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	<title>Erlen Meyer &#8211; Teeth of the Divine</title>
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		<title>Erlen Meyer &#8211; Erlen Meyer</title>
		<link>https://www.teethofthedivine.com/reviews/erlen-meyer-erlen-meyer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=erlen-meyer-erlen-meyer</link>
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		<dc:creator><![CDATA[J. D. Anderson]]></dc:creator>
		<pubDate>Wed, 26 Feb 2014 11:07:47 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › E]]></category>
		<category><![CDATA[2014]]></category>
		<category><![CDATA[Erlen Meyer]]></category>
		<category><![CDATA[J.D. Anderson]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Shels Music]]></category>
		<guid isPermaLink="false">http://www.teethofthedivine.com/?p=30822</guid>

					<description><![CDATA[Shortly before recording this album, Erlen Meyer&#8216;s drummer, Romain Djoudi, was killed in a motorcycle accident. The remaining band members&#8217; feelings of anger and grief became direct inspiration during the subsequent recording of this harrowing album. Erlen Meyer play a heavy, dissonant brand of sludgy post-hardcore in the vein of Overmars and later-era Breach, a [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Shortly before recording this album, <b>Erlen Meyer</b>&#8216;s drummer, Romain Djoudi, was killed in a motorcycle accident. The remaining band members&#8217; feelings of anger and grief became direct inspiration during the subsequent recording of this harrowing album.</p>
<p><b>Erlen Meyer</b> play a heavy, dissonant brand of sludgy post-hardcore in the vein of <b>Overmars</b> and later-era <b>Breach</b>, a style of music perfectly suited to their rage. An atmosphere of unrest and darkness hangs like a fog throughout the album and provides the necessary context for the powerful dirges. The vocals are of the mid-range hardcore bark variety, although there are several spoken-interlude sections (all in French, again reminiscent of <b>Overmars</b>) and they sometimes reach into higher-pitched black metal shrieks, as at the fantastic end of &#8220;Agatha.&#8221; The throaty yells are full of passion and perfectly reflect the band&#8217;s intensity.</p>
<p>The mid-paced sludge riffs get a little samey after a while, but what they lack in variety they make up for in passion. A couple of short instrumental tracks also help break up the monotony somewhat, providing brief intermissions between the lengthy compositions.</p>
<p>This is a surprisingly emotional, dark work, fraught with genuine anger that does not let up throughout its duration. I haven&#8217;t heard their previous recordings from 2005-6, but I would be interested to see what <b>Erlen Meyer</b> come up with in the future, even if they aren&#8217;t able to recapture the same raw power that this record emanates.</p>
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