The debut from this Sydney Australia progressive folk-metal act was ambitious, but didn’t quite reach its potential. Fire:Water:Ash was a bit too wandering and unfocused for its own good. The maritime themed follow-up however, is an improved effort that sees the act fulfill the promise of the debut. Though hailing from Australia, the influences of […]
I’ve always been partial to promoting local (Missouri) bands, especially talented ones like O’Fallon’s black metal tribe Harkonin. Now fittingly signed to Australia’s Battlegod Productions, Harkonin have released the follow-up to 2006’s solid Ghanima, complete with topnotch artwork and packaging. The end result shows a more controlled and mature band, replete with more of an […]
Incantation is the new black. If mimicry is the highest form of flattery, Incantation have to be drowning in flattery considering the rather sudden rash of supposedly old school death metal acts that are plying a form of their trademark style. It’s a style I never cared for when Incantation played it 15 years ago […]
I’ll get right to it, after one full-length (2007’s The End of All You Know) and a couple of splits, California’s The Makai have somehow rendered one of the most brilliant pieces of music I’ve heard with Embracing the Shroud of a Blackened Sky. Now I know most regular readers of this site know that […]
Nuclear Blast has to be happy: The last couple of months have seen the label release new albums from Enslaved, Dimmu Borgir and now, Cradle of Filth. Three of black metal’s forefathers in the early ’90s, now grown and developed far beyond their roots into metal’s biggest acts ― regardless of what genre you lump […]
After ripping my face off with 2009’s Unconsecrated Australia’s The Red Shore return with a new label, a new vocalist and a new drummer ― yet none of those changes stop The Avarice of Man being as completely devastating as the band’s debut. Despite the fact the band will be lumped in with the current trend of […]
As much as I like Facedown/Strikefirst Records and their quality―consistent Christian metal―none of the 2010 releases have blown me away. Sure, the likes of Impending Doom, In the Midst of Lions, As Hell Retreats, Onward to Olympas, Letter to the Exiles and The Burial are all solid, but I have to go back to the […]
I really wanted to like this heavily promoted debut record from System Divide. And why not? It’s got Belgian metal stalwart Svencho De Caluwe (Aborted, In-Quest, Leng Tche) on vocals and he’s joined by his hotterthanheck wife Miri Millman (Orphaned Land) and former Abigail Williams guitarist Mike Wilson. The thing is, the band’s effort to […]
I really like what Russia’s SFC Records is doing; becoming the European/Eastern European equivalent of Unique Leader/Unmatched Brutality Records: Releasing a quality mix of brutal and technical death metal, that has good production values, good packaging littered with unreadable monikers like Cephalic Impurity, Human Parasite, Fetal Decay, Ruptured In Purulence and Leptotrichia. Not to mention […]
After reviewing and enjoying the debut album from Jaldaboath, I thought it might be entertaining to conduct an interview with Sir Jaldabaoth, the Grand Guitarist Inspector and Grand Sovereign Songwriter General of the self-proclaimed Hammering Heraldic Metal act (aka James Fogarty). Feeling that such issues as his split with The Meads of Asphodel, fellow British metal acts, cross cultural comedic boundaries and their current album Rise of the Heraldic Beasts warranted serious investigative journalism. Of course I should have expected that a knight responsible for crafting such songs as “Bash the Bishop” and “Axe Weilding Nuns” would not turn out to be a typical journalistic foray, and quickly descended into an uninformative but amusing episode of Black Adder…
After a critically acclaimed debut (2008’s …Of Frost and War), Dutch supergroup (members of Gorefest, Asphyx, Thanatos and Houwitser) left fans wanting after a strange digital only EP last year, but have now fully satiated fans with a full-length follow-up that continues the quality of the debut. Though still a war themed album, On Divine […]
If you are only recently getting into Amorphis and their somewhat resurgent last three albums, (Eclipse, Silent Waters and Skyforger), you must grab this 20th anniversary retrospective album, to see just how really fucking good Amorphis were on their first three albums. Coinciding with the recently released Forging the Land of a 1000 Lakes DVD/CD, […]
