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	<title>Nebulous &#8211; Teeth of the Divine</title>
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		<title>Nebulous &#8211; The Quantum Transcendence of Death</title>
		<link>https://www.teethofthedivine.com/reviews/nebulous-the-quantum-transcendence-of-death/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nebulous-the-quantum-transcendence-of-death</link>
					<comments>https://www.teethofthedivine.com/reviews/nebulous-the-quantum-transcendence-of-death/#comments</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Fri, 05 Apr 2013 11:45:26 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › N]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[Blast Head Records]]></category>
		<category><![CDATA[Erik T]]></category>
		<category><![CDATA[Nebulous]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">http://www.teethofthedivine.com/?p=26318</guid>

					<description><![CDATA[There&#8217;s was a nice little run on under the radar technical death metal to finish 2012 and start 2013; relatively new or obscure acts like Inanimate Existence, Devolved, Ophidian I, Scent of Death, and  Nebulous aren&#8217;t household names in technical death metal, but if you are looking for some solid examples of the genre from [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>There&#8217;s was a nice little run on under the radar technical death metal to finish 2012 and start 2013; relatively new or obscure acts like <strong>Inanimate Existence, Devolved, Ophidian I, Scent of Death</strong>, and  <strong>Nebulous</strong> aren&#8217;t household names in technical death metal, but if you are looking for some solid examples of the genre from some lesser known acts, you could no worse.</p>
<p>Released by fledgling Canadian label, Blast Head Records, who impressed with their first few releases by <a href="http://www.teethofthedivine.com/reviews/tombthroat-eden-apocalypse/"><strong>Tombthroat</strong></a>, <a href="http://www.teethofthedivine.com/reviews/parasitized-existence-unveiled-ep/"><strong>Parasitized</strong></a>, and <a href="http://www.teethofthedivine.com/reviews/splattered-entrails-nauseate/"><strong>Splattered Entrails</strong></a>, look to continue their solid early career in 2013  with the debut from Alabama&#8217;s <strong>Nebulous, </strong>Scotland&#8217;s<strong> Scordatura</strong> and the stunning debut from Italy&#8217;s <strong>Ade</strong>.</p>
<p><strong>Nebulous</strong> is a duo comprised of two guys that appear to be fresh faces on death metal with no other bands or credits to their names; Matt Rogers (Guitars) and Alex Pitts (vocals). But on <em>The Quantum Transcendence of Death</em> they deliver like a couple of seasoned veterans. And while the album isn&#8217;t breaking ground or doing anything that&#8217;s going to worry <strong>Origin, Gorod, Decrepit Birth, Obscura</strong> and such, they sure should get noticed and build on this confident debut.</p>
<p><em> The Quantum Transcendence of Death</em> clocks in under 30 minutes, so there is little waste on this CD. The 7 songs and two segues cover spacial/cosmic and cyber themes with a steady, brutal gait that&#8217;s technical without being too self absorbed and brutal without being &#8216;broodle&#8217;. There&#8217;s a slight Polish undertone (<strong>Decapitated, Trauma, Lost Soul</strong>, <strong>Yattering</strong>) to the overall sound, but with a dash of <strong>Origin</strong>&#8216;s lyrical themes and presence. They aren&#8217;t big on solos or melodies instead relying on twitching stop start riffs and a few big mechanical lurches.</p>
<p>None of it really reaches and and grabs you with anything special, and of course its technical death metal, so there;s little in the way of memorability or catchy moments, but all of the songs are solid  and well played and produced with a nice polished, big, low end sound. From the hefty opening groove of &#8220;Catalyze&#8221; through the likes of &#8220;Sn 5270&#8221; and &#8220;Hivemind&#8221; to closer &#8220;Spectrums&#8221; the album is certainly a solid, satisfying example of the genre. Pitts has a standard deep growl- nothing forced or underwhelming and the guitar and bass work is par for the course with lots of twangy bass lines and choppy, jagged structure and pace. In all a pretty good, if unspectacular tech death metal release from a duo that can only improve on their sound and skill.</p>
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