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	<title>Secondskin &#8211; Teeth of the Divine</title>
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		<title>Secondskin &#8211; Captive Audience</title>
		<link>https://www.teethofthedivine.com/reviews/secondskin-captive-audience/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=secondskin-captive-audience</link>
					<comments>https://www.teethofthedivine.com/reviews/secondskin-captive-audience/#comments</comments>
		
		<dc:creator><![CDATA[Shawn Pelata]]></dc:creator>
		<pubDate>Fri, 02 Apr 2010 11:00:11 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › S]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Secondskin]]></category>
		<category><![CDATA[Shawn Pelata]]></category>
		<category><![CDATA[Union Black Records]]></category>
		<guid isPermaLink="false">http://www.teethofthedivine.com/site/?p=10074</guid>

					<description><![CDATA[We seem to be heading into a new era of progressive metal. No longer does the tag exclusively mean bands on the coattails of Dream Theater or Fates Warning. Prog-metal over the last few years has gotten more, well, progressive. Seemingly no longer satisfied with simply blending Iron Maiden and Rush, this new generation of [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>We seem to be heading into a new era of progressive metal. No longer does the tag exclusively mean bands on the coattails of <strong>Dream Theater</strong> or <strong>Fates Warning</strong>. Prog-metal over the last few years has gotten more, well, progressive. Seemingly no longer satisfied with simply blending <strong>Iron Maiden</strong> and <strong>Rush</strong>, this new generation of prog-metal bands bring in other elements to help push the genre forward&#8230; as anything considered progressive should do.</p>
<p>Glasgow, Scotland&#8217;s <strong>Secondskin</strong> arrives doing just that. Taking elements of <strong>Jesu</strong>/<strong>Red Sparowes</strong>-like post-rock, the melodic side (and thankfully very, very little screaming) of post-hardcore like <strong>Saosin</strong>, and the darker, technical shades of bands like <strong>Pain Of Salvation</strong> and <strong>Tool </strong>and blend it into a marvelous concoction. The result of its endeavors, <em>Captive Audience</em>, is a masterpiece of modern prog-metal. The somber &#8220;Capable Of Anything&#8221;, the moody intensity of &#8220;Pawned Life&#8221;, the passionate strains of the title track, all come with precision and beauty never sacrificing melody for technicality, but marrying the two.</p>
<p>The elevated musicianship is here, yet without the needless noodling of other bands of their ilk. The music here is carrying darker, sadder melodies and understated vocals&#8230;vocals that don&#8217;t rely on long, soaring notes and  vibrato but much more on melody and mood-creation.The guys in <strong>Secondskin</strong> are not going out of their way to show you how good they are, but you notice anyway. This is definitely a record that fans of darker progressive music should check out.</p>
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