So not only is Earache experiencing a bit of a comeback, the UK Death metal scene appears to be getting very healthy in a hurry: Man Must Die, Detrimentium, Sarpanitum, Trigger the Bloodshed and now Bath’s own oddly named Ignominious Incarceration and their rather impressive debut. I’ll get this right out of the way now. […]
Fully titled Veritas Diaboli Manet in Aeternum : Chaining the Katechon , this Single/EP is one track 22 minutes of typically deviant and caustic yet artfully malignant black metal from one of black metal’s very elite acts. It’s hard to review one 22 minute song, but luckily Chaining the Katechon has various segments and sections […]
On 2007’s The Final Dawn, Ontario’s Arise and Ruin delivered a solid if forgetful slab of thrash based metalcore and now with the follow up, even though the thrash element has been upped and the metalcore sound is virtually gone, Arise and Ruin prove a cool cover and album title does not a great metal […]
Finally getting a US/Worldwide release after coming out 2 years ago on Japan’s Toy Factory Records, the third album from super group Dimension Zero holds up not only after two years but as an album that would have sounded fresh and energetic whatever years it was released in. For me, the 2002 debut, Silent Night […]
To these ears, Houston’s Scale the Summit, ply an instrumental version of soaring, layered metalcore that’s basically like a slightly more progressive, post rock version of Misery Signals, Life In Your way without vocals. Then why aren’t I enjoying this more? Maybe of course it because I’m generally not a huge instrumental metal fan as […]
Hailing from Michigan (Detroit), Hellmouth are a snarling, gnarly crossover band that meld, punk, thrash and hardcore into a mix that’s a refreshing change from the usual Ferret fare though it lacks real staying power, once the initial burst of feral energy wears off. Citing influences like Celtic Frost, Black Flag, Venom, Black Sabbath and […]
March 18, 2009, The Riot Room, Kansas City, MO It was a night of firsts at the tiny Riot Room; my first pagan/Viking/folk metal show, my wife’s first metal show after 12 years of marriage and my first ever in person meeting with another member of the metal media-Blabbermouth and Outburn’s (and now our own […]
From the label that brought us the excellent When the Deadbolt Breaks comes a grooving, loping doom/sludge act, though this one comes with a thick stoner doom haze and features (former) Metal Maniacs scribe JJ Koczan on vocals. Hailing from New Jersey, Maegashira (some rank in Sumo wrestling I gather) is armed with a beefy, […]
Portland Oregon’s Nanda Devi (named after the second largest mountain in India) aren’t doing anything particularly original or inspiring with their take on the suddenly popular to hate post rock, Neur-Isis styled metal, but it’s a worthy entry into the genre. Five relatively rangy songs (6-10 minutes) and three untitled instrumental fillers make up the […]
Originally released on 625 Thrash Records back in 2007 and now re-released by arguably the original grindcore record label, Texas’s Insect Warfare continue where the monstrous grindcore recent efforts of fellow Texans Kill the Client, Maruta, Captain Cleanoff and Napalm Death, left off. Basically, Insect Warfare is like my mother in law; short, explosive, loud, […]
I really, really wanted to like this; an experimental black metal duo from New Hampshire, from a cult label with a history of solid releases? Cobalt anyone? Even more so after reading lots of positive press including our own Scott Alisoglu and a Nathan T. Birk interview of the band in Metal Maniacs that gushed […]
Hailing from Finland, Folk three-piece (with the aid of some noteworthy session members) Crimfall entered the folk metal fray back in 2008 with their Burning Winds demo. And now with their Napalm Records debut, As the Path Unfolds, those demo tracks as well as eight brand new tracks deliver exactly what you’d expect from a Finnish Folk/Viking band-and more. With the luscious Helena Haaparanta providing an operatic gloss to the expectedly up beat, typically Finnish, blackened yet epic and bouncy fare, Crimfall, like the recent release by Kivimentsan Druidi, Arkona and country mates Battlelore, have given folk/Viking metal some elegance amid the grime and chain mail driven throes typically associated with the genre. From the bombastic chorus of “The Crown of Treason” through the ethnic chants of “Wildfire Season” and Middle Eastern Aura of “Sun Orphaned” to ballad “Aubade” the album covers all of Folk Metal bases with confidence, gusto and an orchestral grandeur. I visited with guitarist Jakke Viitala to find out a little more about one of Finnish folk metal’s newest additions…
