God Dethroned is one of those death metal bands that define reliability, consistency, and excellence, almost to the point where I think they are sometimes taken for granted and perhaps not afforded the level of recognition they deserve. Some will point to albums like 1992’s The Christhunt, 1997’s The Grand Grimoire, or perhaps 2001’s Ravenous as the classics, in many cases due to nostalgia associated with remembering that first album that sucked you in for good.
It’s that time of the year again, when it’s time to take a look back at the previous year and figure out what the end score was. And as it is with things over here at Teeth of the Divine, this thing is legen-waitforit-dary…but none the less open to debate. So take part in the fun and post your top 2010 lists too! Without further a due, 12 pages of all things 2010 (and more or less, metal). Enjoy!
Love it or hate it (which seems to be the general feeling around here) deathcore is here and here with a vengeance. A sure sign that the genre isn’t going anywhere? A band like Oceano is nestled neatly on Earache Records, one of the oldest and most respected labels and purveyors of “true’ metal. After releasing their debut, Depths in 2009, the band quickly rose to the top of the deathcore heap and with their latest release, Contagion dropping earlier this fall, they look to stay there despite a large line up shuffle. I caught up vocalist Adam Warren to delve deeper into Oceano….
Lots going on. Iceland and Ireland in economic ruin. Haiti in rubble. Israel’s right-wing regime kicking around a new World War. And nearly half the U.S. digging an anti-queer Barbie doll and would-be president who shoots animal snuff films.
Put in context, anything going on in metal may seem like small beans. But still, we have our subculture, and the big story—what I’m calling The Great Metal Fashion War of 2010 because I can—is no less lacking in cultural hysteria. It isn’t a war-war, of course, more a metaphor thing. Except when it kind of isn’t.
An odd spelling for the band name, a digital-only label that offers its releases to the masses for free download, and an approach to death metal that is traditional, song-centric, and just damn heavy… In the case of Contaigeon’s Death as the Gates of Delirium on UK label Works of Ein, the combination is a winning one.
You think you know the underground? You don’t know shit! Sorry, got a little carried away there; just exaggerating for effect, no offense. But seriously, folks, Serbia’s NadimaČ is about as underground as it gets these days, at least as far as exposure outside of the Slavic region and a staunch DIY work ethic are concerned. With a slew of releases (full-lengths, splits, comps, vinyl, DVDs, etc) on labels like China’s (yeah, China) Area Death Productions, and singing in their native tongue exclusively, NadimaČ is one band that truly puts the music first and money/fame a distant…ah hell, who are we kidding? It’s not a consideration.
‘Tis the season and all that. And in the spirit of all things festive and or Capitalistic, teethofthedivine is teaming up with Rotting Corpse Records to give 3 lucky winners, three of Rotting Corpse Records’ latest releases.
After almost twenty years, Enslaved continues to push onwards into uncharted waters. This time, they’re promoting their new, critically-acclaimed album Axioma Ethica Odini on what’s possibly their biggest US tour yet (with countrymates Dimmu Borgir). Frontman Grutle Kjellson took some time to talk with me before the show in Denver. It was just above freezing where we spoke outside, but not surprisingly, the cold didn’t seem to affect him at all.
A one-word album title. Two band members gone, and in their place, the addition of three guest vocalists, booming choirs and a massive orchestra. And then of course, those white leather and fur costumes. Yeah, it’s been an exciting and unpredictable time for Dimmu Borgir. I sat down with Galder sat down before their show in Denver (with countrymates Enslaved) to talk about the creation of their new epic Abrahadabra, the changes in the band’s sound and how to kill time on the road.
You mean The Dead consists of three Australian musicians of the extreme whose neural pathways were warped in some internal fire of the mind, resulting in a sludgified, space truckin’ and head trippin’ terror march through death metal inhabited worm holes…or some shit like that? How absolutely shocking.
In metal more than any other genre it seems that the domain of the small/underground record label is more often than not run by those with a genuine appreciation and love of the music over anything remotely resembling profit motivation. That is certainly the case with Iordan K, owner, operator, and overload of Stormspell Records. The music offered is, in the most fundamental of terms, Heavy Metal. If it furthers your understanding of the Stormspell mission, then you may also wish to consider descriptors like “old school,” “traditional,” or “classic” heavy metal, as well as “thrash.” Iordan prides himself on offering the complete package to consumers and eschews MP3 sales. He also scours the planet in a quest to find the true gems of the genre, whether old, new, obscure, or geographically isolated. Iordan’s story is an interesting one, to say the least, and Stormspell Records is one of the coolest labels on this planet we call Earth. Read on, learn, and support metal! Labels like Stormspell and guys like Iordan deserve it.
Discontent with the waves of false metal plaguing our great nation, the members of Gravehill joined forces to school all in the realm of true death metal, and they’ve done exactly that since their inception. Ringleader Mike Abominator chatted with Teeth about Gravehill’s role in the takeover of the metal world, the band’s plans to dominate at Maryland Deathfest next year, and various other topics involving leather, steel, blood and carnage.
Tom Gabriel Warrior has much to celebrate. It’s been a busy and productive few years since the return of Celtic Frost ended in a storm of animosity and a lack of shared vision. But Warrior has before seen one band dissolve only to give way to something greater, and as he graciously gave a good, long block of his time from the road (after I’d been lucky enough to see Triptykon’s New York debut), he spoke—as he often has—about the dissolution of Frost… but he also made it clear, both in stated terms and in the tone of satisfaction he’s experiencing at the moment, that Triptykon, while rooted in his past, is a band of the here and now—and of the future.
