One of the early super groups, culling members of the then burgeoning Stockholm Death metal scene, General Surgery originally comprised of notables like Matti Karki (Dismember) on vocals, Mats Nordrup and (lone remaining member) Joacim Carlsson (Afflicted) on drums and guitar respectively, and at one time also featured Dismember‘s Richard Cabeza as well. And considering that Dismember had just released Like and Ever Flowing Stream and Afflicted were on the verge of releasing their landmark debut, I don’t need to tell you that this collaboration was pretty well a dream band for fans of Swedish death metal back in 1991. Even more so when the band, instead of rehashing their full time outlets, went for a more grindcore, gore metal form of early Carcass worship (complete with lengthy medical song titles) that was rendered with a Stockholm buzz.

So after years of being long out of print, and in the midst of a Swedish Death metal revival, Relapse has dusted this gem off , given it a new cover, a new Scott Hull remastering effort,  three bonus demo tracks and reissued it in a shiny new digipack. Now, as someone who owns the original pressing, I can’t say this is going to replace my original. First, as opposed to Relapse’s recent reissue of Death‘s Human, there’s nothing in the way of linear notes or extras other than the three expectedly rough demo tracks from 1990s Pestisferous Anthropophagia, which are tracks already on the actual EP. Scott Hull’s mastering is far less noticeable than Jim Morris’ thunderous remaster of Human also. The vocals seems a bit more clear and up front, but when played side by side with the original, the difference is minimal, but I guess that’s a testament to the then vogue Sunlight Studio/Tomas Skogsberg sound ― if it ‘aint broke don’t fix it.

Those only familiar with the band’s recent (ish) two full-lengths, you might be in for a surprise as Necrology is much more Symphonies of Sickness than Necrotism. This isn’t polished, clean and catchy Carcass worship a la Impaled, The County Medical Examiners or Hemorrhage, but sickly, raw, sloppy and viscous grinding death/gore metal with few ties to the member’s original projects. None of the songs are over 3½ minutes long, with most blasting clocking in under 3 or even 2  minutes (“Slithering Maceration of Ulcerous Facial Tissue”, “Grotesque Laceration of Mortified Flesh”, “An Orgy of Flying Limbs and Gore”). The vocals are a layered mix of uber deep gurgles, screams and burps, which for fans of Dismember and Afflicted, was quite jarring. But contained within these seven songs are some pretty classic moments that deliver Carcass worshiping filth with a mid-range buzz to die for: the likes of “Ominous Lamentations” (one of the most classic instrumental intros ever), “Severe Catatonia in Pathology”, and “Crimson Concerto” in particular still hold up very very all these years later. For those wanting to hear what the original General Surgery sounded like on their classic debut, now is your chance to revisit and own a piece of extreme history.

The medical/gore/grind/death metal thing is what it is. If that’s your cup of tea then General Surgery’s Corpus In Extremis is probably going to make you wet your pants with bloody cream pies. This record is brutal as it gets, complete with lyrical concepts of hellish and grotesque operations gone array. The band has even covered their bodies in fake blood to make your listening experience more enjoyable. How ingenious of them.

Obviously, I could care less about this record. However, General Surgery are not the only band on the planet doing this thing, and no matter how uninspiring this may be to me, it is one of the better examples of the new era Symphonies of Sickness. Once again, if shit splattered gore grind is your thing then look no further.

New vocalist Erik Sahlstrom creates some disgusting gutturals with over dubbed layers happening from time to time to create terminal brutality. “Necronomics,” wastes no time blasting complete savagery clocking in less than fifty seconds. Groove is firmly in place throughout Corpus In Extremis and careens closely to Swedish roots of Entombed and Dismember.

Blast beats are done tastefully and placed where they need to be, allowing plenty of time for songs to be catchy at points. For this style of music, Corpus In Extremis displays some good song structures and will get the job done whether the song is thirty six seconds or five minutes. Solos are done in the shred as many notes as possible style and whammy bars drop bombs from time to time. Fun stuff for a high octane experience.

So, General Surgery succeed with Corpus In Extremis in creating something truly unoriginal yet affective for its purpose. For those looking for the uttermost gruesome music and could care less about originality, this thing is for you.

May 9 2009
LA Murderfest @ Knitting Factory
Los Angeles, California

May 10 2009
The PHiX
Phoenix, Arizona

May 11 2009
Blue Lagoon
Santa Cruz, California

May 12 2009
DNA Lounge
San Francisco, California

May 13 2009
Satyricon
Portland, Oregon

May 14 2009
Old School
Olympia, Washington

May 23 2009
Maryland Deathfest
Baltimore, Maryland