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	<title>Vorum &#8211; Teeth of the Divine</title>
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		<title>Vorum &#8211; Current Mouth EP</title>
		<link>https://www.teethofthedivine.com/reviews/vorum-current-mouth-ep/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=vorum-current-mouth-ep</link>
					<comments>https://www.teethofthedivine.com/reviews/vorum-current-mouth-ep/#comments</comments>
		
		<dc:creator><![CDATA[Adam Palm]]></dc:creator>
		<pubDate>Wed, 13 May 2015 11:48:10 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › V]]></category>
		<category><![CDATA[2015]]></category>
		<category><![CDATA[Adam Palm]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Sepulchral Voice Records]]></category>
		<category><![CDATA[Vorum]]></category>
		<guid isPermaLink="false">http://www.teethofthedivine.com/?p=36295</guid>

					<description><![CDATA[You may have noticed a small but notable crop of retro Swedeath bands progressing beyond their throwback stylings over the past few years. Necrovation was the first to make a significant paradigm shift with their 2012 self-titled full-length. Finland’s Vorum seemed poised to take the same leap after their 2013 debut, Poisoned Void, which felt [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>You may have noticed a small but notable crop of retro Swedeath bands progressing beyond their throwback stylings over the past few years. <strong>Necrovation</strong> was the first to make a significant paradigm shift with their 2012 self-titled full-length. Finland’s <strong>Vorum</strong> seemed poised to take the same leap after their 2013 debut, <a href="http://www.teethofthedivine.com/reviews/vorum-poisoned-void/"><em>Poisoned Void</em></a>, which felt like a stylistic bridge between old and new <strong>Necrovation</strong>. It lacked the creativity of those Swedes, but the potential was there. I knew some kind of transformation was afoot once I saw the cover art and curious title of this new EP, but it’s far from what I was expecting.</p>
<p>Instead of looking forward, <strong>Vorum</strong> is looking back…way back. <em>Current Mouth</em> sounds like a band’s beginning, not a next step. I keep hoping to discover that it’s actually a reissued demo. The production is thin and raw, as are the vocals, the chord progressions are primitive, and the drums pummel along at a nearly perpetual thrash pace. There’s nothing inherently wrong with any of that. Some bands can do amazing things within those confines, such as <a href="http://www.teethofthedivine.com/reviews/vomitor-the-escalation/"><strong>Vomitor</strong></a>. <strong>Vorum</strong> just isn’t at that level yet. This style of primal black/death/thrash lives and dies by the riff, and there aren’t many here to really sink your teeth into and differentiate one track from the next.</p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/204052915&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%" height="166" frameborder="no" scrolling="no"></iframe></p>
<p>However, much like their debut, there is potential here. They certainly have the vehemence that this style needs, and that might be enough when you’re just in the mood for a good face peeling. What shows the most promise is the title track, which breaks up the tremolo with some abrasive chugging before ripping into a bout of blackened speed metal with a hint of NWOBHM melody. More of this, please.</p>
<p>Despite my lack of enthusiasm for <strong>Vorum</strong>’s new direction, I commend them for heading down a rockier path with a different set of challenges. If they can carve something individual and memorable into those rocks along the way instead of just crashing over them, it could be a path worth following.</p>
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		<item>
		<title>Vorum &#8211; Poisoned Void</title>
		<link>https://www.teethofthedivine.com/reviews/vorum-poisoned-void/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=vorum-poisoned-void</link>
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		<dc:creator><![CDATA[Luke Saunders]]></dc:creator>
		<pubDate>Tue, 19 Feb 2013 14:25:40 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › V]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[Dark Descent Records]]></category>
		<category><![CDATA[Luke Saunders]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Vorum]]></category>
		<guid isPermaLink="false">http://www.teethofthedivine.com/?p=26234</guid>

					<description><![CDATA[Dark Descent records deliver another punishing blast of nasty death metal in the form of the full-length debut from Finnish band, Vorum.   The label has made quite a name for themselves over the past couple of years through a string of high quality releases and commitment to old school values and the uglier side of [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Dark Descent records deliver another punishing blast of nasty death metal in the form of the full-length debut from Finnish band, <b>Vorum</b>.   The label has made quite a name for themselves over the past couple of years through a string of high quality releases and commitment to old school values and the uglier side of death metal.  Although my experiences with the label date back to more recent discoveries of stellar albums from <b>Desolate Shrine, Binah, Horrendous</b> and the phenomenal <b>Entrails,</b> the label’s recent track record speaks for itself.   <b> Vorum</b> may not reach the heights of some of their label-mates but they do dish out a solid platter of burly old-school death coupled with enormous doom grooves and a slightly blackened strain.  The whole package is done and dusted within 35-minutes, and considering the density and ferocity of the material, the length is just about perfect.</p>
<p><b>Vorum </b>share similarities with label-mates and fellow Finns<b> Desolate Shrine; </b>particularly<b> </b>in their shared vision of creating a dank murky atmospheric base to unleash their combo of dark, doomy grooves and<b> </b>fast, distorted sonic violence.   The production doesn’t contain the all-encompassing wall of sound of <b>Desolate Shrine’s</b> latest but it manages to sound relatively clear and organic whilst retaining a raw, unpolished vibe.  The guitars are not as crushing or up front as they should be, but the dark, menacing tone befits the sinister vibe that oozes through the album.  The bass drums sound appropriately pummeling and the cymbals are clear as a bell.  On the slightly negative flipside, the mix sounds a bit out of whack and the drums are mixed too high, overshadowing the impact of the guitars.  It’s not enough to hamper the album too much but the effects are a bit distracting.</p>
<p><b>Vorum’s</b> vicious attack<b> </b>reeks of a band<b> </b>that plays their uncompromising death metal with attitude, passion and plenty of heart, even if the album lacks a real x-factor.<b>   </b>Their solid musicianship has a touch of technicality within the otherwise blasting furnace of typical brutality.  Guitar solos occasionally weed their way into the concoction, creating a chaotic, haphazard feel amongst the abundance of evil-sounding riffs.  While the vocals are solid but fairly unremarkable, straying on the blackened, mid-range end of the spectrum.   The ingredients are all there but the distinct lack of memorability in the bulk of <b>Vorum’s</b> song-writing holds the album back.  Despite the raging dissonance of their forcefully direct and punishing sound, the shortage of really killer riffs and catchy elements doesn’t bode well for the replay value of the material.   Several of the tracks blast by without leaving much of a memorable imprint and the album suffers as a result.</p>
<p><b>Vorum</b> are far more effective when they employ a greater dynamic range and play to their strengths; finding the balance between their no-nonsense death metal and earth-shaking grooves.  “Thriving Darkness” gets the combo right and is an absolute monster, arguably the best tune on the album.   Violent drumming and blackened riffing gives way to a potent mid-paced lurch about halfway through the song, as the music takes on a darker, foreboding tone.  “Evil Seed” opens with some flashy cymbal work and churning riffs before rocketing forth with damaging bursts of speed, a chunky groove and devastating climax.  If they could nail down this level of quality for a full album then we might have something more worthwhile on our hands.</p>
<p>As it stands, inconsistencies aside,<b> Vorum</b> deliver a satisfyingly raw and feral example of filth-ridden death metal that succeeds in its bludgeoning execution and dark atmospheric tone but lacks the song-writing chops to push <i>Poisoned Void</i> into elite territory.   Despite its flaws,<b> </b><i>Poisoned Void</i> is a worthy listen for death metal fiends seeking something unpolished and relentlessly violent.</p>
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