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	<title>NePlusUltra Music &#8211; Teeth of the Divine</title>
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		<title>Orphan Project &#8211; Spooning Out the Sea</title>
		<link>https://www.teethofthedivine.com/reviews/orphan-project-spooning-out-the-sea/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=orphan-project-spooning-out-the-sea</link>
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		<dc:creator><![CDATA[Fred Phillips]]></dc:creator>
		<pubDate>Tue, 14 Jul 2009 12:53:05 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › O]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[Fred Phillips]]></category>
		<category><![CDATA[NePlusUltra Music]]></category>
		<category><![CDATA[Orphan Project]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">http://teethofthedivine.com/site/?p=6723</guid>

					<description><![CDATA[If I&#8217;m being honest, I&#8217;m not sure what to make of Orphan Project. My first impression was that they were a decent commercial rock band with some aspirations to progressive, but on subsequent listens, I realized that assessment was a bit too shallow. There&#8217;s certainly commercial rock here, and progressive, metal, even some easy listening [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>If I&#8217;m being honest, I&#8217;m not sure what to make of Orphan Project. My first impression was that they were a decent commercial rock band with some aspirations to progressive, but on subsequent listens, I realized that assessment was a bit too shallow. There&#8217;s certainly commercial rock here, and progressive, metal, even some easy listening soft rock and all with Christian overtones. To have that much going on is not always a bad thing, but at times I feel like they&#8217;re trying to do a little too much. The juxtaposition of the blazing metal riffs of &#8220;My Goodness&#8221; with the soft pop of first single &#8220;One Dark Moment (Providence)&#8221; can be a little disconcerting, and it gives the listener a little question as to whether or not this band really knows what they want to be. Perhaps that&#8217;s the goal, though &#8212; to not have people really know what to think of them.</p>
<p>Looking at this record from the standpoint of a metal fan, there are some very strong moments to recommend it. The first blast of a harder sound we get is on the opening of second track &#8220;Angel&#8217;s Desire,&#8221; which suggests that this is going to be a more standard prog metal outing. Then, there&#8217;s the funky, flowing guitar riffing of &#8220;Fallen,&#8221; some of the strongest and most impressive on the record that leads into a U2-influenced verse that&#8217;s kind of weird but still interesting when put side-by-side. Then there&#8217;s the contemporary Christian-style chorus that throws things off a bit. &#8220;To Me&#8221; is a straight-ahead hard rock number with lots of 1970s influence. It&#8217;s one of only a couple of songs here that is what it is and doesn&#8217;t take a left turn at some point. There&#8217;s some more ferocious riffing on &#8220;My Goodness,&#8221; one of the heavier tracks on the record, and &#8220;The Battle Rages On&#8221; traipses almost into symphonic metal territory with its fast riffing.</p>
<p>But nearly every time they give me something to latch on to, Orphan Project takes a turn I don&#8217;t like. A perfect example is &#8220;Empty Me,&#8221; which opens with a strong Savatage-like piano-pounding bit and features one of the best vocal performances from Shane Lankford, but then it morphs into a very, very commercial chorus. And therein lies the problem. A tune that I loved up until the chorus suddenly turns into much of the generic sameness that I dislike about modern radio rock. For me, at least, it&#8217;s a bit off-putting.</p>
<p>Certainly there is talent here, and when guitarist Shane McBride gets a chance to let it rip, his riffing is impressive. Lankford can, at times, belt out some very emotional vocals, while at other times sounding very generic.</p>
<p>Even the mellower parts are not all bad. The title track is actually one of the stronger songs, a smoky, bluesy number that really connects. But again, there just doesn&#8217;t seem to be any sort of cohesion to this record. It&#8217;s interesting enough to recommend a listen for fans of prog, commercial rock or contemporary Christian, who will all probably find some things to like and dislike about it. It&#8217;s just a bit too scattered for my tastes.</p>
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