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	<title>Deprivacija &#8211; Teeth of the Divine</title>
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		<title>Deprivacija &#8211; Dugne</title>
		<link>https://www.teethofthedivine.com/reviews/deprivacija-dugne/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=deprivacija-dugne</link>
					<comments>https://www.teethofthedivine.com/reviews/deprivacija-dugne/#comments</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Tue, 02 Feb 2016 11:38:00 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › D]]></category>
		<category><![CDATA[2015]]></category>
		<category><![CDATA[Deprivacija]]></category>
		<category><![CDATA[Erik T]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Self-Released]]></category>
		<guid isPermaLink="false">http://www.teethofthedivine.com/?p=38404</guid>

					<description><![CDATA[I can&#8217;t say I&#8217;m overly familiar with the Lithuanian blackened doom/sludge scene, but the debut, Dugne (seabed? bottom of the sea?) from Deprivacija certainly holds some promise if the rest of the scene is as competent. 6 songs, 55 minutes, a gritty, feedback laden, gravelly guitar tone and delivery despondent slower, crawling riffs and pained raspy screams will give [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I can&#8217;t say I&#8217;m overly familiar with the Lithuanian blackened doom/sludge scene, but the debut, <em>Dugne</em> (seabed? bottom of the sea?) from <strong>Deprivacija</strong> certainly holds some promise if the rest of the scene is as competent.</p>
<p>6 songs, 55 minutes, a gritty, feedback laden, gravelly guitar tone and delivery despondent slower, crawling riffs and pained raspy screams will give this some appeal to the <strong> Thou/Leviathan</strong> crowd as well as the <strong>eyehategod</strong>, <strong>Nux Vomica, Lord Mantis</strong> fans. A few bursts of blackened crust fury (end of &#8220;Šukės&#8221;) might even reel in the <strong>Celeste/Delug</strong>e gang. But for the most part  this is a crawling, depressive affair with a DIY tone and delivery that&#8217;s effective and honest.</p>
<p><iframe title="Deprivacija - Skausmai (promo)" width="500" height="281" src="https://www.youtube.com/embed/-8jxRWRKrxI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>It does not have the most powerful or cavernous guitar tone, but it&#8217;s raw and filthy and the vocal howls and shrieks certainly give everything a nastier feel. There&#8217;s a very tense atmosphere permeating everything as well, even the acoustic bridges in aforementioned standout 12 minute opener &#8220;Šukės&#8221;, give me a case of the willies, as they either build to a icky crawl of savage black metal outburst. &#8220;Nerminas&#8221; starts with more unsettling acoustics that segues into a bruising, sickly lope and &#8220;Sociapatas&#8221; starts with a ominous bass line before a crawling mess ends with a odd but pace breaking thrashing section.</p>
<p>Another standout, &#8220;Skaumasi&#8221; starts with a fairly traditional discordant sludge trudge, but at about 1;50 it takes a really haunting turn and delivers a quite nauseating crawl for its final 4 minutes. Its a sign that while relative unknown in the genre, they know their way around some really creepy sludge structures. &#8220;Krentu&#8221;, is the point in the album where I start to wander and get a bit exhausted with the tense atmosphere and shrieks, but it does change things up with a more weird, angular, crunchy pace.</p>
<p>Another 12 minute track, &#8220;Ramybės&#8221;, ends the album and it reels me back in with more slow burning, harrowing blackened sludge lopes. I just wish it had peaked or climaxed rather than deliver the same riff over and over to close and otherwise pretty darn good album and a strong example of the genre from a surprising source.</p>
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