Posts Tagged ‘Review’
Posted in Reviews, Reviews › M on Thursday, January 22nd, 2026
2024s Black Metal Cult was a perfect slab of French Black Metal from Meyhnach’s Mütiilation, and it was my first time covering one of the long-standing powerhouses of French Black Metal. Pandemonium of Egregores is the more melodic follow-up to that church-burning masterpiece, and it’s a certified crusher. Five tracks in 32:05 is just long […]
Tags: 2026, Black Metal, Jeremy Beck, Mütiilation, Osmose Productions, Review
Posted in Reviews, Reviews › U on Wednesday, January 21st, 2026
Well, that didn’t take long for 2026 to drop an early contender for an album that will be on my 2026 year-end list! Upiór (a Polish word meaning ‘Revenant’) is a newish project formed by Tomasz “Josh” Jaskuła, based out of France, and he has some fairly notable folks helping out, including Ben B on […]
Tags: 2026, Case-Studio, Erik T, Melodic Death Metal, Review, Symphonic Death Metal, Upiór
Posted in Reviews, Reviews › C on Tuesday, January 20th, 2026
https://www.facebook.com/people/Cryoxyd/61558311458224/
Tags: 2026, Cryoxyd, Death Metal, Dolorem Records, Frank Rini, Review
Posted in Frontpage Feature, Reviews, Reviews › C on Monday, January 19th, 2026
‘Uhhh huh huh. Hey, baby. I heard you like The Black Dahlia Murder’. I have smoothly pressed “Power” on the remote on my living room 10-disc CD changer, which slides out smoothly as I casually drop the new Carrion Vael album, Slay Utterly, into the not-at-all-too-large or gaudy apparatus. It closes instantly because it’s the […]
Tags: 2026, Carrion Vael, Deathcore, J Mays, Melodic Death Metal, Review, Unique Leader Records
Posted in Reviews, Reviews › A on Friday, January 16th, 2026
Much like that weird week between Christmas and New Year’s where time doesn’t exist, there’s a similar fugue in the new year when it comes to reviewing albums at the end of the year/start of the year. We have plenty of 2026 releases to cover, but the tail end of 2025 still saw plenty of […]
Tags: 2025, At Dawn Records, Avdagata, Erik T, Melodic Black Metal, Melodic Death Metal, Review, Symphonic Black Metal
Posted in Reviews, Reviews › C on Thursday, January 15th, 2026
After dropping not one, but two albums in 2024, including Graveworms, Cadavers, Coffins and Bones, Sweden’s Carnal Savagery elevated their status in the Swedish death metal ranks from being merely productive and OK, to a solid second-tier act. Especially as the increased Autopsy stench was far more prevalent on the last few efforts amid the […]
Tags: 2026, Carnal Savagery, Death Metal, Erik T, Moribund Records, Review, Swedish Death Metal, Sybreed
Posted in Reviews, Reviews › D on Wednesday, January 14th, 2026
It’s safe to say that I’ve never heard of Italy’s Dawn of a Dark Age until now. Ver Sacrum mixes two genres that I love: Black Metal and Jazz. Vittorio Sabelli is an ubër talented mofo, and it’s his warm-as-butter Clarinet that elevates this album to Avantgarde status. Ver Sacrum marks nine albums since 2014, […]
Tags: 2026, Atmospheric Black Metal, Avant-Garde/Experimental, Dawn of a Dark Age, Jeremy Beck, My Kingdom Music, Review
Posted in Reviews, Reviews › C on Tuesday, January 13th, 2026
You are familiar with the expectations vs. reality memes, right? Here’s one for you: Expectations: Promos sheet that teased brutal death metal like Suffocation and Immolation, with added cinematic atmospheres, keyboards, and tales of brutal torture and serial killers, or specifically ‘a blood-soaked manifesto of riffs, madness, and horror, dragging the listener into a world […]
Tags: 2026, Calcraft, Death Metal, Erik T, Lifeforce Records, Review, Symphonic Metal
Posted in Frontpage Feature, Reviews, Reviews › O on Monday, January 12th, 2026
Love it or hate it, Deathcore is here to stay, folks. You can not like that fact, but accepting it will make it far less frustrating for you. I make no bones about loving the genre and the city of sin, Las Vegas, which sports a nifty deathcore band, Ov Sulfur. In 2021, they released […]
