The production is raw but full-bodied, providing enough bottom end to balance out the high-end harshness. Everything is cranked to eleven, but the balance lets you hear everything: the raspy vocals, the drums, the bass, and the thick guitars at the forefront.

Opener “Sortedoden” wastes no time getting right to the core of what Solbrud does on this album. It delivers powerful black metal with well-constructed and often soaring melodies, and even a dark sense of triumph. The track ends on something that most bands of this ilk avoid–a major chord!–but in a way that manages to avoid coming off as cheesy or contrived. The following tracks, “Afbed” and “Klippemennesket” shows that there is also a touch more traditional black metal ala Darkthrone going on here than you get from the Cascadians, a welcome nod to the roots of this music. Closer “Ursult” shows the same competence and climaxes in an emotional, deeply melodic fury.

The only drawback is what might come off as a derivative sound. I’m not sure how much Wolves in the Throne Room was a conscious influence, but it may turn listeners off who have been worn out on that. For me, the slight touches of more traditional black and folk-black sounds provide enough of a difference for me.

I’ll admit that I’m a total sucker for this style of black metal, and this came as a most welcome surprise after the recent disappointments from Wolves in the Throne Room. Any listener who digs Cascadian black metal needs this immediately, as does anyone who also enjoys the darker, rawer side of folk-black.