Posts Tagged ‘2017’
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, October 9th, 2017
Although The Black Dahlia Murder have often had a tendency to divide listeners, those who have kept the faith and followed the band over their decade plus career have been duly rewarded by some killer albums and a consistent track record. The band’s tireless work ethic and expert refinement of their thrashy melodic death formula […]
Tags: 2017, Luke Saunders, Metal Blade Records, Review, The Black Dahlia Murder
Posted in Reviews, Reviews › W on Thursday, October 5th, 2017
Witch Vomit is very much like the black mold that is abundant in the pacific northwest. If you live in the region, you know and experience this phenomena. The band is very much like it; black, murky and gives you that creepy feeling. Their sound just oozes blackness and filth. Slow, dark and pummeling is […]
Tags: 20 Buck Spin, 2017, Review, Will 'Bones' Lee, Witch Vomit
Posted in Reviews, Reviews › L on Thursday, October 5th, 2017
It’s been 10 years since Kansas City’s Lo- Ruhamah released their impressive debut, The Glory of God, and then a subsequent interview with the band, cleared up the band’s deep philosophical themes and leanings, leanings which again arise on the band’s long awaited follow up, Anointing. Though not a Christian band, as you see by […]
Tags: 2017, E.Thomas, I Voidhanger Records, Lo-Ruhamah, Review
Posted in Reviews, Reviews › S on Wednesday, October 4th, 2017
When you and the crew are hanging out in the basement smoking and watching epic fail videos on Youtube are you the tunes master? The one who is trusted to wield the aux cable to feed the vibes, facilitating the good times until the last dude is passed out? Are you getting gripes under breath […]
Tags: 2017, Get Pissed Stay Pissed Records, Mars Budziszewski, Review, Satan's Dealer
Posted in Reviews, Reviews › I on Tuesday, October 3rd, 2017
Iron Reagan, the side-project from Municipal Waste and Darkest Hour members return with their third album. I was a huge fan of their prior albums: Worse than Dead and The Tyranny of Will. Caught the band live, opening for the Napalm Death/Voivod/Exhumed tour and they were phenomenal live.Iron Reagan play a brand of crossover thrash, […]
Tags: 2017, Frank Rini, Iron Reagan, Relapse Records, Review
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, October 2nd, 2017
It wasn’t until 2014s Titan that I got into Greece’s Septiciflesh, which is a surprise considering I’m a sucker for big, epic orchestration in metal. But as with Titan, and even prior releases like The Great Mass that I went back to, Septicflesh remain all fluff and no real substance. But the fluff, remains some of […]
Tags: 2017, E.Thomas, Review, Season of Mist, Septicflesh
Posted in Reviews, Reviews › D on Friday, September 29th, 2017
So while we wait with bated breath for the long overdue to Disma’s follow-up to their 2011 debut Towards the Megalith the band has put out this new ep featuring the title track: “The Graveless Remains” and “Sempiternal Deformity”. Some new line-up changes as well. Guitarist Daryl Kahan and drummer Shawn Edlridge are out. Taking […]
Tags: 2017, Disma, Frank Rini, Profound Lore Records, Review
Posted in Reviews, Reviews › V on Friday, September 29th, 2017
Vancouver butcher Graham MacSkimming has crafted a pretty impressive underground resume. As a vocalist he channels Reagers’ era Vitus with an eerie tonality and violent vocal schizophrenia in sludge/doom overlords Witchsnake and he’s had his hands in seminal death/thrash/punk cultists Violent Christ, Ligeia and several other projects that are well-worth a listen. Vile Ent is […]
Tags: 2017, Jay S, Review, Self-Released, Vile Ent
Posted in Reviews, Reviews › S on Wednesday, September 27th, 2017
Last year, I received a demo from San Francisco’s Sentient Ignition, they didn’t want a review, just some feedback from me about their sound. The basic premise of my feedback was they were promising, talented, sounded like Black Crown Initiate, and the vocals needed some work. Well, they wrote me back earlier this summer and sent […]
Tags: 2017, E.Thomas, Review, Self-Released, Sentient ignition
Posted in Reviews, Reviews › D on Tuesday, September 26th, 2017
I’ve been a fan of Finland’s Desecresy for the last 5 years and have really loved their past 4 albums. They used to be a two-piece act, but vocalist, Jarno Nurmi decided to bail last year leaving Tommi Grönqvist, who plays all the instruments and is the band’s artist, holding the bag. Rather than pack […]
Tags: 2017, Desecresy, Frank Rini, Review, Xtreem Music
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, September 25th, 2017
Belphegor has always been one of those consistent, respected veteran bands on my periphery that I’ve ‘liked’ but never ‘loved’. The first album I heard and covered was 2005s relentless Goatreich Fleshcult, and while I thoroughly enjoyed it, subsequent albums like Pestapokalypse VI, Walpurgis Rites- Hexenwahn and Black Magick Necromance, left me pretty ambivalent. So much […]
Tags: 2017, Belphegor, E.Thomas, Nuclear Blast Records, Review
Posted in Reviews, Reviews › T on Friday, September 22nd, 2017
Feel the crushing groove…FEEL IT! I think I may have gotten a tad bit obsessed with Detroit, Michigan’s Temple of Void. At the very least, I feel the onset of becoming a huge fan of the group taking hold. Seriously, a mere four weeks is what separates the first time I stumbled across Temple of […]
Tags: 2017, Kristofor Allred, Review, Shadow Kingdom Records, Temple of Void
Posted in Reviews, Reviews › C on Thursday, September 21st, 2017
