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	<title>Stormtide &#8211; Teeth of the Divine</title>
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		<title>Stormtide &#8211; A Throne of Hollow Fire</title>
		<link>https://www.teethofthedivine.com/reviews/stormtide-a-throne-of-hollow-fire/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stormtide-a-throne-of-hollow-fire</link>
					<comments>https://www.teethofthedivine.com/reviews/stormtide-a-throne-of-hollow-fire/#respond</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Fri, 26 Mar 2021 11:30:33 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › S]]></category>
		<category><![CDATA[2021]]></category>
		<category><![CDATA[Erik T]]></category>
		<category><![CDATA[Melodic Death Metal]]></category>
		<category><![CDATA[Metal Hell Records]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Stormtide]]></category>
		<category><![CDATA[Symphonic Metal]]></category>
		<guid isPermaLink="false">https://www.teethofthedivine.com/?p=54775</guid>

					<description><![CDATA[I was late to the Stormtide party as I didn&#8217;t hear this Aussie Fantasy metal act&#8217;s 2016 debut, Wrath of an Empire until 2020. But When I finally did stumble across it, I very much enjoyed the band&#8217;s Asian/Far East inspired take on melodic, symphonic death metal, imbuing an mix of Amon Amarth, Stormlord and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I was late to the <strong>Stormtide</strong> party as I didn&#8217;t hear this Aussie Fantasy metal act&#8217;s 2016 debut, <em>Wrath of an Empire</em> until 2020. But When I finally did stumble across it, I very much enjoyed the band&#8217;s Asian/Far East inspired take on melodic, symphonic death metal, imbuing an mix of <strong>Amon Amarth</strong>, <strong>Stormlord </strong>and <strong>Whispered</strong> rather well.</p>
<p>Well out of the blue, comes the band&#8217;s second story telling offering and despite a significant line up shift, it retains the sound of the debut, with a bigger production, if though a <em>little</em> less ethnic and Far Eastern, being a little more &#8216;traditional&#8217; (Western), though there are some more ethnic moments here and there.</p>
<p><iframe title="Stormtide - She Who Would Name The Stars" width="500" height="281" src="https://www.youtube.com/embed/qTqMlrEdpi8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>After the intro &#8220;A Valley of Ashes&#8221; sets the mood in expected fashion, the title track delivers a killer start to the album, with a riff in the chorus that&#8217;s rousing as heck. The next track &#8220;Awakening&#8221;, has an other similarly catchy, cool as hell rousing riff, adds some choirs and little ethnic twinkle to the epic bombast.</p>
<p>From there, there is a run of decent, enjoyable songs like &#8220;Crucible&#8221; and &#8220;She Who Would Name the Stars&#8221;, the rollicking drinking anthem &#8220;One Last Pint (At The Duck)&#8221; and &#8220;He Who Would Drown the Sun&#8221;. Big crunchy riffs, a few blackened blasts, deep growled vocal and a few Melo death rasps and lot and lots of orchestration, but it lacks the staying power of the two openers.</p>
<p>&#8220;Wayfinders&#8221; brings things back to a more elite level with stern blasting and choral arrangements while &#8220;Eternal Fire&#8221; slows things down to an epic orchestral stomp and a cool little late song jaunt. 6 minute closer &#8220;A Warship Breaks the Tempest&#8221; ends the album on a fitting, sprawling note, and I feel like this were a movie this would be a cliffhanger of sorts.</p>
<p>Here&#8217;s to the last part of the trilogy being a truly special end note.</p>
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