The four years since Black Label Society’s last outing, the lackluster Shot to Hell, have been quite tumultuous for bandleader Zakk Wylde. He’s had some pretty serious health issues, been forced to give up the booze and been kicked out, then brought back in, then kicked out again of Ozzy Osbourne’s band. The good news […]
In recent years, a few hard rock efforts from members of black metal groups have crossed my desk. I’m not really sure what the connection between black metal and old school hard rock is, but apparently there is one. The latest is Black ‘n’ Roll from Black River, featuring members of Behemoth, Dimmu Borgir, Neolithic […]
When Sepultura and Max Cavalera parted ways in 1996, fans were the ones who got the shaft. Instead of the thrash powerhouse we’d had up to that point, we got two mediocre acts that, while both having their moments, never came close to delivering anything with the power of Arise or Chaos A.D. Over the […]
I’ve been an Annihilator fan since I heard the first strains of album opening instrumental “Crystal Ann” from their 1989 debut Alice in Hell. By the time the second track, “Alison Hell,” was over, I was devoted. The band’s been through some ups and downs over the years, but they always seem to bounce back […]
I’m a bit of a collector of offbeat recordings. I love strange stuff like (good) parodies, metal tunes covered by groups in other genres (and vice versa), metal Christmas tunes, etc. Given that, and the fact that I’ve always been a closet fan of flamenco guitar, Flametal’s Heavy Mellow was a must-listen for me. Guitarist […]
Nevermore’s latest outing, The Obsidian Conspiracy, is at once recognizable as a Nevermore effort yet still not quite like anything they’ve done before. The primary hallmarks of the band’s style are there: tight performances, fantastic musicianship and the unmistakable combination of Jeff Loomis’ blazing guitars and Warrel Dane’s distinctive vocals. But there’s something of a […]
When it comes to Danzig, the first three records, in my book, are certified classics. After that, it’s a mixed bag. Yeah, I know most everybody loves IV, but I’m in the minority that thinks it’s just a mediocre record with a few great songs. Blackacidevil, well, let’s just not go there. Satan’s Child and […]
In listening to Scream, one has to wonder why Ozzy was in such a rush to change guitar players. Just about every guitar riff on the record was quite obviously written by Zakk Wylde, and though Gus G. plays them, it still sounds, with the exception of a few notable moments, more or less like […]
Jorn Lande makes his return to Masterplan on their latest effort, Time to Be King, and it makes all the difference. The band’s 2007 outing, MKII, without Lande at the helm, was an OK effort, but he was definitely missed. This record makes the absence obvious. With Lande on the mic, they’re a much more […]
I understand that there are some people out there who don’t like Rob Dukes-era Exodus, and I get that. But I, for one, love it. The three records that feature Dukes, including this latest effort, have been some of the heaviest and most aggressive in the band’s entire catalog. If you didn’t like The Atrocity […]
Projects that feature a who’s who of artists from a genre usually disappoint me. No matter the gathering of talent, it usually just doesn’t quite gel. One exception to that rule in the past has been Tobias Sammet’s Avantasia. Once again, for the most part, he overcomes that with the double release of The Wicked […]
The other half of Tobias Sammet’s two-album Avantasia release, The Wicked Symphony, doesn’t fare quite as well as its counterpart Angel of Babylon. It, too, has its moments, but overall seems just a little too generic power metal in places. Like its companion piece, The Wicked Symphony opens with a longer, more epic number in […]
I’ve been a fan of Jon Oliva since the first time I heard Savatage, and I honestly don’t think that anything he’s ever touched has turned out remotely bad. (OK, I do try to block out Fight for the Rock). In my mind, he’s one of only a handful of creative geniuses in metal, and […]
I could really use a new Sentenced album about now. Unfortunately, that won’t be happening, so I have to settle for the next best thing – singer Ville Laihiala’s Poisonblack. My relationship with Laihiala’s side project turned main project has been up and down. I wasn’t wild about the debut record with a different vocalist, […]
I’ve been telling everyone who will listen about Kiuas since I first discovered them with 2005’s Spirit of Ukko. It was a convincing blend of power, thrash, folk and just a touch of death metal that was a highlight of my listening that year (looking at the recently posted flashback, I realize it should have […]
So Iced Earth guitarist Jon Schaffer, who has always seemed a very patriotic sort, has now launched a side project Sons of Liberty and electronically self-released a debut record Brush-fires of the Mind. The project is heavily political and obsessed with conspiracy theories. He’s said that he intends the band and its website to become […]
I’ve been a big fan of Germany’s Brainstorm since I discovered them with 2003’s Soul Temptation, and their last outing Downburst remains a favorite from 2008. When it comes to power metal with traditional leanings, the band is about as consistent as they come. Their latest effort, Memorial Roots, which came out last year overseas […]
Sometimes you run into bands that have elements that you really like, but those elements never quite come together completely. That’s the case for me with Nostradameus’ Illusion’s Parade. There’s quite a bit to like, but not enough to raise it above other power metal contenders. For the most part, the music packs more of […]
Life is full of surprises. When the link to download a promo of Krokus’ latest arrived in my inbox, I rolled my eyes. I never was a big fan of the band in their heyday, and I doubted they could do anything to win me over at this late date. But about halfway through the second track, “Hoodoo […]
Germany’s Mob Rules fits in that large category of European power metal bands that have just never connected with me personally. Generally, I prefer the mid-tempo style the band employs more than the speedsters, but, despite a few bright moments here and there, I’ve largely been unmoved by their work. After draggy album opener, “Children […]
If you’ve heard any of At Vance’s past offerings, you won’t be surprised by anything you find on Ride the Sky. The 11 tracks here are competently done but not very exciting pieces of fairly generic melodic/power metal. It’s not their best work. It’s not completely awful. It’s just kind of there. There are moments […]
Being the thrash fan that I am, I’m almost ashamed to admit that Riot Squad is my introduction to Germany’s Paradox. It’s their fifth release, and they’ve been kicking around in various incarnations since the late 1980s. Admittedly, I was a little America-centric in my thrash listening during that time period and discovered most of […]
As much as I’d like for every record I hear to bring something new to the table, I know it’s just not possible. And in some genres, innovation just simply isn’t part of the game, so you look at how well the bands use the conventions. When it comes to European prog/power, Sweden’s Manimal use […]
The run had to come to an end. I’ve enjoyed a parade of pretty good 1970s and ‘80s inspired rock and metal over the first couple of months of the year. I knew it couldn’t last. Greek trio Wheelrunner has a lot of problems, the main one being that they can’t decide if they want […]
Here’s yet another entry in the parade of retro records that seem to be rolling in early this year, and like most of the others, Barn Burner’s Bangers is a pretty solid outing. The Canadian outfit certainly draws influence from the early 1980s like the other retro bands I’ve heard recently, but they also dip back […]