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	<title>Archaic Oath &#8211; Teeth of the Divine</title>
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		<title>Archaic Oath &#8211; Determined to Death and Beyond</title>
		<link>https://www.teethofthedivine.com/reviews/archaic-oath-determined-to-death-and-beyond/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=archaic-oath-determined-to-death-and-beyond</link>
					<comments>https://www.teethofthedivine.com/reviews/archaic-oath-determined-to-death-and-beyond/#respond</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Thu, 14 May 2026 11:57:20 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › A]]></category>
		<category><![CDATA[2026]]></category>
		<category><![CDATA[AOP Records]]></category>
		<category><![CDATA[Archaic Oath]]></category>
		<category><![CDATA[Erik T]]></category>
		<category><![CDATA[Melodic Black Metal]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://www.teethofthedivine.com/?p=74693</guid>

					<description><![CDATA[Archaic Oath is a new but veteran Belgian duo comprised of instrumentalist Lykormas (Hemelbestormer, Lhaäd, Rituals of the Dead Hand, Wolven, ex-Entartung, ex-Gorath) and vocalist Arneriach (Astovidatu, Bleak Cold Irrelevance, Eternal Blood of War, Hail Spirit Noir). They apparently met way back in 2005, but recently decided to come together and form a project to [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>Archaic Oath</strong> is a new but veteran Belgian duo comprised of instrumentalist Lykormas (<strong>Hemelbestormer, Lhaäd, Rituals of the Dead Hand, Wolven, </strong>ex<strong>-Entartung, </strong>ex<strong>-Gorath</strong>) and vocalist Arneriach (<strong>Astovidatu, Bleak Cold Irrelevance, Eternal Blood of War, Hail Spirit Noir</strong>).</p>
<p>They apparently met way back in 2005, but recently decided to come together and form a project to pay homage to 90s melodic black/death metal, such as (a less symphonic) <strong>Emperor</strong>, <strong>Gates of Ishtar</strong>, <strong>Embracing</strong>, <strong>Naglfar, Dissection, Unanimated</strong>, etc.</p>
<p>And based on this solid debut, I&#8217;d say mission accomplished, as the 45 minutes contained on<em> Determined to Death and Beyond</em> absolutely nail that era and sound. If you need actual, immediate proof, go to the album&#8217;s closing track, a ripping, spot-on cover of <strong>Emperor&#8217;s</strong> &#8220;Ye Entrancemperium&#8221;; when it started, I actually thought my playlist had switched to my recent <strong>Emperor</strong> concert playlist.</p>
<p><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1752806418/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless=""><a href="https://thenoxentity.bandcamp.com/album/archaic-oath-determined-to-death-and-beyond">ARCHAIC OATH Determined to Death and Beyond by The Nox Entity</a></iframe>Opener &#8220;Above the Ice&#8221; gets the ball rolling, and makes no bones about the duo&#8217;s desired sound &#8211; they are not reinventing the wheel at all, and they know it. Semi-frosty, but razor-sharp melodic riffs, harsh, rasped vocals, some light synths &#8211; it&#8217;s all here, and the second track, &#8220;Wrath of the Witches&#8221;, leans into it even more, especially the latter <strong>Emperor</strong> song structures.</p>
<p>&#8220;Forest of Horrors&#8221; dips more into a melodic death metal pace and structure, complete with an acoustic bridge before an impressive blast beat and riff, before the mid-album instrumental &#8220;Requiem for a Doomed Soul&#8221; gives you a little break.</p>
<p>The back end of the album kicks off with &#8220;Abysmal Ascent&#8221;, complete with some<strong> Old Mans Child </strong>(another possible influence here)  / <em>The Pagan Prosperity</em> styled clean vocals, the slower &#8220;Path of Penitence&#8221;, and ultra spot on <strong>Dissection</strong>-ish &#8220;Into the Temple of Light&#8221;, by now, you kinda know what<strong> Archaic Oath</strong> are doing, where you can sort of predict time changes and signatures, but its still an enjoyable, nostalgic album that nails its chosen style.</p>
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