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	<title>Dawnwalker &#8211; Teeth of the Divine</title>
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		<title>Dawnwalker &#8211; Crestfallen EP</title>
		<link>https://www.teethofthedivine.com/reviews/dawnwalker-crestfallen-ep/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dawnwalker-crestfallen-ep</link>
					<comments>https://www.teethofthedivine.com/reviews/dawnwalker-crestfallen-ep/#respond</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Fri, 15 May 2020 11:57:16 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › D]]></category>
		<category><![CDATA[2020]]></category>
		<category><![CDATA[Dawnwalker]]></category>
		<category><![CDATA[Erik T]]></category>
		<category><![CDATA[Post Rock]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Self-Released]]></category>
		<guid isPermaLink="false">https://www.teethofthedivine.com/?p=52134</guid>

					<description><![CDATA[Here&#8217;s a little atmospheric, shoe-gazy, post rock serenity to break up the death and black metal by way of UK collaboration Dawnwalker, a project featuring members of UK acts Sacred Son (who you may remember for making metal headlines for their album cover a few years ago), Pijn, Metasoma, Gold Baby and a host of [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Here&#8217;s a little atmospheric, shoe-gazy, post rock serenity to break up the death and black metal by way of UK collaboration <strong>Dawnwalker, </strong>a project featuring members of UK acts<strong> Sacred Son</strong> (who you may remember for making metal headlines for<a href="https://www.kerrang.com/features/we-spoke-to-the-guy-behind-the-most-controversial-album-cover-in-metal-right-now/"> their album cover</a> a few years ago), <strong>Pijn</strong>, <strong>Metasoma</strong>, <strong>Gold Baby </strong>and a host of other contributors.</p>
<p>Though quoting the likes of <strong>Tool, King Crimson</strong> and <strong>Opeth</strong> in their promotional material, I don&#8217;t hear a lot of that. I get a more newer <b>Envy </b>(especially fourth track, &#8220;The Way Home&#8221;)<b>, Day Without Dawn, At the Sounddawn,</b> latter <strong>Callisto</strong>, and other dreamier, softer hued post rock bands. Also, recent band, <strong>Ghostbound</strong> seemed to be a reference for the band&#8217;s delicately black metal injected ambient melancholy.</p>
<p><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=649717133/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=2402624786/transparent=true/" seamless=""><a href="http://dawnwalker.bandcamp.com/album/crestfallen-ep">Crestfallen EP by Dawnwalker</a></iframe></p>
<p>This is full of gorgeous, shimmering, layered strummed riffs that barely break into metal here and there with largely clean sung croons and a very rare, distant black metal rasp here and there. Opener &#8220;Crestfallen&#8221; opens with a minimalist, but addictive dreamy sway before &#8220;Pollen Cloud&#8221; delivers a short <strong>Oasis-</strong>like, mellow throb. Then &#8220;Towpath&#8221; delivers the most metal of the EP&#8217;s original tracks with black metal rasp over the patient, shimmery ambiance.</p>
<p>The EP&#8217;s highlight are the too short &#8220;The Way Home&#8221; with Robin Melinda Koob&#8217;s lovely delicate vocals and a blackened cover of  Washington State&#8217;s folk/Americana band <strong>Mount Eerie</strong>&#8216;s &#8220;Lost Wisdom&#8221; where a killer frosty gallop surfaces amid the clean sung folky ambiance (where I really got the <strong>Ghost Bound</strong> vibe, even if it is a cover song) before an acoustic track &#8220;Pagan Plains&#8221; closes out this lovely little digital only release that has made me check out the band&#8217;s prior two albums.</p>
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