When talking about French technical death metal, the absolute top of the list is Gorod, but I think there is an argument to be made for Exocrine to be right there with them. The Bordeuax band has been on an absolute tear since 2018’s Molten Giant, which was somehow their third album already. Then with […]
Paul Speckman, (bass/vox), a long staple in the mid-west death metal scene, has been around since the 80’s with his main band Master. Some may be unaware, but some years ago, frustrated with the living costs in America and politics, packed up his shit and relocated to the Czech Republic.Buthere are still nods to their […]
I’ll be honest with you, dear reader – usually when an established artist strikes out on their own, regardless of how much I may respect and admire them or their prior work with their respective bands, I just cannot care less. I don’t think it’s going out on too big of a limb to say […]
Italy’s Drown In Sulfur got off to a hot start in the blackened deathcore genre with various EPs including the excellent Blackwind EP, which I really enjoyed and own, and I thought the band was ready to blow up. Then the band literally blew up shortly after with drummer Domenico Tamila kicking out all of […]
We at Teeth of the Divine don’t want to just steamroll over 2023 like it never happened, because when you go back and really think about all the wild shit that went down, it certainly deserves some recognition – from our nation’s capital providing the most insane reality TV possible (we can’t wait for the George Santos/Lauren Boebert spinoff) to a handful of millionaires deciding to visit the Titanic in a glorified oil drum with unsurprisingly disastrous results, there was no shortage of explosive (er, implosive?) moments to reflect on.
Well, it’s the time of the year when the staff here at TeethoftheDivine take a short break for the Holidays. Unlike Apple workers, we give our little elves a little time off to celebrate the season with their families, loved ones, cats or sex doll of choice.
The last time I did a review of a Christmas album, it was Majestica’s take on Dicken’s A Christmas Carol. A largely successful, fun, power metal album with plenty of Xmas cheer and classic Xmas hymns and elements. The Black Nativity is the complete opposite. And not in a good way. Illinois Christian black metallers […]
What’s in a name? Well, I have to admit I’m shallow enough I passed up this promo when it first showed up in my inbox as the name Deathcode Society did little to draw my interest. Then, while listening to a symphonic black metal playlist on Spotify, the track “Scolopendra”, played, and my attention was […]
Around since the early 90s, main man Ares and his band Aeternus delivered some pretty classic, folky black metal albums early on in their career with Beyond the Wandering Moon and ….And So The Night Became. They were also one of the first bands to blend death and black metal and have the term ‘blackened […]
This fall/early winter, a group of excellent Swedish-styled/HM-2 death metal releases will be vying for your attention and hard-earned cash. Belgium’s Carnation, Prosthetic Records’ 2023 foray into the genre, Xorsist, Australia’s The Plague, reliable German vets Endseeker, and the best of the bunch, the long overdue second album from Sweden’s Gravestone. The 2018 debut, Sickening, […]
Long-running California thrash metal band Sadus returns with their sixth album, The Shadow Inside. I was a long time fan of the band’s earlier works and their demos and first three albums, Illusions, Swallowed in Black, A Vision of Misery and they contained the type of technical and hyper-speed thrash that melted face worldwide. I […]
It’s been a difficult few years for Fuming Mouth since they released their debut, The Grand Descent. You can likely get that entire backstory from any other review of this album, so I won’t dive into it here. However, suffice it to say this band came out swinging with their follow-up, Last Day of Sun. […]
So here it finally is…. the new Suffocation album, and notably the first release without original vocalist Frank Mullen, since the band formed in 1990. While other members (other than the other lone original member, guitarist Terrance Hobbs), have come and gone, Frank and Terrance have been there since day one, so this album is […]
All the underground maniacs, me included rejoiced in moribund when Autopsy put the pieces back together and reformed in 2008/2009. The band always a cult favorite was happy to see how their name, over the years, had grown to more than just cult status. What was originally supposed to be a short-lived reunion became full-blown […]
Everything about the UK’s Svalbard can be characterized, in one way or another, as high-freaking-impact. Even when the band is taking a brief respite from their usual full-speed-ahead musical approach – a high-octane mix of Post-Hardcore, Metalcore, Black Metal and D-Beat that rarely (if ever) pulls any punches – they’re still likely coming at you face-first […]
In the end, how do you want to be remembered? Will you be remembered at all? The ultimate weight of our own legacy hangs like a formless specter, bearing down on us with every waking moment, growing heavier and more gnarled with every step towards this life’s inevitable conclusion. And that’s kind of a bitch, […]
Germany’s Sulphur Aeon has been dark for a few years now after churning (literally) out three superb albums of murky, majestic, Lovecraftian death metal since 2013, that had them being uttered in the same breath as the likes of Portal, Ulcerate, and such. But after a 5-year silence since 2018’s The Scythe of Cosmic Chaos, […]
Despite being one of the first deathcore bands to dabble with black metal keyboards, Carnifex seems to have never quite fully committed to being a full-on symphonic/blackened deathcore band. The last two albums, 2019s World War X and 2021s Graveside Confessions, flip-flopped between more Whitechapel-styled deathcore and slightly more blackened deathcore that they introduced with […]
Those in the know and follow symphonic black metal, are aware that since their Piercing Through the Frozen Eternity EP in 2022, Finland’s Moonlight Sorcery has been touted as the next big thing in 90s-styled melodic/symphonic black metal. Some even saying they are going to be the next Dissection or Emperor, with a windy, grim, […]
Can you believe Chaos Horrific is the 16th album from Cannibal Corpse? Talk about an achievement in death metal. Seriously if they wanted to break up now who could blame them? They have accomplished more than enough and have given back to the death metal scene an enormous amount. That said, other than the album […]
Montreal Technical Death Masters Cryptopsy returns with their eighth studio album As Gomorrah Burns. It was written over the last two years during the pandemic and they wrote and recorded this in a cabin to add to the horror movie-like ambiance. This is the first full-length album since their 2012 self-titled release featuring original guitarist […]
If you had told me in 1994 that a band with the name Dying Fetus (DF) would eventually become one of the biggest names in death metal I would have told you to get your head examined…..but that is precisely what has occurred through the decades. Dying Fetus returning with their ninth full-length album Make […]
Marduk are a steadfast part of the Black Metal scene. From the beginnings with their more death metal debut, Dark Endless to their Dracul trilogy and fast forwarding to their ultra-military Germania and the mighty as cannot be fucked with, the Black Metal equivalent of Slayer’s Reign in Blood; you know what the fuck I’m […]
The creators of cavernous unholy death metal, Incantation, once again return to the table with Unholy Deification. A 10-song 41-minute album that is not quite on par with their last album, Sect of Vile Divinities, which I reviewed three years ago, and which I hailed as one of the finest albums they ever crafted. One […]
