Similarly, Toronto’s eyeswithoutaface firmly established their industrial metal bona fides on their debut full length Monotoneoteny, a dynamic trip through psychedelic sludge and heavy electronics. These experimental sludge overlords kick the dreaded sophomore slump square in the balls on their newest album, Warguts. The scathing intensity of Monotoneoteny has been kicked up a couple notches to a blistering salvo of electronics, scalding vocals, and pummeling double bass. Top it off with some bursts of rapid fire snare and the big beats of Techno Animal and Scorn and it’s another ear searing release of industrial metal from this overlooked band.

If the art and title haven’t given it away, Warguts is thematically centered on war. Typical portrayals of valorized soldiers, martial imagery, and the horrors of war have been fodder for hundreds of albums by now, but there is very little of the human element in eyeswithoutaface’s take. Not much of Warguts sounds organic. From the distorted vocals and varied drum samples, to the heavy use of synths and noise, Warguts is less an exploration of human conflict than an audio representation of mechanized trench warfare, as down tempo sludge collides with stuttering programmed double bass, halting rhythms and big beats.

A large part of the albums success is how it unfolds in a series of battles and breaks. Shifting from cold industrial ambiance to harsh metallic sludge with the grace and subtly of a cloud of mustard gas sweeping through a trench, the band weaves an impressive mechanized tapestry. “Devachan” starts with a big, fat beat that abruptly shifts to a stuttering double bass break and guttural vocals. “Dead Friends” has a nasty drum break with bleating electronic, sheets of noise, warped guitar and erratic drum programming. “Beautiful and Cruel” utilizes haunting clean vocals over an array of echoing percussion, slow picked guitar, and grinding bass. “War Will Set You Free” opens with a sample from Stanley Kubrick’s classic Paths of Glory before the mechanized guitar kicks in, collapses to a roaring trudge, then short circuits into sputtering electronics and pounding bass kicks.

Warguts, like Monotoneoteny, is full of great moments but surpasses its predecessor in sheer intensity. The increased drum and bass influence has only made the band heavier and seemingly more focused. Eyeswithoutaface has once again delivered the goods for fans of heavy, fucked up industrial metal.

If you’re familiar with old Godflesh or the aforementioned bands, you have a good idea of the sonic basis for Eyeswithoutaface. Roaring vocals, noise, programmed samples, and oppressive atmosphere meld together in a slag heap of sludge corruption. “Forth Like Bile” spews and churns aggressive down tempo sludge. “Ripples in the Blotter” begins sedately as the vocalist lets rip with his best impression of Floor’s Steve Brooks before it crashes back in the mire with throat tearing howls. There are psychedelic and post rock influences (“the Scrying Game”), blistering double bass when the hardcore and death metal in them decides to peek out (“Splinter the Earth, Shatter the Sky” and “Swings Attached”) and moments of quiet ambience (“Steadfastrology”). Closing track “Breathless Prayer” layers droning guitars and feedback and is heavily reminiscent of Necro Deathmort’s combination of IDM and doom.

If you can’t tell, there is a surprising amount of variety on display, musically and vocally. Smart use of texture, noise and distortion bring this above the standard Godflesh worship. For example, they artfully drop the distortion from the guitar during “Forth Like Bile” to bring in clean notes that momentarily shift the tone of the song. It’s a small, but effective, moment and indicative of their understanding of the songwriting process. They pull off a lot different sounds and weave together a wide array of influences, all the while hitting all the notes spot-fucking-on.

The full album is available on the band’s bandcamp site as a free download, so if you like heavy industrial there’s no reason to not give this a listen.