The Ocean’s upcoming albums are going to be entitled Heliocentric and Anthropocentric. They are due for April and October 2010 releases. The concept at the base of both albums is a critique of Christianity from different philosophical and personal angles. While the songs, art and lyrics of Heliocentric tell the story of the rise of […]
Over the last ten years, Fear Factory has tarnished even the most dedicated fans’ view of the band. Under pressure from Roadrunner, the band bridged a gap between their heavy industrialized sound and the mainstream, causing a downward spiral of events that eventually led to what we all thought was the band’s ultimate demise. Chug-master Dino Cazares left the band due to mounting tension with lead vocalist Burton C. Bell, and pursued Divine Heresy, which was a lackluster copycat of Fear Factory in most fans’ eyes. Though Bell and company kept the motor running with Archetype, 2005’s Transgression was a clusterfuck of an album that sealed the deal for most followers. Well, those days are ancient history and I am ecstatic to say that the machine has returned, and someone has switched it to kill mode.
I last interviewed Overkill vocalist Bobby “Blitz” Ellsworth for the Killbox 13 album in 2003 and since that time have held the man in even higher esteem, not only for his steely resolve and unwavering devotion to thrash metal, but also for the enthusiastic and amiable way he comes across. Why I waited seven years to interview him again is beyond me. His is an interview to which you look forward because you just know it’ll meet the gold standard. This time was no different.
After many, many years stuck in the wilderness, the UK is finally getting back into the Death Metal arena with legions and legions of quality bands. Despite the intricate nuances of these new minions, they all comfortably sit under the encompassing banner of “Death Metal,” be it the blitzkrieg insanity of Infected Disarray, the guttural perfection of Embryonic Depravity or the freakishly bizarre Crepitation and Amputated, these bands are Death Metal to the bone. Ingested, produced one of my favourite (and most played) albums of 2009, they are another cast iron example that extreme music is healthy and vibrant on these shores. Ingested first came to my attention as the standout band of the North-West Slam Fest 3 way split extravaganza that was released in 2007. The potential demonstrated on that juicy entrée was mouth watering, and they satisfyingly outdid themselves on their full length. I spoke with drummer Lynn Jeffs, on whom the band’s guttural insanity is pivoted, he had plenty to say on the scene, his tenure in Annotations of an Autopsy, and the future plans for Ingested.
After two excellent splits, UK-based pagan black metal outfit Wodensthrone has delivered one of the most impressive debut albums I’ve heard in years. Grand, savage, epic and beautiful, Loss has not only found itself high on my year-end list, but it’s also quickly become one of my favorite albums in the genre. Much of this has to do with the sweeping songcraft, but it’s the evocative, atmospheric nature of the music that really transports the listener. No surprise, given that these guys take their history, their heritage and their philosophy quite seriously. Read on and you might even learn a few things…
You know its a stellar year for metal when all the the staff asked if they could submit more than ten favorite albums this year, and then snuck in numerous other top albums by way of honorable mentions, new discoveries and such. Still, you cant argue with 2009s wide array of quality albums. The year was dominated by technical death metal, and littered with unsigned gems and unexpected surprises. I mean, when was the last time a year see releases by the likes of Mastodon, Isis, Behemoth, Napalm Death, Nile and Suffocation and they only get cursory mentions?
Thanks to everyone who all who made the site what it is and thanks to all the readers who make it what it will be. Here is to another great year of metal in 2010.
Where available, reviews have been linked so you can read our highly specialized, professional, humble and opinionated reviews of these albums.
As usual feel free to ridicule, mock our picks, add your owns lists and ensure that the old fashioned saying about opinions holds true…
I’ll get straight to it. One of my favorite releases of the year, and indeed of the last few years is the debut from California’s Fatalist, “The Depths of Inhumanity”. Why? well, I’m a sucker for old school Swedish Death Metal, and Fatalist, right down to the logo, song titles and even some promo photos are Entombed incarnate. I caught up with band founder Neil Burkdoll to take The Left Hand Path and discover The Truth Beyond….
Though we spend most of our time mired in all elements of the extreme, dark, violent and misanthropic, we here at Teethofthedivine.com still understand the importance of things like family, friends and whatever religious implications come with this time of year. So with that, we here at Teethofthedivine.com would like to wish all our readers a Merry Christmas and a Happy New Year as we take some time off and gear up for 2010.
