I’ve been an Annihilator fan since I heard the first strains of album opening instrumental “Crystal Ann” from their 1989 debut Alice in Hell. By the time the second track, “Alison Hell,” was over, I was devoted. The band’s been through some ups and downs over the years, but they always seem to bounce back […]
Fourteen Twentysix is a musical extension of Chris van der Linden – a solo efforts of sorts. Aside from a bit of help here and there, Lighttwon Closure sees the Dutchman doing pretty much everything and anything. I’m always a bit wary of such projects, as they tend to set their goals far higher than […]
HOLY FUCK. HOLY FUCKEN FUCKITY FUCK FUCK. So there’s been a pretty nice movement of retro death metal resurrecting the old Stockholm sound in the last few years; bands from back in the day reforming (Séance, General Surgery, Evocation, Interment), some nice odes and homage’s (Chaosbreed, Kaamos, Hail of Bullets, Bloodbath, Lifeless, Rib Spreader, God […]
Just as black metal keeps mutating into even more virulent strains, thrash continues vomiting up fresh new abominations as well. Not exactly sure what to call Australia’s charmingly titled Vomitor – necro-thrash seems to be the best fit, as it seems a filthy antipodal cousin to Darkthrone and Mayhem, as well as newer, bestial black […]
I’m a bit of a collector of offbeat recordings. I love strange stuff like (good) parodies, metal tunes covered by groups in other genres (and vice versa), metal Christmas tunes, etc. Given that, and the fact that I’ve always been a closet fan of flamenco guitar, Flametal’s Heavy Mellow was a must-listen for me. Guitarist […]
What’s that, you say? It’s been a while since you were properly earfucked? Well, you’re in luck, because Cardiac Arrest is prepared to rape everything in sight, and they’re especially fond of ears. In fact, they’re nearly creaming themselves with a rabid love for filthy underground death metal, and they’re just dying to fill you […]
Nevermore’s latest outing, The Obsidian Conspiracy, is at once recognizable as a Nevermore effort yet still not quite like anything they’ve done before. The primary hallmarks of the band’s style are there: tight performances, fantastic musicianship and the unmistakable combination of Jeff Loomis’ blazing guitars and Warrel Dane’s distinctive vocals. But there’s something of a […]
As the savvy consumer of modern doom will expect, The Wounded Kings‘ The Shadow Over Atlantis offers a miserablist stew of downtempo post-Sabbath and Electric Wizardisms, here with a dash of the vast ‘n gloomy Cinemascope soundscapes of Year of No Light. But repeat listens reveal a relentless darkness and design here courtesy huge-ass masses […]
The Morningside’s debut, The Wind, The Trees and The Shadows of the Past, was one of the very first reviews I wrote for this site, and so it’s a pleasure, several years later, to revisit these Russian doom-deathsters and see how they’ve progressed. Just as before, there’s a heavy Agalloch and Katatonia influence throughout, and […]
After a 12 year run, Floor Jansen and her former band, After Forever, decided to call it quits. Not really sure of the reason behind it but she is now back with her new metal project, ReVamp. I am truly a fan of female-fronted metal bands like Nightwish, Lacuna Coil, Epica, Within Temptation etc… but […]
So Willowtip has graced us with a killer trio of records this summer, taking a break from grindcore and delivering Fleshgod Apocalypse’s EP, Mafia, Circle of Dead Children’s disturbing Psalm of the Grand Destroyer, and the third album from Germany’s veteran masters of broodle death metal, Defeated Sanity. Following the template set by 2007’s watershed […]
After the killer little Nails release, the second best recent offering of D-beat hardcore is the debut from Cleveland’s Masakari who have given the genre some needed melody and thoughtfulness within their crusty, feral antics. Utilizing an obvious Discharge-backbone, Masakari have an undeniable, palpable rage within their rumbling power chords and gruff screams, but their […]
The Devil’s Blood is one of the most complex bands I’ve had to describe. Some bands you just expect corpse paint, satanic lyrics, burning crosses etc… but what I really admire here is the subtle approach they have towards singing and praising Lucifer himself. You can’t even call The Devil’s Blood metal; it’s more 70’s […]
On May 16th of this year, the heavy metal community was dealt a crushing blow with the passing of one of its true living legends, Ronnie James Dio. As the vocalist for Rainbow, Black Sabbath/Heaven And Hell and his own band Dio, he was an integral part of some bonafide classic albums. The man was, […]
I was curious as to how Germany’s Equilibrium would fare with the follow up to 2008’s critically acclaimed Sagas. Not only because of that album’s brilliance, but also due to a line-up changes, as original vocalist/founding member Helge Stang is replaced by Robert Dahn, and the band has their third drummer in as many albums. […]
So the debut from this super group (or super duet really, as Jamey Jasta and Kirk Windstein are the main guys) was an expected mix of Hatebreed and Crowbar; it was a pretty fun but underwhelming listen. On their second effort, however, the duet, now working with a different backing group, appears to have really […]
Mixing brutal, technical death metal with classical elements, Italy’s Fleshgod Apocalypse exploded onto the scene last year with their debut full length player, Oracles (if you have yet to hear it, do yourself a favor and buy it now). Thankfully, the band isn’t letting us forget about them in 2010, unleashing arguably the best EP […]
1349 is a true violent passion that lost its violence on Revelations of the Black Flame but not its passion. I seem to be the definite minority in that I actually liked the last album. I think if you listened to this new one first and then went back to Revelations of the Black Flame […]
Early on in my metal listening years, there were plenty of bands that were pushing the envelope in extreme metal. Bands that truly changed what I expected from death metal, black metal and such. Bands like Pan-Thy-Monium, Visceral Evisceration, Ephel Duath, Summoning, Lykathea Aflame, Septicflesh, Arcturus, Emperor, Bal-Sagoth and such were just some of the […]
Apparently Earache was so impressed with the record breaking sales of Oceano’s Depths last year, and unable to wait for the bands follow up, Contagion, the label has gone and signed Detroit’s And Hell Followed With ― an almost identical act to Oceano. So now most of you have left, and those who remain are […]
Listen, I’m not much of a power metal/heavy metal guy. My enjoyment of the genre is pretty much limited to Iron Maiden, Manowar and Rhapsody of Fire, with maybe short bursts of Dragonforce. I simply can’t get into the vocals, even with the admitted skill within bands like Tarot, Avantasia, Kamelot, Pharoah, Sonata Arctica and […]
When it comes to Danzig, the first three records, in my book, are certified classics. After that, it’s a mixed bag. Yeah, I know most everybody loves IV, but I’m in the minority that thinks it’s just a mediocre record with a few great songs. Blackacidevil, well, let’s just not go there. Satan’s Child and […]
In listening to Scream, one has to wonder why Ozzy was in such a rush to change guitar players. Just about every guitar riff on the record was quite obviously written by Zakk Wylde, and though Gus G. plays them, it still sounds, with the exception of a few notable moments, more or less like […]
For over half a decade now, Germany’s The Ocean has been churching out some of the most forward thinking, textured, aurally massive sounds in metal. Following the path of the truly progressive, each of The Ocean‘s successive releases finds the band adding more layers, more tangible space and more shifting dynamics. Having had nearly 40 […]
Keep of Kalessin’s last album, 2008’s Kolossus, blended the typical heavy, harsh elements of blackened death metal with tasteful acoustic passages that had a jazz-meets-prog flavor to them. Make no mistake: the brutal was brutal, from second track “A New Empire’s Birth” and onward. The mix of very dense, heavy passages/songs with lighter pieces/sections was, to […]