After a measure of success with their entries into the melodic death metal genre, (Sonic Syndicate who then signed with Nuclear Blast and the well received Blinded Colony), you could forgive Pivotal for releasing yet another polished, competent but formulaic Swedish melodic death metal album. Zonaria aren’t bad, they just aren’t quite as good as […]
So if Evocation’s recent Tales From the Tomb is the best Entombed/Left hand Path homage of the last few years, with Structures of Death, Germany’s Fleshcrawl have delivered the preeminent Dismember homage album. Most death metal fans know that Fleshcrawl have been ripping off Dismember for their respectable, long but relatively undistinguished career, but on […]
French spoken, trucking themed tech/grind core from Quebec? Yup. You red that right. Musically, The Truckers are not too dissimilar from many of their Canadian peers, plying a sort of tight, complex, off kilter hardcore/grind/death metal (Ion Dissonance, Despised Icon, The End, Fuck The Facts, etc), but the whole thing is sung/growled/screamed in French, which […]
An open letter to all young American Metal bands: “ I know you like Pantera, but please stop trying to ape them and forsaking your original sound-they are gone, get over it”. Throwdown, A Perfect Murder, Lamb of God-just to name a few of the acts that seemingly thought being basically a Pantera styled cover […]
I’m sure anyone with even a passing interest in black metal is geeked for this release, especially considering how many years end lists the debut, Diadem in 12 Stars graced. Well, even with the horde of quality ambient/experimental black metal this year, from many of the genre’s bigger names (Leviathan, Deathspell Omega, Cobalt, Xasthur, Secrets […]
I think few would disagree that during the golden era of early 90’s death metal, in the Swedish/Stockholm scene, that the influence and legacy of the big four; Entombed, Dismember, Grave and Unleashed is undeniable. However, there was a second tier of talented bands that for any number of reasons (lack of promotion, style change, […]
I’m not sure why Metal Blade/Ironclad would release the debut from Buffalo’s Sons Of Azrael only a month or so before The Black Dahlia Murder’s Nocturnal drops, because its liable to steal some of Nocturnal’s thunder. Basically Sons of Azrael ply a form of modern sort of At The Gates based, death//black core that has […]
Taking more than a huge nod from Suffocation as well as the likes of Devourment, Decrepit Birth, Gorgasm and other more brutal, technical US death metal bands, Germany’s Defeated Sanity have delivered a second album of appropriately sick and gore filled technical brutality (brootek death metal?). With ultra deep, almost grindcore core styled burps layered […]
Basically mixing the churning heft of Behemoth or Vader with the cyber/industrial assault of say The Amenta, Crionics have unleashed their third album of clinical, futuristic swathe of black/death metal that’s pretty unrelenting, at times repetitively so, but still manages to literally fire on all cylinders. Of course, as with most cyber death metal (Scorngrain, […]
Uh oh. I think this one is going to ruffle a few feathers. Christian metal has slowly but surely elbowing it’s way into extreme metal, but with little success. From the early defining works of Believer to the more modern, often core based sounds of today like Becoming the Archtype and Extol, the Christians have […]
Unlike the recent album by Sweden’s Memfis who decided to deliver a sort of modernized take on Oepth, Canada’s Adytum said ‘fuck it’, and basically wrote an exact clone of Opeth’s mid era work except with harsher black metal vocals. Though that’s pretty much Adytum’s debut in a nutshell, I probably should embellish; this is […]
Holy. Fucking. Shit. Thank you Willowtip for licensing this gem this from Neurotic Readers, what was the last technical death metal album that truly changed how you viewed and listened to technical death metal? A mind altering, genre smearing album that altered the death metal landscape? For me personally, I have to go back as […]
Alaska was my 2005 album of the year, so suffice to say, the follow up, Colors had some pretty high expectations; expectations that are comfortably reached, but not quite shattered, as Colors is exactly what you’d expect from BTBAM; brilliance. One only need look at the band’s prior cover only album The Anatomy of… to […]
Much like the recent Candlelight/SOAR releases Diskreet, Rose Funeral and Whitechapel, Arizona’s Knights of the Abyss ply a form of technical, grindy, breakdowny, modern death metal, that’s to say, and I hate to use the term; deathcore, and they actually should give Job For A Cowboy (who share the same producer) a run for their […]
Citing influences such as Beherit, Von and Nifelheim, Satanic Funeral is an multinational US/Netherlands based project featuring members of Vrolok, Mord, Misanthropy and Lugubre-and if you are at all familiar with those ultra underground acts, you should enjoy Satanic Funeral and their utterly hideous and nasty raw form of old school black metal. This is […]
Here is the second album from this Mexican supergroup of sorts featuring members of Impiety and Ravager, and despite some slightly more primal production values than Veganza, Katun is a vitriolic, slightly ethnic tinged slice of blistering Angelcorpse worship, that outdoes the source material’s latest effort. With a slightly muffled rums and more raw guitars, […]
So here is the second (not including their 3 way split) release from metal and magazine entrepreneur Marty Rytkonen (Wormgear) and fellow Metal Maniacs scribe S Craig Zahler, and I’ll admit their first EP The Dark Archives, from the cover art to the music was pretty awful. However, with the creepy artwork gracing The Igneous […]
With members of Exmortem in its ranks, you’d expect the debut full length from Denmark’s Spectral Mortuary to be lifeless blast fest, but in truth it looks like Mighty Music may have unearthed one of Europe’s hidden death metal gems. This is just damn fine death metal from top to bottom. Much like the recent […]
OK, so I have had this record sitting on my desk and in my ipod for ages now, but for some reason I simply couldn’t bring my self to review it because I honestly couldn’t come up with a simple description of the style. That is until I read a review of The Wind Up […]
While Metal Blade takes a lot of heat for some of their (recent) metalcore heavy releases, I I think a lot of people forget how good Metal Blade’s stable of veteran death metal acts truly is; Cannibal Corpse, Bolt Thrower, God Dethroned, Vader, Vomitory, Fleshcrawl, Hate Eternal, Goatwhore, etc. And now after their debut on […]
An increasing number of bands are dropping the ‘core’ from their sound and focusing on the metal. Bands like August Burns Red, Beneath the Massacre, Fear My Thoughts, Job For A Cowboy, Misericordiam; all new far leaner and direct, less trendy incarnations of their former selves, and one such act who seems to have made […]
No you’re are not imagining things. Regain has Re-Re issued Naglfar’s two best albums and though 1995’s Vittra was already re-issued in 2001 (also on Regain) and 1998’s superb Diabolical was re-issued and re-mastered in 2002, here are those exact reissues, again. I’m not complaining thought as I get to review and gush about Diabolical, […]
Things have been relatively quiet in the Willowtip camp in 2007. Though we’ve had the likes of Odious Mortem and Electro Quarterstaff, the label hasn’t quite reached their usual level of brilliance so far this year, and while the recent Malignancy release and the upcoming licensed Neurotic releases look to up the ante, Italy’s Illogicist […]
So here is the cherry on Disconcert’s recent three layer old school death metal cake-the re-issue of Apocalyptic Dawning-the self released debut album recorded by the tragedy struck Quebec death metal band Agony. Like so many other bands, the 1995 release of Agony’s self released debut album was simply was bad timing and was passed […]
Though the semi legendary underground New York act has been around since 1993, this is only the second full length album from this long running band that now has ties to Mortician, and it couldn’t be released on a more fitting label. Sloppy (in tone and vocals) yet complex, gurgling, pinch harmonic filled classic goregrind/death […]