As a stop gap between albums, Obituary and Candlelight have given us this tasty little 4 track EP; two new tracks (“Forces Realign” and “Left to Die””), a recording of the posthumous debut album’s title track, “Slowly We Rot” and a cover of Celtic Frost’s “Dethroned Emperor”. There’s also video for “Evil Ways” from the […]
Despite the fact that this group of Riverside, California kids play the now overdone form of The Black Dahlia Murder worship, like say, Salt the Wound and Sons of Azrael, the fact is, they do it really, fucking well, and possibly even better. Quite simply, from start to finish, Lamentation is a blazing, relentless and […]
As I stated in my review of All Thats Remains’ latest album Overcome, I was a little nervous talking to vocalist Phil Labonte, considering my lukewarm feelings toward the album. However, after meeting Phil in the tour bus before All That Remains headlining show with Trivium, The Human Abstract and 36 Crazyfists in Columbia , MO, all fears were set aside as we had a lengthy interview and Phil proved to be the consummate professional…
With their second album, the aptly titled This Grand Show, Grayceon have once again delivered a stunning, sumptous opus of cello flocked, introspective and progressive music that defies categorization. And having communicated with cello player and vocalist Jackie Perez Gratz in the past, and found her to an absolutely delightful individual, I thought I’d ask a few question via email about the new album, her other projects and other more amorous endeavors…
Jackie Perez Gratz (Amber Asylum) and her two pals, Max Doyle and Zack Farwell (of skaterock band Walken) have returned to give us yet another stunning record that, like its debut will be in the running for album of the year. Stylistically, not much has changed in the Grayceon camp. They still play a dreamy, […]
While Gojira’s The Way of All Flesh and All That Remains Overcome (and possibly Light This City’s swansong, Stormchaser) are arguably Prosthetic’s bread and butter in 2008, the fact remains; Withered’s Folie Circulaire and now the second album from Seattle’s Book of Black Earth are simply Prosthetics best releases of 2008 so far, and shows Prosthetic as […]
So, in lieu of the recent All That Remains disappointment, two records have stepped in to fill the commercial American Metal void somewhat; The Fight Within From Better Left Unsaid and the third album from California’s Antagonist. I’m by no mean saying Antagonist is a better band than All That Remains, but as far as […]
After having a great interview with All That Remains vocalist Phil Labonte a couple of days ago and discovering him to be a super nice dude, and a superb live performer to boot, it sucks that I then have to turn around write this less than complementary review. Granted, I knew how I felt about […]
Hailing from Lawrence, Kansas, Samothrace (not sure if named after the Greek Island or a race of Emperor guitarists) have come out of nowhere with a stunning debut album that mixes the girth and throb of psychedelic sludge/Post Rock (think Minsk and Rwake) with the utterly rending, layered harmonies and beautiful yet wilting melody of […]
From the label that brought you the excellent Lo-Ruhamah comes another Christian black metal release, this way on the form of Puerto Rico’s Azmaveth (named after one of King David’s strongest warriors) and their symphonic, challenging take on black metal. Christian black metal from Puerto Rico? Yeah, I know, but amid the glut of symphonic […]
I have to admit, I’m starting to get a little cranky on this island. My balls are chaffed raw from the sand, I’m sick of eating fish and my mind is playing tricks on me: For example, yesterday I hallucinated that Anna Nicole Smith gave me a Cleveland Steamer.
Still, I’m allowed these CDs though, and this time it’s death metal albums that were simply overlooked, under-rated or under appreciated for whatever reasons. Sure everyone knows of the seminal Entombed, Morbid Angel, Suffocation, Deicide, Dismember, Pestilence, Carcass, Nile and other band’s albums that are widely known and considered certified classics within the death metal pantheons. But here are some albums that while nor genre defining or legendary, are certainly kickass albums in their own right, but for a plethora of circumstances, just seemed to slip under the radar when they were originally released. Some got renewed interest via re-issues, but for the most part, these albums simply did not get the audience they deserved.
Yeah, I knows there’s 11 albums here, but fuck you!-my island, my rules, Wilson!