Keep it coming, baby! I’m talking about the gurgling, coughing, crackling, and crushing sounds of old school Swedish death metal! The good stuff; not the weak imitations. There has been a resurgence of the filth these last couple of years in terms of new bands forming, old bands reuniting (or simply coming off long hiatuses), and an increased level of recognition for the forefathers. Sweden’s Interment is one of those “old” (circa 1988) Swedish death spine snappers that saw fit to reunite years later, releasing a gnarly split with the lordly Funebrarum in 2006 and knocking one out of the park with this year’s Pulverised Records’ release Into the Crypts of Blasphemy. Here is what guitarist/vocalist Johan Jansson (ex-Centinex, Demonical) had to say about it.
After reviewing and enjoying the debut album from Jaldaboath, I thought it might be entertaining to conduct an interview with Sir Jaldabaoth, the Grand Guitarist Inspector and Grand Sovereign Songwriter General of the self-proclaimed Hammering Heraldic Metal act (aka James Fogarty). Feeling that such issues as his split with The Meads of Asphodel, fellow British metal acts, cross cultural comedic boundaries and their current album Rise of the Heraldic Beasts warranted serious investigative journalism. Of course I should have expected that a knight responsible for crafting such songs as “Bash the Bishop” and “Axe Weilding Nuns” would not turn out to be a typical journalistic foray, and quickly descended into an uninformative but amusing episode of Black Adder…
After a critically acclaimed debut (2008’s …Of Frost and War), Dutch supergroup (members of Gorefest, Asphyx, Thanatos and Houwitser) left fans wanting after a strange digital only EP last year, but have now fully satiated fans with a full-length follow-up that continues the quality of the debut. Though still a war themed album, On Divine […]
In the overly pissed-in kiddie pool that is today’s heavy metal music, it’s nice to see a mean, smirking heavyweight like Chicago’s Cardiac Arrest land a cannonball right in the center and, with a sonic blastwave, send so many thumb-sucking weaklings flying. I mean, it really warms the heart. Thanks to the wonders of modern technology, three of four members of said band were recently able to communicate with Teeth of the Divine about everything just short of My Little Pony and brain surgery. Read on for the gory details.
DEATH ANGEL are back with their new opus ‘Relentless Retribution’. The two previous albums ‘The Art of Dying’ (2004) and ‘Killing Season’ (2008) seemed to divide the crowd quite a bit. How does the new album fare? Inspired? Uninspired? Total Thrash Domination? Read our review!
For the most part, most metal bands keep their style and sound. They know their niche, stick with it and possibly beat it to death, which is all well and good. With bands like Dismember, Bolt Thrower, Dimmu Borgir, Iron Maiden, Cannibal Corpse, Morbid Angel and such, fans know what they are getting and are OK with that. Heck even a few minor tangents and subtle flirtation with experimentation have risen on some of Metal’s most revered acts: Napalm Death, Amorphis, Death, Hypocrisy, Convulse, Paradise Lost, Anaal Nathrakh, Immortal, In Flames, Gorefest and the most obvious one, Metallica have changed, but all were recognizable. What about the rest?
Vortex and Mustis gone. A 100-strong collection of musicians and singers from the Norweigan Radio Orchestra and Schola Cantorum Choir. All those three-word album titles, lopped down to a single word inspired by the magickal writings of Aleister Crowley – a man whose life was a mystical, semen-slick orgy of occult excess. And speaking of […]
ENSLAVED has been producing quality music throughout the years. Sure, some of the albums have been better than others, but the band has been amazingly consistent with their releases none the less. Their new album, Axioma Ethica Odini, is just around the corner. How does it stack up? Is it a failure? Best album of 2010? Find out and read our review!
Epitomite Productions and Teeth of the Divine are are proud to team up for this mind blowing, ridiculous giveway. That’s why there’s a friggin’ nuclear explosion going on. We’ve got not one CD, not three CDs, not even five CDs… but NINE (9) CDs to give out! Count ’em! Nine CDs! And three T-shirts too!
Similar to the intestinal parasite that must be removed from the punctured gut by being wound around a stick and sucked slowly from the wound, Humangled churn and slurp at the innards, and can only be removed forcibly. Admit it: you’re hungry now, aren’t you?! These sick Italian deathsters bring forth Fractal, their punishing 2010 release. Contact was made with founding members Andrew Goreds and Luke Scurb, who were eager to let TOTD pick their brains.
Six Pack Witchcraft? Huh? Yeah, that’s right, motherfuckers. Määx (pronounced may-axe) is rumblin’ through your speakers, moshin’ through your flower bed, and guzzlin’ all your beers, and when they’re done with all that, they’ll probably be bonin’ your wife. And you’ll like it! Six Pack Witchcraft is their newest lo-fi, low class offering on Abyss Records, and it’s full of venom, denim and booze. Members James Brown and Brett Schlagel corresponded with Teeth of the Divine in between chanting and hell-raising.
Iron Maiden. It’s been ten years since ‘Brave New World’ came out and now there’s a new album on the block. Is there really a need to review it at all? Everyone’s got an opinion of it already, and so do we. Well, at least one of us does. Read Erik Thomas’ views on ‘The Final Frontier’ and voice yours in the comments.