Tags: 2026, Century Media Records, Deathcore, Frank Rini, Ov Sulfur, Review
Posted in Reviews, Reviews › G on Friday, January 9th, 2026
Guttural Slug is a brutal slam death metal band hailing from Denmark. With three full-length albums under their belt and having not released anything since their last album, Plague of Filth, in 2019, here comes the Ulcers in the Flesh of Thought EP. Much has transpired since the last album. Guitarist Mikkel Sørensen hired a […]
Tags: 2025, Brutal Death Metal, Frank Rini, Guttural Slug, Review, Slam, Unique Leader Records
Posted in Reviews, Reviews › W on Thursday, January 8th, 2026
It’s been 10 years since I last heard the Chicago Black metal act Withering Soul. It was 2015’s Adverse Portrait, where the band delivered a far more aggressive and improved take on symphonic black metal, and dropped some of the more gothic/November’s Doom influences from the 2011 debut, No Closure. Now, I have not heard […]
Tags: 2025, Black Metal, Erik T, Liminal Dread Productions, Review, Symphonic Black Metal, Withering Soul
Posted in Reviews, Reviews › S on Wednesday, January 7th, 2026
Today we’re going to Sweden. It’s a free trip; all you have to do is read this review. That’s easy enough, right? I’m not asking for anything too crazy, just two minutes of your precious time. I picked Havamal with the hope that I would get a Falkenbach type of thing, because Falkenbach has a […]
Tags: 2025, Art Gates Records, Havamal, Jeremy Beck, Melodic Death Metal, Review
Posted in Reviews, Reviews › H on Tuesday, January 6th, 2026
There was some fine symphonic/melodic black metal towards the end of 2025 (Argesk, Mystic Circle, Maahes, Achathras, Rotting Demise, Gjallarhorn’s Wrath, etc), and as 2026 starts, there is still a trickle of excellent releases in the style that need your attention from 2025, like WitcherR‘s Öröklét or this effort from Haimad. A few years ago, […]
Tags: 2025, Erik T, Haimad, Northern Silence Productions, Review, Symphonic Black Metal
Posted in Reviews, Reviews › D on Monday, January 5th, 2026
Back in 2023, I reviewed Dead and Dripping’s Blackened Cerebral Rifts, and I was pretty rough on it. I didn’t like it/ didn’t get it, what-fucking-ever. Anyway, today I went back to it before listening to Nefarious Scintillations, and goddammit, I started to like it. I blame my fellow scribes for my newfound love for Deathcore. They all […]
Tags: 2026, Dead and Dripping, Death Metal, Deathcore, Jeremy Beck, Review, Transcending Obscurity Records
Posted in Reviews, Reviews › W on Wednesday, December 24th, 2025
Back in 2022, I reviewed the solid third album, Lélekharang, from the Hungarian duo, WitcheR (not based on the Andrzej Sapkowski books or Henry Cavill show). It was a very well done style of Summoning-ish styled atmospheric black metal, focusing on more doomy, and moody pacing, complete with programmed drums and tinny guitars, just like […]
Tags: 2025, Atmospheric Black Metal, Erik T, Filosofem Records, Review, Witcher
Posted in Reviews, Reviews › F on Wednesday, December 24th, 2025
I could just address the elephant in the room and talk about the artwork for Subcutaneous Tomb, and if that’s what happens, then it happens. That’s the most important part, right? Not how the album sounds, but whether or not it resembles Gorguts’ eponymous debut, Considered Dead, and the artwork for that album… That’s silly. […]
Tags: 2025, Darkness Shall Rise Productions, Fessus, Jeremy Beck, Review
Posted in Reviews, Reviews › T on Wednesday, December 24th, 2025
I was pretty darn upset when Malignant Altar called it quits. I reviewed their Realms of Exquisite Morbidity debut album. So awesome. Memorable. Doomy, brutal and dark death metal. Well, slap me in the face and say stop all that cryin’, because Terror Corpse contains former Malignant Altar members. That’s right, folks. Hailing from Houston, […]
