One only need look at the Jon Baizley-ish artwork, the Scott Hull mastering and the label to have a guess as to the style of this solid full length debut from this Florida duo: droning, psychedelic, doomy post rock styled sludge cut from the same cloth as Deadbird, Rwake, Samothrace, Minsk and such. While hardly […]
Once I heard that Amorphis’ ninth album once again delved into Finnish folk literature a la the legendary Elegy as well as Eclipse (Skyforger, like Eclipse is based on the Kalevala poems, this time focusing on Ilmarinen, one of the central characters), I had my hopes pretty high. Even more so when you consider that […]
I literally knew nothing about this Nevada band before seeing this suddenly appear in Metal Blade’s digital promo site, apparently their second full length album – no press hype from Metal Blade, no other inklings about the style or substance of the band before I pressed play. And when I did press play I was […]
Not content with Dawn of Demise and their super chunky, hefty style of death metal Deepsend has delved into the Danish death metal barrel once again, and pulled out another killer, similarly styled act in The Cleansing. Formed from the ashes of Usipian featuring cross band members of Panzerchrist and Corpus Mortale (notably Martin Rosendahl […]
Credit where credit is due, Hungary’s Ektomorf have been playing their version of Soulfly’s 1998 self titled album for nearly a decade now with little sign of letting up of changing style five albums in, even with a label change from Nuclear Blast to AFM Records. At least you know exactly what you are getting […]
Despite often being labeled as the Finnish Cult of Luna, I still feel that 2006s Noir is one of the better examples of the post rock/NeurIsis genre of the last few years, mainly because the cello just added something different to the typical build ebbs and thunderous peaks. However, with providence there has been somewhat […]
Quite frankly, I’ve grown away from TN12LLY since their killer debut EP, Put on Your Rosy Red Glasses, as the band through Sad. Nuclear. Sad and 2007s Mongrel have become progressively (literally) more quirky and experimental, dropping almost all of their feral brutality and grinding mathcore/deathcore fury in favor of melody, spazzy experimentation and far […]
Who knew such a calamitous, primal and experimental noise resided in the very depths of Southwestern Missouri, and that such a sickly, harsh example of cracking, fuzzed out, lo fi misanthropy is the brain child of a polite, unassuming twenty something college student named Adam Kalmbach? This is one of those releases that’s sure to […]
In 2008, Scotland’s Alestorm took the international metal world by storm with their brand of likeable ‘Pirate Metal’ that mixed NWBHM, folk metal, Pirate shanty tunes and Running Wild imagery, even resulting in a US run with the Pagan Knights tour earlier this year. Well, here is the follow up, and though I feel a […]
Only 2 albums into their career, Scotland’s purveyors of “True Scottish Pirate Metal”, Alestorm hardly need any introduction. Their debut, the raucous, Captain Morgan’s Revenge, put the fun back into metal, and with the follow up, Black Sails at Midnight, the band have further upped the Pirate-y goodness. Chock full of brazen metal seas shanties of rum, women and plunder, the band seems destined to truly blow up on an international level, aided by the bands recent tour of the US. I caught up with the pleasant and portly pirate who plays guitars, Dani Evans to find out a little more about this group of amicable musical privateers….