If your self released effort gets reviewed here, you must be doing something right, and the UK’s (Bradford) The Belonging show that a self released effort can compete with most label released efforts. I don’t remember much about the bands prior release, Setting the Scene, so it could not have been that good, but on […]
As I start to get to the last of my 2008 releases that I feel worthy of review, I stumbled across the full length debut from Modesto, California’s Better Left Unsaid, a band whose demo, The Silencing, I reviewed and enjoyed at another site. Now on Jamey Jasta’s Stillborn Records, BLU play a form of […]
Whereas the upcoming release, Lullabies For the Dormant Mind from label mates The Agonist is a vital, powerful and stunningly good example of female fronted metal done right, the debut from Wisconsin’s Luna Mortis is little more than a mish mash of styles that while, has some promise simply does not do enough to justify […]
If you have some interest in a gasmask clad Chicago black metal outfit which has members of Nacthmystium, Cianide and Dysphoria in its ranks, plying a form of relentlessly simple yet effective, Marduk/Dark Funeral meets Impaled Nazarene styled thrashy black metal, then look no further than Kommandant. There’s not much more to elaborate on really; […]
There was a lot of buzz about the Relapse debut of Germany’s tech death band Obscura, especially since being joined by Necrophagist members Christian Muenzner (guitars), Hannes Grossman (Drums) and Pestilence bassist (for Spheres) Jeroen Paul Thesseling. Now I’ve had about a month to let the album, sink in, I can confidently say the hype […]
It’s been a while since I heard anything remotely metal from Victory Records, but all of a sudden they release a slew of records in the form of Arise and Ruin’s improved thrash attack, Corpus Christi’s As I Lay Dying impression, Wretched’s impressive The Black Dahlia Murder worship and this fine melodic death core assault […]
Hot on the heels on Century Media’s Kivimetsan Druidi, come another female fronted, dirt, fur and paint covered folk metal band infusing classical/orchestral elements into the tried and true Finnish take on folk/pagan/Viking metal as plied by the likes of Ensiferum, Turisas and such. The results are largely successful, mostly due to Helena Haaparanta who […]
Seriously, what are you expecting to read here? I suppose I’d better write something I guess…. 20 years, 11 studio albums, 1 million records sold worldwide, Cannibal Corpse are the very epitome of death metal consistency and even though the band is often still referred to as the band Chris Barnes used to be in […]
While the very concept of melodic death metal is somewhat of a paradox, and one could argue what exactly it entails, I think most readers of this site at least have some general idea of what melodic death metal is, so rather than try to dissect the genre and possible entries, I’ve listed 10 melodic death metal albums that A) fit the genre in my eyes, and B) would be the 10 must have examples of the genre I would choose to take on this forsaken sand dump. Now, I’m sure I’ve missed a bunch, especially from the 1997-2004 range, so feel free to chip in and tell me how wrong my personal opinion is…
So what if you took the three guitar, Brown note devastation of The Acacia Strain and mixed it with the worshipful heft of Sleeping Giant and other Christian hardcore bands? You’d get The Great Commission and Strikefirst’s best (and heaviest) release since their re-ignition and arguably heavier than anything parent label Facedown Record has released. […]
More Christian metal here, though this time more in the form of the choppy, technical deathcore with melodic chops akin to For Today, A Thousand Time Repent, Hereafter An Odyssey and such. Obviously, folks that hate deathcore and Christian metal have already clicked of this review, but if you enjoy both or either your could […]
I’ve never been a huge God Forbid fan. I’ve given their albums cursory listens, but essentially lumped them in with the likes of All That Remains, Shadows Fall, Killswitch Engage and such as far as they ply chorus driven American Metal that has one foot in the mainstream and one foot in the underground, and […]
While Willowtip’s trio of releases from Maruta, Kill the Client and Phobia certainly stole a lot of the acclaim for grindcore in 2008, here comes this belated release in my mailbox (along with the new Birdflesh) from the always quality grindmongers over in Czech Republic, Obscene Productions, and I’ll be damned if it isn’t one […]