What’s this? A hefty, experimental metal band from France on Prosthetic Records? Is it the new Gojira? Nope, but close. Originally released on Dental Records in 2007, it appears Prosthetic Records has snapped up this Alsace band’s debut in order to whet everyone’s appetite for the upcoming The Way of All Flesh, and good thing […]
Like Hollow Corp’s recent The Cloister of Radiance album, the third album from Denmark’s The Psyke Project was originally released in Europe last year and now has a stateside distribution. Also like Hollow Corp, The Psyke Project mix harsh, caustic metal with a few injections of post rock, and gain the results, while solid are […]
Here’s a solid if unspectacular record from Britain’s Frightener who mix hardcore, grindcore and death metal into one crusty, rumbling album that on paper comes across as a mix of Napalm Death, Integrity and Entombed, but just lacking some creative brilliance to make it more than a mere mix of those appealing bands. With a […]
For those that don’t know, in the mid/late 90’s Overcast were a respected crossover/hardcore/metalcore band who had a couple of somewhat revered albums and EPs that some considered the start of the early metalcore movement (not the trite fashion show of today). However, when the band split up in 1996, vocalist Brian Fair joined Shadows […]
While I enjoyed Misery Signal’s recent Controller effort, I have to admit the debut from this Lancaster, PA act stole some of that album’s thunder by delivering a very similar and almost as competent delivery of melodic, layered and emotional metalcore. While bands like It Prevails, Rosesdead and more recently November 5, 1955 have tried […]
There’s nothing really wrong with the debut from this Philadelphia deathcore act, as their debut is a competent delivery of now familiar genre traits; dual vocals, choppy squealing thrashing, some techy noodling and a plethora of breakdowns. However, on the whole, it really sorta bored me and I found my self reaching for After the […]
Here’s one of Ironclads better and more mellow releases of late, the Back to the Future named metalcore/post rock act from Boston, Mass who deliver a fine debut of emotional, melodic metalcore with threads of delicate passion and elegance. With busy, melodic guitar work and vocal cadence of Shai Hulud, shimmery emotional layers of Misery […]
While I generally don’t care too much for female fronted, sugary Gothic metal, a couple of releases of late have broken from the ‘Naplam Records’ formula and piqued my interest; the debut from Jennie Tebler’s Out of Oblivion (Quorthon’s little sister) and this 2007 debut from the gorgeous French artist Eilera. With a voice as unique […]
There’s been somewhat of a negative buzz about this album for sometime time now, so I thought, as a huge fan of The Price of Existence (my #1 album of 2006) I’d better look into it and see what all the negativity was about and see if it was warranted based on a couple of […]
There are three ‘core’ records I was really looking forward to this year; Ligeia’s Bad News, the new All Shall Perish and this follow up to the excellent Nocturne. Well, with Bad News being a huge disappointment and the jury still out on Awaken the Dreamers (which I’m still trying to figure out), where does […]
Oh dear. As much as I dug the debut from these Massachusetts metalcore lads and as much as I actually like the guys themselves after meeting them and subsequently staying in contact with them, it pains me to write this review. I knew something was awry when I saw the cover, but I held out […]
As I first heard Milwaukee’s Protestant on their As Dead As We Look release and now their latest full length, I’m more confident in anointing this group as the heir to the mantle left by Cursed; crumbling, antagonistic and sludgy but intelligent hardcore with a few segments of well placed and thoughtful ambience, all wrapped […]
Yeah I know this came out 2 years ago, but as mush as I enjoyed 2005s Abode of the Dead I thought I’d give this some props. Plus, I’m not responsible for when stuff arrives in my mailbox, OK Either way, this slab of crusty, earthy Canadian hardcore with members of In Dying Days, The […]
Hot on the heels of the bands recent 2008 release, Peasant, Gilead Media gives us a CD digi-pack re-issue of the this Louisiana sludge band’s 2007 LP only debut, originally released on One Eye Records. I love everything about this band; their simple name, their logo, their artwork (the new artwork even seems to match the […]