It’s been 8 years since I reviewed Crimfall’s debut As The Path Unfolds, a solid entry into the Finnish folk/pagan/epic/melodic/Viking genre along sides stalwarts Ensiferum, Brymir and Turisas. They released a second album, The Writ of Sword back in 2011, but I never heard it so I can’t tell how they have developed since then. What I […]
Tags: 2017, Crimfall, E.Thomas, Metal Blad Records, Review
Posted in Reviews, Reviews › P on Wednesday, September 20th, 2017
I’ve been following California’s Parasitic Ejaculation since 2012 with their Sickening Conduct ep, dropping on the scene to a little buzz. 5 years later and the band have just dropped Isolation, their third full-length onto our laps. If you’re new to the Parasitic Ejaculation party and unsure of their sound, well brutal slam death metal […]
Tags: 2017, Amputated Vein Records, Frank Rini, Parasitic Ejaculation, Review
Posted in Reviews, Reviews › C on Tuesday, September 19th, 2017
Not to be confused with Georgia’s excellent, psychotic sludgers Crawl, the Crawl in question here is a one man blackened sleaze sludge project helmed by one sicko that plays bass, drums and vocals. The fact that organic instruments are used yet filtered through relentless torrents of distortion gives the record an industrial feel akin to […]
Tags: 2017, Crawl, Jay S, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › Z on Monday, September 18th, 2017
Under the alias of ‘Zornheym’, bassist/guitarist Tomas Nilsson, played in Dark Funeral from 2011-to 2014, and now he and some of his Swedish metal pals (notably Diabolical drummer Angst and Facebreaker’s Richard Bendler on vocals) has formed his own band under that moniker but those expecting anything like Dark Funeral will be sorely disappointed, as Zornheym play a […]
Tags: 2017, E.Thomas, Non Serviam Records, Review, Zornheym
Posted in Reviews, Reviews › L on Thursday, September 14th, 2017
Virginia’s Lord consistently make a big bastardly liar out of me. Ever since the band’s 2011 landmark album Chief, a tangled and complex tapestry of twisted backwoods butcher metal, Lord continues to up their game with each new album. An ever-changing line up soldiered on through the vermin bitten EP Alive in Golgotha and it […]
Tags: 2017, Heavy Hound Records, Jay S, Lord, Review
Posted in Reviews, Reviews › G on Wednesday, September 13th, 2017
So there are death metal bands and then there is Gigan… In a category all their own, from a galaxy unknown to man and from the brain of mainman Eric Hersemann. I guess if you want some kind of direction with their style, think: Ulcerate, Voivod, Artificial Brain, Gorguts, Doctor Who, Cerebral chaos, Sci-Fi, Space […]
Tags: 2017, Frank Rini, Gigan, Review, Willowtip Records
Posted in Reviews, Reviews › T on Wednesday, September 13th, 2017
You know home in some sports and other contests there is a USA vs the World? Well, if we did that for deathcore, despite a valiant effort from the likes of Enterprise Earth, Rings of Saturn, Shadow of Intent, Fit For and Autopsy and Oceano (and negative points from Suicide Silence) , the rest of the world […]
Tags: 2017, E.Thomas, Nuclear Blast Records, Review, Thy Art is Murder
Posted in Frontpage Feature, Reviews, Reviews › C on Monday, September 11th, 2017
After completely gutting and then revamping the line up, Dani Filth seemed invigorated for the surprisingly good Hammer of the Witches back in 2015, and that renewed energy has carried over into the follow up, the darkly seductive, 12th album, Cryptoriana – The Seductiveness of Decay. A tale of Victorian debauchery, magick, death, the afterlife and Gothic, supernatural […]
Tags: 2017, Cradle of Filth, E.Thomas, Nuclear Blast Records, Review
Posted in Reviews, Reviews › E on Friday, September 8th, 2017
Running Billie Holiday’s “Gloomy Sunday” through a grinder of screeching, white-washed noise is how Floridian filth merchants Ether get their kicks on opener “Dearest the Shadow,” a hint at the oddball, angular quirks to come. The band’s 2nd LP There is Nothing Left for me here is a craggy, down the mountain plummet of doom-y, […]
Tags: 2017, Ether, Jay S, Review, Self-Released
Posted in Reviews, Reviews › B on Thursday, September 7th, 2017
As a metal reviewer there is no greater feeling than stumbling upon something that is mind-blowingly awesome. I hope 2017 continues along this trend of new amazing bands popping up from all over the world because it definitely seems like each week I am finding more and more releases from around the world that are […]
Tags: 2017, Biesy, Nick K, Review, Third Eye Temple
Posted in Reviews, Reviews › U on Wednesday, September 6th, 2017
On paper, I should be super pumped about Ursinne, (Swedish for ‘fury’) a project featuring Dave Ingram (Benediction, Downlord, Down Among the Dead Men, Echelon) and Jonny Pettersson (Ashcloud, Henry Kane, Gods Forsaken, Wombbath, Just Before Dawn, etc) rounded out by bassist Sonia Nusselder. Even more so when I heard Kam Lee (Massacre) makes an […]
Tags: 2017, E.Thomas, Review, Transcending Obscurity Records, Ursinne
Posted in Reviews, Reviews › S on Tuesday, September 5th, 2017
Ever since Sinister’s killer comeback album, Afterburner in 2006, the band has literally been on fire and playing with as much purpose as when they first began slaughtering listeners in the early 90’s. Syncretism is the band’s 12th full-length. I won’t include the Dark Memorials album, as that is a covers album. Ok, let’s cut […]
Tags: 2017, Frank Rini, Massacre Records, Review, Sinister
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, September 4th, 2017
UK power trio Dyscarnate got on my radar with the 2014 reissue of their 2012 sophomore album, And So it Came to Pass, an impressive display of groove and heft that many compared to Dying Fetus- and rightfully so as the band has a bit of hardcore buried in their death metal salvos. And they […]
Tags: 2017, Dyscarnate, E.Thomas, Review, Unique Leader Records