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	<title>Cypecore &#8211; Teeth of the Divine</title>
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		<title>Cypecore &#8211; Innocent</title>
		<link>https://www.teethofthedivine.com/reviews/cypecore-innocent/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cypecore-innocent</link>
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		<dc:creator><![CDATA[Mikko]]></dc:creator>
		<pubDate>Thu, 05 Aug 2010 10:00:20 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › C]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Cypecore]]></category>
		<category><![CDATA[Mikko]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Twilight Vertrieb]]></category>
		<guid isPermaLink="false">http://www.teethofthedivine.com/site/?p=11475</guid>

					<description><![CDATA[Melodic Death Metal is still alive and kicking it seems. Hell, even Soilwork released a surprisingly good record just the other day. Yet, the stagnation and overcrowding of the genre doesn’t keep newcomers away, as Germany’s Cypecore want their piece of the cake with Innocent. Apparently released two years ago as a demo, now reissued [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Melodic Death Metal is still alive and kicking it seems. Hell, even <strong>Soilwork</strong> released a surprisingly good record just the other day. Yet, the  stagnation and overcrowding of the genre doesn’t keep newcomers away,  as Germany’s <strong>Cypecore</strong> want their piece of the cake with <em>Innocent</em>.</p>
<p>Apparently released two years ago as a demo, now reissued by Twilight-Vertieb, <em>Innocent</em> is nothing new under the sun that’s seen  it  all. To hide the fact, there’s a slight industrial-overtone present at  times, but unfortunately it doesn’t play as important a role, as it  perhaps  could and should. Actually, I was slightly surprised about how  familiar, and true to the genre, the band is in their delivery; it’s  clear they’ve listened to <strong>In Flames</strong> and <strong>Dark Tranquility</strong> quite a bit.  Also, with the help of some similar struts (“Something Inside”),  <strong>Cypecore</strong> is reminds of <strong>Construcdead</strong>’s unsung classic debut,  <em>Repent</em>. Too bad <em>Innocent</em> isn’t anywhere near as relentless and  vicious. I was also quite surprised about how singer Attila Erdélyi  isn’t trying to out-do Fridén all the time. He mainly uses his  good-but-generic growl to get through the songs… in fact, I can’t  remember there being any clean vocals, which is a major surprise.</p>
<p>The songs have some nice details and ideas (“Final Hour”), even  catchy and memorable moments (“Control Yourself”, “The Origin of Hate”),  but that alone doesn’t cut it, especially when there are some really  bland, if not outright boring, tracks (“Signs”) to go and sing along to.   The ‘worth a listen or two’-songs, too, have a problem carrying on. For  example, the aforementioned “Something Inside” starts out with a strong  bite but at some point it strays, and I forgot what  was good about the track in the first place. The length becomes the  biggest flaw of <em>Innocent</em>: 12 songs (including intro and outro) and  53-minutes is simply too much to ask when the material isn’t up to  task. <em>Innocent</em> doesn’t end in a down-note, as closer “Distraction”  might be one of the album’s most balanced cuts.</p>
<p>There’s nothing criminally wrong with <strong>Cypecore</strong>’s stuff, but as it is  there are bands that have done it all before—and better—so it’s hard to  recommend <em>Innocent</em> to even the most fanatic of the melodic death metal  fanatics. Even if they might get a kick out of it. If, and only if, the  band will be able to forge their sound towards one that can be called  their own—whilst paying more attention to interesting songwriting—then  I’ll admit the possibility of an up-side.</p>
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