Austria’s Heathen Foray are a new act to me. Being relative newcomers to the Viking metal scene, but already they have released two quality albums: 2009’s Passage and their stellar new effort, Armored Bards. Like easy comparison Amon Amarth, Heathen Foray use the backbone of crunchy, melodic death metal and deeper vocals to deliver their Teutonic […]
As the intro “I” and a song called “Wounds, Bloodstains and Richochets” scrolled across my iPod and well produced, synth driven metalcore/melodic death metal thundered into my ears, I wondered to myself, “Wow, Bleeding Through have another album out already? Didn’t they release their self tilted album earlier this year?” Then I began to notice […]
As I expressed here, Woe’s debut album, A Spell for the Death of Man was one of the best USBM releases of the last few years. So I was curious how Chris Grigg (no longer known as Xos) would deliver a follow up now residing on a legendary black metal label and having a full […]
You want to know how to get you self-released demo EP reviewed quickly? Send out a professional promotional package/folder that includes a retail CD, band contact information/bio, a poster, some glossy photos, a lyric sheet and some stickers. Even if your band is terrible, I’ll review your latest shite quicker than a few mp3s dumped […]
For the most part, most metal bands keep their style and sound. They know their niche, stick with it and possibly beat it to death, which is all well and good. With bands like Dismember, Bolt Thrower, Dimmu Borgir, Iron Maiden, Cannibal Corpse, Morbid Angel and such, fans know what they are getting and are OK with that. Heck even a few minor tangents and subtle flirtation with experimentation have risen on some of Metal’s most revered acts: Napalm Death, Amorphis, Death, Hypocrisy, Convulse, Paradise Lost, Anaal Nathrakh, Immortal, In Flames, Gorefest and the most obvious one, Metallica have changed, but all were recognizable. What about the rest?
The second album (despite being around since 1997) from Australia’s Stargazer fills two needs: First, it makes up for the disappointing Blood Revolt, redeeming Profound Lore records once again. Second, it satiates me until Atheist’s Jupiter drops. OK, I recently got Jupiter, but this tied me over. You’d think an Australian band comprised of two […]
There must be some legal wrangling going on between Rikard Martinsson and his former band mates from Mithotyn, because the debut (Fi’mbulvintr) from Sweden’s King of Asgard―which features ex-Mithotyn/Falconer members Karl Beckmann and Karsten Larsson (with Stefan Weinerhall providing some lyrics)―is basically a Mithotyn album without the band name. Or Rikard for that matter. Not […]
And so as 2010 winds down there’s still a few late arrivals from 2009 in my mailbox, but only a few are worth mentioning. At the top of the list is Sickening Horror’s follow-up to one of 2007’s very best death metal CDs: When Landscapes Bled Backwards. While these Greeks have a tall order to […]
After seven years off (not counting 2005’s Zero Comfort Margin EP), one of Willowtip’s first bands returns to the fray with an absolutely sick release that shows that brutal death metal/grindcore can be way more than power chords, pig squeals and comical cover art rife with porn and zombies. The aptly named Psalm of the […]
Miss Uphill Battle? Enjoy blackened hardcore or crust tinged blackened punk? Then check out the debut from this hungry San Francisco act who with their brief but feral Misanthropy and Godlessness, have delivered a half hour of urgent, enjoyable metal with vast crossover appeal. Featuring an incredibly punchy Zach Ohren production, the album’s feedback littered […]
British Heraldic Templar Metal? Monty Python metal? Hey Nonny Nonny core? Whatever you call it, the brain child of The Meads of Asphodel founder James Fogarty is certainly one thing: Fun! Imagine if you will the “Knights of the Round Table/Camelot” song from Monty Python’s The Holy Grail -movie done to metal (it’s a silly […]
There was a time up until about 2005’s Anomalies that Cephalic Carnage were a no questions, blind buy for every release. Challenging, heavy, creative, humorous and of course driven by weed, the band seemed to be on the very cusp of exploding out of their pot fueled basement and into mega stardom. But with Anomalies […]
I can’t really explain why it’s taken me so long to review one of 2010’s most impressive and disturbing black metal albums. I listen to it regularly, mentally gushing over it, and writing the review in my head each time I listen. I actually wonder if some dark occult force is preventing me from putting […]