s not too often you see a crowd go completely nuts over the opening acts rather than the headliners of a tour, but that was exactly the case when I had a chance to catch up with ATB bassist, Lee Foral on their latest tour with As I Lay Dying and Winds of Plague.

Pit-churning, melodic metal pioneers, UNEARTH, are currently readying to unveil Darkness In The Light, their fifth full-length in a discography that’s placed the band among the most prolific and plainly ravaging modern metal acts to come out of the U.S.. Set for North American release on July 5 via Metal Blade Records, the 11-track long […]

Vomitory has always been a quality Swedish death metal band (as in country of origin, not style) that never seems to get the amount of recognition so deserved of the unit. In the U.S. at least, some of that may have to do with the fact that they’ve played a grand total of one show on this side of the pond. Or maybe some folks just aren’t paying close enough attention. Still, many a devoted death metal fan is well aware of the quartet’s lethal approach. I’d like to think that Terrorizer Sodomize Brutalize brought the band a higher level of recognition, based in part on the level jump in songwriting and blazing lead guitar work of then new member Peter Östlund. Or maybe I just worship that album and any other thoughts are pure delusion. Following that bloody bastard was the dangerously ferocious Carnage Euphoria, which was released on Metal Blade in Europe, but saw no U.S. release (more on that below). But all is back in sync with Metal Blade now with the release of crushing new\effort Opus Mortis VIII, a carnivorous beast that in some respects blends Terrorize Brutalize Sodomize and Carnage Euphoria, albeit with a nasty disposition all its own. Let’s call it like it is, shall we? Vomitory was never about death metal reinvention, but they sure are consistent in making robust death metal albums that offer improvement and slight progression without any compromise when it comes to that skin-shredding, skull-crackin’ style of theirs. Just ask amiable drummer Tobias Gustafsson. He’s the man with the answers. Once you’ve finished reading, support quality death metal by purchasing a copy of Opus Mortis VIII; it’ll rip your arms off and then beat you mercilessly about the head and shoulders with them. It’s what you deserve.

It’s no real secret that I’m a huge fan of Between the Buried and Me. Since The Silent Circus, I’ve reviewed virtually everything they have released for this site or some other publication. I’ve interviewed and seen the band live three times and their album Alaska resides on my top 25 metal albums of all time — only one of a handful of albums released in the 2000s. And in what appears to be an annual occurrence, I happened to catch them in Lawrence, KS while touring with The Ocean and Job For a Cowboy. A tour, that’s promoting their jump from long time label Victory Records to Metal Blade and their current EP The Parallax: Hypersleep Dialogues — the first part of a planned two CD concept. So amidst Lawrence’s hordes of hipsters, tempting college lasses, apple chutney feta cheese burgers and drumming homeless dudes, I caught up with guitarist Paul Waggoner to find out more about the current release, the label switch and other guitar maestros…