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	<title>System Divide &#8211; Teeth of the Divine</title>
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		<title>System Divide – The Conscious Sedation</title>
		<link>https://www.teethofthedivine.com/reviews/system-divide-the-conscious-sedation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=system-divide-the-conscious-sedation</link>
					<comments>https://www.teethofthedivine.com/reviews/system-divide-the-conscious-sedation/#comments</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Tue, 02 Nov 2010 19:09:41 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › S]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Erik T]]></category>
		<category><![CDATA[Metal Blade Records]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[System Divide]]></category>
		<guid isPermaLink="false">http://www.teethofthedivine.com/site/?p=12633</guid>

					<description><![CDATA[I really wanted to like this heavily promoted debut record from System Divide. And why not? It’s got Belgian metal stalwart Svencho De Caluwe (Aborted, In-Quest, Leng Tche) on vocals and he’s joined by his hotterthanheck wife Miri Millman (Orphaned Land) and former Abigail Williams guitarist Mike Wilson. The thing is, the band’s effort to [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I really wanted to like this heavily promoted debut record from <strong>System Divide</strong>. And why not? It’s got Belgian metal stalwart Svencho De Caluwe (<strong>Aborted, In-Quest, Leng Tche</strong>) on vocals and he’s joined by his hotterthanheck wife Miri Millman (<strong>Orphaned Land</strong>) and former <strong>Abigail Williams </strong>guitarist Mike Wilson. The thing is, the band’s effort to basically meld <strong>Aborted</strong> and female fronted Gothic metal just isn’t as dynamic as you’d think it would be.</p>
<p>The main problem is that despite a strong, polished production, two great vocal performances and an admittedly fierce take on the dual, beauty and the beast vocal interplay, the end result simply comes across as a packaged, predictable, commercial melodeath/metalcore effort, that will have more appeal to the <strong>Deadlock, Sonic Syndicate</strong> crowd than anyone else. While the <strong>Aborted</strong> meets <strong>Nightwish</strong> promotional efforts of the CD have some appeal, the songwriting prevents it reaching  the potential, ultimately rendering <em>The Conscious Sedation </em>a fairly shallow record.</p>
<p>That being said, if Napalm Records&#8217; roster of gothic lovelies (<strong>Edenbridge, Leaves Eyes, Elis, Katra</strong> etc) is a little too light for you, <strong>System Divide</strong> certainly adds some beef. Not only with Sven’s distinct growls and bellows, but with plenty of blastbeats and hefty grooves playing under Millman’s competent, chorus-based croons and some tinkering synths. Again, on paper, that sounds great doesn’t it?</p>
<p>And at times it is. There is an undeniable energy to many of the more up-tempo, songs like the opening track “Vagaries of Perception”, “Lethargy”, “(N)ether”, “The Conscious Sedation” and the album&#8217;s fiercest cut “Repentiforget”. There&#8217;s a chunky, and at times, cyber-ish <strong>Aborted</strong>-style riffage going on with epic vocal segues ― that’s as good as the album gets. The rest of the CD falls into a pretty formulaic pace that never sees the band break a songwriting sweat or push themselves into something a little more impressive.Svencho prowls and growls on top of blastbeats and grooves, before a bridge leads to a keyboard driven chorus that allows Millman to deliver her more softer, delicate offerings. You&#8217;ve all heard it before.</p>
<p>While the band occasionally breaks out of the norm―Millman singing over blasts and along with Svencho (single “<a href="http://www.youtube.com/watch?v=EefemUS1s9s" target="_blank">The Apex Doctrine</a>”)―it all falls into a predictable safety net. Right down to the slower &#8216;ballad&#8217; &#8220;Hollow&#8221;, which is even more hundrum.The end result is an enjoyable, but incredibly safe and fence-sitting album that seems to be geared towards a more gateway metal market.</p>
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