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	<title>Spheric Universe Experience &#8211; Teeth of the Divine</title>
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		<title>Spheric Universe Experience &#8211; Unreal</title>
		<link>https://www.teethofthedivine.com/reviews/spheric-universe-experience-unreal/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=spheric-universe-experience-unreal</link>
					<comments>https://www.teethofthedivine.com/reviews/spheric-universe-experience-unreal/#comments</comments>
		
		<dc:creator><![CDATA[Fred Phillips]]></dc:creator>
		<pubDate>Mon, 15 Jun 2009 19:42:35 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › S]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[Fred Phillips]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Sensory Records]]></category>
		<category><![CDATA[Spheric Universe Experience]]></category>
		<guid isPermaLink="false">http://teethofthedivine.com/site/?p=6383</guid>

					<description><![CDATA[To tell you the truth, I&#8217;ve been just about &#8220;progged&#8221; out in recent years. I&#8217;ve reviewed stacks and stacks of predictable prog, but just when I get to the point where I groan when I pull a new one out, I find a record that renews my hope in the search. The latest from Spheric [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>To tell you the truth, I&#8217;ve been just about &#8220;progged&#8221; out in recent years. I&#8217;ve reviewed stacks and stacks of predictable prog, but just when I get to the point where I groan when I pull a new one out, I find a record that renews my hope in the search. The latest from Spheric Universe Experience is that record.</p>
<p>Is it incredibly original and mind-boggling? Not really. But it is incredibly well-done, a collection of tight songs with the focus on the song rather than on the abilities of the musicians.</p>
<p>&#8220;Unreal&#8221; is full of high energy tracks, and the opener &#8220;White Willow&#8221; sets the tone with an interesting organ riff on the opening, moving to a more aggressive, almost thrash bit, and then a power-metallish chorus. While the song (and the record) is loaded with Dream Theater influence, as are most prog metal acts these days, it&#8217;s not copycat. They continue with the unusual instrumentation on &#8220;Down Memory Lane,&#8221; which opens with a sitar riff, followed by an exotic-sounding melody before the heavier bits kick in on the verse. &#8220;3rd Type&#8221; opens with a Rush-like synth line before moving into a very nice piece with some spacy keyboards and a chunky guitar riff about 35 seconds in.</p>
<p>There&#8217;s a break with the fourth tune, &#8220;Near Death Experience,&#8221; a haunting piano interlude with no metallic instruments at all. There&#8217;s a nice flourish at the end that leads into a heavy, solemn opening riff of &#8220;Lost Ghost.&#8221; Admitttedly, toward the middle of the record, the band begins drifting more toward the standard prog sound, but there are a few more surprises up their sleeves, like the heavy Sabbath-style riffing of the album closer &#8220;Tomorrow,&#8221; or my personal favorite track on the record &#8220;O.B.E.&#8221; It&#8217;s an instrumental that opens with some impressive guitar riffing, then shifts gears into a nice little funky piece that is fantastic. It&#8217;s sort of like a metallized version of a James Brown tune.</p>
<p>The band is solid and tight, with all members putting in impressive showings without being overbearing. There&#8217;s a nice balance between musicianship and songwriting. Vocalist Franck Garcia&#8217;s lyrics could use a little work in places, particularly third track &#8220;Lakeside Park,&#8221; but that&#8217;s a minor criticism.</p>
<p>The songs are solid, the album sounds good, and Spheric Universe Experience throws just enough unusual bits into the mix to keep things interesting. It&#8217;s a good listen for those who like song-based progressive stylings.</p>
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