As expected, the style is intact; mopey emotional European styled doom with uplifting titles like “Drowning”, “Nothing” and “And Still I Hate”, played with plodding, heavy guitars, deep growls and a somber layer added to the riffs. The lengthy tracks (7-14 minutes) sprawl with melancholic heft which can test less patient listeners (the two 14+ minute songs are a bit over drawn) but occasional spurts of more uptempo rumbling do add some urgency to the songs. Each of the songs certainly have memorable moments such as the emotive riff to start “Another Black Day”  and its stern rumble later on or the excellent dichotomy between the delicate strains and fierce lumber in the first 10 minutes of “And Still I Hate”, then there is “Nothing”, which gives me a bit of a Mindrot vibe, with a tangible sense of despair. “Misrecollections” also leaves somewhat of an impact with a very nice initial My Dying Bride styled riff and pace, but the track derails a bit when it tries to pick up the pace a couple if times.

As with the debut, which had a cover of Katatonia‘s “Murder”, The View From Here features a cover also, but it’s a more left field venture as the band decided to do a doom/death take on Pink Floyd‘s classic “Comfortably Numb”, an ambitious venture that works well, even with the growled/screamed vocals. Though its placement is a bit odd, coming as the penultimate track before slightly underwhelming 14 minute closer “Mantra”, so it gets a bit buried if you aren’t paying attention, not a big deal, I just prefer my covers tacked on the end or separate from the original material.

Futility isn’t quite as good as Mournful Congregation, but they do give the land down under another very respectable addition to the doom genre.

A few songs show promise for future releases (“Saline Oasis,” and “Fallen”) with colorful intros and dynamics that set them apart from the rest of the album. The problem is once the songs get going they are simplistic and forgettable. The cover of Katatonias “Murder” is probably the best song on the record. That doesn’t say much for a six song debut. The band wears their influences on their sleeve, yet they don’t seem to hold up to the quality of their peers.

Vocally, we have a mix of Byzantine style grunts and deeper death bellows. Most of the deeper gutturals are only used in spots. In all honesty, the vocals sound forced and the singers voice sounds like it’s on the verge of cracking. The deeper gutturals definitely compliment the music better.

Most off the material here is just sub-par. For an unsigned act they have a lot of growing to do and we could hear good things from the band in the future. Even for an underground doom enthusiast like myself, Futility need some work. Check it out and judge for yourself.