I must say I enjoy listening to albums of groups like Necrophobic. I started becoming a fan of underground music as a teenager and Dark Funeral Secrets of The Black Arts was one of the first Swedish black metal albums that really resonated with me. Blackmoon’s influence on Dark Funeral added to the strength of […]
After some demos and EP of fairly standard Swedish death metal, Necrophobic morphed into a black/death act and released a handful of pretty revered albums in 1993’s The Nocturnal Silence, 1997’s Darkside and 1999’s The Third Antichrist. However, it’s 2002’s Bloodhymns that I will always have a soft spot for, being one of my very […]
As when I heard the re-issue of Marduk’s Dark Endless last year, I had no idea that the current iteration of one of Sweden’s more respected second tier black/death metal acts, Necrophobic was so different from their more recognized, current sound. Like Marduk, Necrophobic’s first sound was one rooted in early Swedish death metal, namely […]
Necrophobic’s last album, Hrimthursum, threw me for a loop initially, mainly because of the stylistic expansion from the album before, Bloodhymns, which was one of my favorites from 2002. It wasn’t as though the Swedes did any kind of about-face on that album, one that I rated quite highly in the end; I just found […]
As the opening tones of introductory number “The Slaughter of Baby Jesus” opens up Necrophobic’s fifth effort, I literally got goose bumps from the mix of epic choral arrangements, chants and menacing delivery. It’s a pity the rest of the album never reaches that same level of tangible musical wickedness, instead plying a solid if […]
Top 3 reasons why this album is fucking amazing. 1) It’s produced at Sunlight Studios by Tomas Skogsberg. 2) It has a sample of a steel clashing battle. 3) It has the most killer, blood-boiling riffs this side of The Crown. Ok that’s pretty much it, but I guess your wanting a little more detail.This […]