Tags: 2025, Dark Descent Records, Death/Doom Metal, Frank Rini, Review, Terror Corpse
Posted in Reviews, Reviews › D on Tuesday, December 23rd, 2025
I didn’t know that I needed Decrepit Altar in my life… until now. I love the cavernous, murky, and downright swampy vibes that these Croatian death/doom dealers are spewing out into the unsuspecting world. Egregious Defilement is their brand spanking first EP, and let me tell you what: IT’S FUCKING GREAT! I probably didn’t need […]
Tags: 2025, Death/Doom Metal, Decrepit Altar, Jeremy Beck, Me Saco un Ojo Records, Review
Posted in Reviews, Reviews › M on Tuesday, December 23rd, 2025
Mausoleum Gate is a pleasant Finnish surprise I recently came across. They have two prior albums and an EP. Space, Rituals and Magick continues their brand of metal, which combines the very early metal sounds from the 70s and early 80s. Think bands like Black Sabbath/Ozzy, Angelwitch, Mercyful Fate and Iron Maiden. Hell, even The […]
Tags: 2025, Cruz Del Sur Music, Frank, Heavy Metal, Mausoleum Gate, Review
Posted in Reviews on Tuesday, December 23rd, 2025
Here is salvo number 5 from Chicago’s Blood of the Wolf (with members of Withering Soul and Kommandant), and like 2022’s IV: The Declaration of War Eternal, and 2018’s II: Campaign of Extermination before it (I missed the EP III: Blood Legend), it’s a ripper of Midwest Blackened/death/war metal. At 31 minutes, Indomitable does not fuck […]
Tags: 2025, Black/Death Metal, Blood of the Wolf, Erik T, Horror Pain Gore Death Productions, Review
Posted in Reviews, Reviews › L on Monday, December 22nd, 2025
I recently got to see Los Angeles’ Lamp of Murmur with Dödsrit and the mighty Blackbraid. It was my first exposure to their brand of Black Metal craziness, and I wasn’t disappointed, not only are they fun to listen to, but they’re insane live. The Dreaming Prince in Ecstasy is their 4th full-length after a slew […]
Tags: 2025, Jeremy Beck, Lamp of Murmuur, Review, Symphonic Black Metal, Wolves of Hades
Posted in Frontpage Feature, Reviews, Reviews › P on Monday, December 22nd, 2025
Phobocosm, hailing from Montréal, Quebec, have been slinging their brand of darkness since around 2008, but did not pop onto the scene with a release until their debut album, Deprived, in 2014. All of their releases have been on Matt Calvert’s awesome Dark Descent Records. Gateway is the band’s fourth studio album, and we get […]
Tags: 2025, Dark Descent Records, Death Metal, Frank Rini, Phobocosm, Review
Posted in Reviews, Reviews › G on Monday, December 22nd, 2025
2025 has seen some excellent symphonic black metal, especially later on in the year, with releases from Old Machines, Gjallahorn’s Wrath, Maahes, Carach Angren, Argesk, Mystic Circle, Rotting Demise, Labyrinthus Stellarum, Mourniaty, Achathras, Execrari, Deconstruction Sequence, Haimad, and Withering Soul. Add the third album from the Netherlands’ one-man (J.M.K.P) act, The Gloomy Radiance of the Sun. This […]
Tags: 2025, Dusktone, Erik T, Review, Symphonic Black Metal, The Gloomy Radiance of the Moon
Posted in Reviews, Reviews › O on Friday, December 19th, 2025
The internet told me Orm (‘serpent’) was an epic/atmospheric black metal band from Denmark that sang about Norse Mythology. Sign me up! The internet also told me they are/were known for sprawling 25-minute songs, but apparently they returned to the shorter songs of their 2017 self-titled debut on Guld, their 4th album. So how do […]
Tags: 2025, Black Metal, Erik T, Indisciplinarian, Orm, Review
Posted in Reviews, Reviews › G on Thursday, December 18th, 2025
Garde is an interesting ‘new’ band, even though they formed 25 years ago, and Harbinger of Revenge and War is their only release. So you know they took a really, really long time to get this sucker out to us. Vocals are done by Dan Capp, the newest Solstice (UK) singer. He’s been with them […]
Tags: 2025, Frank Rini, Garde, Heidens Hart Records, Review, Viking Metal