Despite the fact this is pretty obvious The Black Dahlia Murder worship a la Wretched, Mirror of Dead Faces, Sons Of Azrael etc, but it’s better than those bands and I have to say I’m kinda digging this- a lot. From the killer cover to the injection of some excellent Woe of Tyrants – like […]
As regular readers of this site may know, I’m generally not a huge fan instru-metal or instrumental metal as I feel vocals are an integral part of metal. However, with the likes of Scale the Summit, Animals As Leaders, Shelter Red and North Dakota’s Sleeping In Gethsemane, my stance may be softening a little. Admittedly, […]
A Canadian band playing bouncy, synth filled, epic, Finnish styled folk power/black metal on Sumerian Records (though Nuclear Blast did do the European release) with a female drummer? Yup. Culling from the likes of Ensiferum, Wintersun, Turisas, early Children of Bodom and such, Blackguard (formerly known as Profogus Mortis) give folk fans another solid entry […]
I have to admit, my expectations weren’t to awfully high for this. An English tech-metal/deathcore band on Earache, but Fetish actually ended up being a surprisingly solid release that will appeal to fans of recent releases by Burning the Masses, Within the Ruins and such. Straddling the line between atonal, grinding, spazzy, metal, tech death […]
So after my review of Finsterfirst’s latest album, Einheit Produktionen were kind enough to send me a trio of the labels releases from the tail end of 2008, and all three warrant your attention, especially the 5th full length album from this long running German folk/Viking metal band. Much like Heidevolk, there’s a huge Vintersorg […]
So here is album number two from the UK’s Trigger the Bloodshed who along with the likes of Sarpanitum, Detrimentium, Man Must Die (and since, Ignominious Incarceration) have recently resurrected the British death metal scene and with a slight line- up change, Trigger the Bloodshed remain as technical and visceral as the debut. Of course […]
For reasons beyond my comprehension, the second full length album from Funeral Mist (now comprised solely of Arioch) has received a large amount of criticism and negative response. Whether it’s the fact the album was unleashed without warning 6 years after the highly regarded Salvation, that Necromorbus is no longer on drums, or that Arioch […]
Super group Birds of Prey consisting of Ben Hogg (Beaten Back to Pure), Erik Larson ( The Mighty Nimbus, Alabama Thunderpussy, Hail!Hornet), Bo Leslie (The Last Van Zant, Throttlerod), Summer Welch (Baroness), and Dave Witte (Municipal Waste, Burnt by the Sun, Discordance Axis, Human Remains) have always been promising with their Southern take on groovy […]
After the surprising excellence of the recent Odium album, I thought I’d delve back into the Year of the Sun Records pool, only this time with different results. Never have a band been so appropriately named (at least until a band comes out called ‘Annoying Fucking kids Playing Shitty Deathcore’, but I digress). Canada’s Misguided […]
You’ve got to give Chris Bruni and Profound Lore Records some credit – Krallice? Cobalt? Hammers of Misfortune? Portal? Alcest? Amesouers? Tell me that isn’t an elite label based on those releases alone. Well, after raising some eyebrows with the debut EP from this Irish black metal act, Profound Lore has raised the bar again […]
I’m not gonna lie- there isn’t one single original note on the debut from Baltimore’s deathccore/metalcore kids Whisteria Cottage- not a single one. However, they do deliver the expected deathcore stylings with a level of confidence and skill that should make them appeal fans clamoring for this stuff. The band that immediately came to mind […]
Utah’s Chelsea Grin are the US equivalent of Bring Me the Horizon – visually I want to punch repeatedly them in the genitals and ensure they never breed- but musically they aren’t actually too bad and are one of the heavier deathcore bands I’ve heard. If you recently enjoyed the likes of Oceano, then this […]
After the clinical tech death assault that was Of Fracture and Failure, New Zealand’s Ulcerate has made a few changes to their sound and thankfully replaced vocalist Ben Reed (bassist Paul Keland now performs vocals) and the end result is yet another simply killer Willowtip release and one of the most striking death metal albums […]
It was recently discussed over at the teethofthedivine forums what “Evil Death Metal” is and examples to recommend. Seven Chalices, the debut full length album from Spain’s Teitanblood was one of the recommendations. And rightly fucking so, as Seven Chalices literally reeks of pure, ritulaistic evil and debased, chaotic misanthropy. For those of you sick of […]
As much as I like The Funeral Pyre and respect Creator Destructor Records, this stop gap EP reeks of contractual obligation or a favor to the band’s former label. Heck, even the artwork seems rushed and obligatory. Continuing the sound on 2008s Wounds, the now synthless California black metal act blaze lazily through 5 rather […]