Also, we’d like to take a moment to wish all those in the Military serving their respective countries around the world at this time, a safe Holiday Season and thank them for their continued service.
Vetis Monarch – vocalist/guitarist/leader of Canada’s Weapon – is a thoughtful sort and one whose art cannot simply be explained by alter ego\ or the commonly accepted conventions of artistic expression. Weapon is his living, breathing personification. Taking a far deeper philosophical approach to concept/lyrical development, Monarch’s worldview is somewhat atypical for black metal in that it is based not on a Christian, and ultimately anti-Christian background, making the exploration of Satanic philosophies far more refreshing. But it is the music of Drakonian Paradigm that sucked me right in and kept me coming back for more, making the album an immediate 2009 Top 10 selection in the waning weeks of the year. Black metal at its core, yet not solely traditional in a tremolo-picked and blast-beaten sense, Drakonian Paradigm brilliantly mixes in elements of thrash, death, and even traditional metal, in the process creating memorable songs and varied arrangements all wrapped up in the kind of palpable genuineness and sinister atmosphere that is lacking on so many BM releases. And now to answer my feebly probing questions, I give you Vetis Monarch.
World-renowned power trio HIGH ON FIRE has completed work on its long-awaited, fifth studio album and follow-up to 2007’s Death is This Communion. Titled Snakes for the Divine, the record will drop on February 23, 2010 via E1 Music. Recorded at The Pass Studios in Los Angeles with producer Greg Fidelman, Snakes for the Divine […]
Blackened-thrash masters, SKELETONWITCH have announced a US headline tour this February. The band, who is just wrapping up a wildly successful co-headline tour of Europe with GOATWHORE and TOXIC HOLOCAUST, will be bringing IRON AGE from Austin, Texas and Rhode Island’s HOWL on the entire run. DOOMRIDERS and BLACK TUSK will lend support on select […]
Earache Records is very proud to announce the signing of Canadian thrash metal pioneers ANNIHILATOR to a European deal. Since releasing their classic ALICE IN HELL debut in 1989, ANNIHILATOR has consistently played heads-down, no-frills metal, led by guitar virtuoso JEFF WATERS. Now, in 2009, Earache is proud to welcome one of the originators of […]
Like the deadly bacteria lying dormant at the bottom of your gut, Witchmaster sits and waits until the time is right for them to resurface in a choking, splattering, sickly mess that ruins your golf game or whatever the fuck else you had planned for the day. Their last grime-encrusted offering, a self-titled album released on Agonia Records, came out five years ago, and now the wait is over for Trucizna, a hellacious, gnashing beast that saw its US release in November courtesy of the invulnerable Ibex Moon Records. Axe-slinger and original member Kali talks about the new album, Polish extreme metal, and just not giving a fuck.
Welcome to the first of (hopefully) many band spotlights here at Teeth of the Divine .com. Think of this as our version of VH1’s Behind the Music. The aim with these features is to take you a little deeper into some of the more influential, important and respected band in metal. Band’s that through their albums, shaped genres, defined sounds and for many, changed lives. Some bands are still charging on, continuing to adding to their legacy, while other have since call it quits, allowing their recordings to continue their impact and legacy…
One of many thrash bands of the 80s firing up the engine again in the 21st century, New Jersey’s Whiplash have released an album in Unborn Again that is outstanding on numerous levels. In large part it is due to the dynamic and varied songwriting, which includes not only neck snapping thrash, but also groove based heavy metal and hard rock. Most surprisingly is how well it works as a complete listening experience. Although the band followed up 80s classics Power and Pain and Ticket to Mayhem with a handful of 90s albums, 1998’s Thrashback was the last we’d heard from Whiplash until the release of this year’s Unborn Again. Certainly the passing of original member and bassist Tony Bono in 2002 put a damper on things, to say the least, but the Jersey boys are back and without a doubt better than ever. Guitarist/vocalist Tony Portaro and drummer Joe Cangelosi check in with TOTD to bring us up to date.
