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	<title>Phlebotomized &#8211; Teeth of the Divine</title>
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		<title>Phlebotomized &#8211; Pain, Resistance, Suffering EP</title>
		<link>https://www.teethofthedivine.com/reviews/phlebotomized-pain-resistance-suffering-ep/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=phlebotomized-pain-resistance-suffering-ep</link>
					<comments>https://www.teethofthedivine.com/reviews/phlebotomized-pain-resistance-suffering-ep/#respond</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Fri, 30 Apr 2021 11:01:29 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › P]]></category>
		<category><![CDATA[2021]]></category>
		<category><![CDATA[Death/Doom Metal]]></category>
		<category><![CDATA[Hammerheart Records]]></category>
		<category><![CDATA[Petrichor]]></category>
		<category><![CDATA[Phlebotomized]]></category>
		<category><![CDATA[Progressive Metal]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://www.teethofthedivine.com/?p=54717</guid>

					<description><![CDATA[For whatever reason, I passed over this Dutch avant garde death/doom act in the mid 90s, when they released most of their discography (mainly the respected of 1994s Immense Intense Suspense and 1997s more commercial, quirky  Skycontact). Maybe I had my fill with Pan-Thy-Monium&#8217;s output or Celestial Season&#8217;s stringed effort or even Visceral Evisceration&#8217;s single album, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>For whatever reason, I passed over this Dutch avant garde death/doom act in the mid 90s, when they released most of their discography (mainly the respected of 1994s <em>Immense Intense Suspense</em> and 1997s more commercial, quirky  <em>Skycontact</em>). Maybe I had my fill with <strong>Pan-Thy-Monium&#8217;s </strong>output <strong>or Celestial Season&#8217;s </strong>stringed effort or even <strong>Visceral Evisceration&#8217;s</strong> single album, but either way, I never really gave them much notice.</p>
<p>The band broke up in the 90s and reformed in 2018 to release <em>Deformation of Humanity</em>, which I have not heard, (but snippets seem to indicate a more urgent melodeath direction) but considering my recent obsession with keyboards and orchestral laced metal, I thought it was time I listened to these guys.</p>
<p>So the parts I heard of <em>Deformation of Humanity</em> certainly seem to be the band&#8217;s new direction, with much less doom (though still around) on this new EP, though the heavy use of keyboards/strings are still here. I&#8217;m reminded of <strong>Garden of Shadows</strong> <em>Oracle Moon</em> album at times.</p>
<p><iframe title="Beheaded Identity" width="500" height="375" src="https://www.youtube.com/embed/B7EqhpA8hdE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>The 7 song, 25 minute EP follows the same sound as the last album, the highlight being the heavy use of keyboards and strings backing the deep death/ doom growls of Ben De Graaff. After the intro &#8220;It Will Pass&#8221;, the first song is the EPs title track, a short burst of <strong>At The Gates</strong> styled hack &#8216;n&#8217; slash melo death backed with gregarious keyboards.</p>
<p>&#8220;No Surrender&#8221; gets back to a more mid-paced, gothic/doom metal trundle and some clean vocals. Then &#8220;Beheaded Identity&#8221; is a pure doom mope, with gorgeous synths backing the despondent riffs. &#8220;You Get the Idea&#8221; is another short sharp, aggressive burst before &#8220;Collusion Starts Here&#8221; enters the fray with a crunchy melodic stomp. Closer &#8220;GPS&#8221; ends the EP with a mix of surprisingly stern blast beats and big beefy grooves.</p>
<p>I&#8217;ve since gone back and grabbed the band&#8217;s discography after hearing this EP, as the symphonic elements are excellent, especially when mixed with the doom/death and melo-death and I&#8217;m looking forward to future releases from this ambitious and creative Dutch band.</p>
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