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	<title>Far Beyond &#8211; Teeth of the Divine</title>
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		<title>Far Beyond &#8211; The End of My Road</title>
		<link>https://www.teethofthedivine.com/reviews/far-beyond-the-end-of-my-road/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=far-beyond-the-end-of-my-road</link>
					<comments>https://www.teethofthedivine.com/reviews/far-beyond-the-end-of-my-road/#respond</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Wed, 06 Mar 2024 11:31:40 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › F]]></category>
		<category><![CDATA[2024]]></category>
		<category><![CDATA[Erik T]]></category>
		<category><![CDATA[Far Beyond]]></category>
		<category><![CDATA[Melodic Death Metal]]></category>
		<category><![CDATA[Prosthetic Records]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://www.teethofthedivine.com/?p=66680</guid>

					<description><![CDATA[On its surface, the third album from this German solo act doesn&#8217;t seem like a very &#8220;Prosthetic Records&#8217; styled release. It&#8217;s a synth and choir-drenched slab of European melodic death/power metal in the vein of Ensiferum, Wintersun, Brymir, and such. But then I remember Prosthetic Records has released two albums from Foretoken. The gentleman at [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>On its surface, the third album from this German solo act doesn&#8217;t seem like a very &#8220;Prosthetic Records&#8217; styled release. It&#8217;s a synth and choir-drenched slab of European melodic death/power metal in the vein of <strong>Ensiferum, Wintersun, Brymir,</strong> and such. But then I remember Prosthetic Records has released two albums from <strong>Foretoken</strong>.</p>
<p>The gentleman at the heart of <strong>Far Beyond</strong> is one Eugen Dodenhoeft who does not have much to his credit other than some time in virtually identical sounding the international duo <strong>Euphoreon</strong>, but he has released two other albums under this moniker dating back to 2005.  And both projects seem heavily influenced by <strong>Wintersun</strong>, with long songs, though <strong>Far Beyond</strong> is a bit more moody and introspective and has slightly less speed-and shred-driven songs, preferring a more languid grandiosity.</p>
<p><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1049841790/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless=""><a href="https://farbeyond.bandcamp.com/album/the-end-of-my-road">THE END OF MY ROAD by Far Beyond</a></iframe>The more mid-paced, but still rousing bombast and bombast is driven by Dodenhoeft&#8217;s epic keyboards and choirs, though the programmed drums aren&#8217;t quite as dynamic. He used a standard melo-death rasp as well as quite heavy use of clean vocals, which aren&#8217;t terrible, but also don&#8217;t really stand out.</p>
<p>With only 4 songs which run from 8 to 10 minutes and 3 interludes, the album the standout moments are often buried deep within a song such last couple of minutes of &#8220;Symphony of Light&#8221;, the nice little jaunt about 4 minutes into &#8220;Tempus Figit&#8221; or the cool little march in the closing title track. All of it is well-produced, lavish, and dripping with choirs and orchestration.</p>
<p>And all of these things make the album a winner in my book and a solid release overall, and I hope <strong>Far Beyond</strong> continues to develop and improve with future releases.</p>
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