Formed in 2007 with the intention of honoring England’s proud ancestral heritage and rich national culture, WINTERFYLLETH (comprised of members culled from the UK’s most devastating doom contingent Atavist) set a solidified mission statement to bring awareness to England’s historical stories, folklore, landscapes and ancestral past through their folk-influenced vitriolic black metal. Coining the term […]
Many bands talk the talk of file sharing being something to be embraced, rather than eschewed, but how many bands do you know that walk the walk and actually release an album for free, especially a band on a big metal label? You’ll know at least one now, as Ireland’s Gama Bomb have done it through Earache Records with Tales from the Grave in Space, the follow-up to the extremely well written, balls out thrash masterpiece Citizen Brain. At the time of this interview I had not yet heard the album, as it was not available, so the idea was to focus on the band’s/label’s decision to release it for free, a preview, if you will. Now that I’ve gotten my own digital copy of the album (and you can too), I can tell you that it is every bit the rip roaring, fun-filled vintage (with modern sensibilities) thrash extravaganza that is Citizen Brain. Vocalist Philly Byrne fills tells that tale of Tales and how file sharing can be a good thing for metal bands.
I-Tunes today premieres “Powershifter,” the first song from Fear Factory’s upcoming new album as an exclusive digital download. Due in stores February 9th, Mechanize is the first album to feature the lineup of vocalist Burton C. Bell, returning guitarist Dino Cazares, bassist Byron Stroud and veteran drummer Gene Hoglan. The anticipated album also welcomes back keyboardist/producer Rhys Fulber (Front Line Assembly).
Legendary and acclaimed Bay Area act LUDICRA are putting the finishing touches on their next full-length album (their fourth) entitled ‘The Tenant‘, which will be released through Profound Lore Records. Known as one of the initial acts to help spearhead the black metal underground movement of the Bay Area and featuring the line-up of guitarist […]
Tampa, FL’s kings of groove laden death metal SIX FEET UNDER are back with their 3rd installment of the band’s cover series, Graveyard Classics 3, due out on Metal Blade Records January 19th 2010. Graveyard Classics 3 was recorded at D.O.I. Digital Audio in Tampa, FL, was mixed at Audiohammer Studios by Mark Lewis, and […]
It is not often I’m totally smitten with a doom band, much less a funeral doom act, but Germany’s Ahab has shocked and awed me ever since I reviewed The Call of the Wretched Sea, the act’s second release (after The Oath EP) in a trilogy (the “Nantucket Saga”) of sea-based tales, based upon stories […]
The last couple of years has been spectacular for old school classic Swedish styled death metal; you’ve had albums from the likes of veterans such as Bloodbath, Séance, Necrovation, Evocation, Dismember as well as new blood from Hail of Bullets, DeathEvocation and Fatalist just to name a few. Heck, even Entombed returned from the land of suck on 2007s Serpent Saints. What was missing was a big name reunion- a glorious name from the past, the return of a legend (Séance doesn’t quite count). And that happened earlier this year (at least here in the US) when Ibex Moon Records released Death …the Brutal Way from Dutch death metal legends, Asphyx. Complete with the duo that was mostly responsible for the legendary The Rack, suddenly busy vocalist Martin Van Drunen, founding member Rob Bagchus returned to the fray in spectacular fashion and I caught up with Mr. Bagchus to find out how this legendary comeback came about and other things….
While doing your own thing is the way to go when running a site like TeethoftheDivine.com, it’s always better to also keep your head up and know what’s happening around you. In order to serve our readers better, we realized we need to go out more. Thus, we dressed up in our fancy work clothes (casual and friendly but with a hint of authority) and took a step outside from our dark, murky cave and signed ourselves up to the biggest social entities in the World Wide Web. Just to be closer to you.
Even though European heavy metal fans have always trounced their stateside counterparts in terms of dedication to their bands, it still puzzles me that so many folks on this side of the pond bypass Novembers Doom. Not only has the Chicago act perfected a unique brand of doom/death, but they’ve improved and expanded their sound, resulting in albums like The Pale Haunt Departure, The Novella Reservoir, and Into Night’s Requiem Infernal that are filled with quality metal and memorable songwriting from top to bottom. That Novembers Doom can play a Minneapolis festival with the likes of Primal Fear and Atheist and be lucky to draw 100 people, then turn around and fly to Spain to play a show for 800 people that sold out in advance speaks volumes about the difference between European and U.S. punters. In the interview that follows I discuss that contrast, the new album and generally all things Novembers Doom with guitarist Larry Roberts.
Legendary metalers Armored Saint enters Tranzformer Studios in Burbank, CA to record first studio album since 2000’s ‘Revelation’Los Angeles, CA, October 2, 2009 – Los Angeles’ sons of metal, ARMORED SAINT, are set to enter Tranzformer Studios in Burbank, CA to begin recording the band’s 6th full-length studio album. Tranzformer Studios is owned by Dave […]