This is probably going to sound really stupid, which is something I’m not exactly unaccustomed to doing so… Oh well. It’s easy to forget sometimes that our favorite bands and musicians are, well, artists! In every sense of the word. They create, the evolve, they strive to grow and follow their artistic journeys and trust […]
While a Christian metal label, Rottweiler Records has been home to slightly more unorthodox Christian metal, mostly straying away from the heavily populated metalcore/deathcore realms reserved for Facedown and Strikefirst records (that said, the recent Voluntary Mortification does fit in that genre). They have been able to locate Christian brutal death metal bands ( Taking […]
Here we are, well over halfway into 2022 and in my eyes, two labels are standing out. The Artisan Era is having a hell of a year, as well as the label on which the new Carrion Vael is getting released, Unique Leader. Last year, Unique Leader were known for symphonic deathcore, and while they […]
You’d think an epic, symphonic death metal band named after Icarus’s father would deliver a Greek mythology-based album. But what we have here is a concept album about Sir John Franklin’s ill-fated, 1845 artic expedition where two ships, Erebus and Terror, and their crews of 129 went missing (also the loose basis of the excellent […]
Bjorn? Sven? Sylvain? David? Bastian? Rasmus? Good, you’re all here. Before we get started; Take off the chauffer’s cap, please Bjorn. We’re talking about Soilwork, not The Night Flight Orchestra. You should have known that. I thought I put it on the Outlook Calendar invite. Anyway, I’ve gathered all of you here to let you […]
Ho hum, album number 12 from these now fully established scene veterans, who have blown up in one of metal’s most consistent and best-selling acts. And if past logic shows us anything this should be a better Amon Amarth album based on the band’s affinity for good, then not as good, then good then not […]
In my ongoing quest to discover symphonic death metal of any sort here in 2022, I’ve stumbled across some awesome, obscure stuff this summer alone, like Japan’s Imperial Circus Dead Decadence ( whose 殯――死へ耽る想いは戮辱すら喰らい、彼方の生を愛する為に命を讃える―― might be my album of the year- which was just going to be too much of a challenge to review/type), The […]
At this point, shitting on a new In Flames record is a metalhead pastime on par with making fun of James Hetfield’s gratuitous “YEEEEAAH”-ing or screaming “SLAYERRRRRRRRRR” at ridiculous and nonsensical moments. Depending on when you decided that one of metal’s most influential and prolific acts jumped the shark, we’re talking actual decades since they’ve […]
It’s Friday night. Most of your friends or colleagues are getting ready to head out on the town and grab a few drinks, listen to some awful cover band for a $10 cover charge, hook up with a random stranger in a bathroom stall while railing a line or two off the back of a […]
Spacefaring hype beast, John Goblikon is back with his musical band in tow after an almost 4 year layoff since the aptly named Welcome to Bonkers back in 2018. And not much has changed from this hard to pigeon-hole, but fun as fuck band, as they still play a sort of melodic death metal with […]
Fall Of Stasis: “Pssst you, metal review person, wanna review some symphonic, blackened folk metal?” Me: “Nah , I’m a bit burned out of bouncy folky metal, even the last Ensiferum really didn’t enthrall past the first few listens, *sigh* Fall of Stasis: “What if they had a more slicing, viscous edge like The Black […]
Here is one of those rare, blind promo grabs that works out, works out really well, as a matter of fact, as Chicago newcomers Burned In Effigy has delivered an exceptionally competent and enjoyable debut album of neoclassically inspired melodic death metal. Starting as an instrumental duo citing The Black Dahlia Murder, Between the Buried […]
So this release came out in late 2021, but just recently showed up on the TOTD emails, but when it name-dropped the likes of Wintersun, Ensiferum, Wolfheart, and Stormlord, it sure as fuck got my attention, and I had to check it out. I’m very glad I did, as the name-dropping, while a bit heavy-handed, […]
While newer bands like Countless Skies or Hinayana have given Melodic Death Metal a somewhat renewed amount of energy and attention, for the most part it takes a release from the genre’s seasoned veterans to gain any kind of real hype ahead of its release. We’re talking, of course, the likes of At The Gates, […]
A well-respected colleague of mine once advised me that it was a bad idea to stay with a job or company for more than 10 years – and even that long was pushing it. The idea being, after a certain amount of time in the same setting, you begin to lose your passion for the […]
I will always have love in my heart for Melodic Death Metal. Hand on heart, I’d have to say that Melodeath is the one metal subgenre, more than any other, that most aggressively grabbed my attention and made me fall in love on first listen. Soilwork’s A Predator’s Portrait, In Flames’ Clayman, Dark Tranquillity’s Damage […]
Brian Eckermann is a prolific solo artist from San Antonio, Texas who has also served in other local obscure Texas bands like Scars of the Flesh, Winters Plague, and Wings of Abaddon. Plague Bringers is his eighth solo album and a direct follow-up to 2018s Winters Plague (The Final Eclipse), telling the story of an […]
It warms my heart to see a band I have covered for two self-released albums now (2016s Memento Mori and 2019s Prokopton– which made my 2019 year-end list) have all the hard work pay off and get signed to a ‘big ‘ label, in this case, Napalm Records, and now deservedly rubbing shoulders with the […]
Listen, there’s no denying the place of Peter Tägtgren and Hypocrisy in the pantheons of metal over the last almost 30 years. I personally hold Penetralia, Osculum Obscenum, and The Fourth Dimension in super high regard with the latter arguably being the peak of their career as they shifted into more melodic death metal realms […]
I’ve been covering Inferi since 2009s End of an Era, and since then they have become The Artisan Era’s flagship band and one of the mainstays of the melodic/shredding technical death metal genre in the US scene. They have not been super prolific, with 2 more albums, an EP and a redo of End of […]
Very late last year, I was introduced to Boston’s Seven Spires, with their second album, Emerald Seas, and immediately fell in love with them, largely due to vocalist Adrienne Cowan (who surprisingly used to be the keyboard player for deathcore act, Winds of Plague). Her range and power on songs like “Bury You” , “Succumb” […]
Well I’ll be damned, as far as this Texas boy is concerned, Brooklyn, New York’s melodic death metal troupe, Winter Nights, just released about as perfect of an EP as you can get, I tell you what. Sky Burial is four tracks, eighteen minutes and fifty-one seconds, and some of the best melodic death metal […]
Sweden’s Havamal ( ‘the words of Odin’), is a relatively new Norse/Viking-themed melodic death metal band with one album under their belt from 2019, Tales from Yggdrasil, which I have not heard. I was in the mood for something Viking -y to tide me over until the new Thyrfing, and this has fit the bill […]
I’m just gonna go ahead and start a personal series called “Dumbass Steve Discovers a Band That’s Been Around a Long Time but He’s Just Now Finding Out About.” I’ve officially made it a habit. In my defense, Pennsylvania/New Jersey’s Duskmourn (active since 2012) don’t appear to have any kind of super active social media […]
GO! Now that I have that totally necessary exclamation out of the way, let’s talk about At The Gates’ new album, The Nightmare of Being. A title I totally feel right now, guys… but this isn’t about me, although I’ll probably inadvertently do my damnedest to make it. On full length #7, and the third […]