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	<title>Wooden Throne &#8211; Teeth of the Divine</title>
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		<title>Wooden Throne &#8211; Eternal Wanderer of the Night Sky</title>
		<link>https://www.teethofthedivine.com/reviews/wooden-throne-eternal-wanderer-of-the-night-sky/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wooden-throne-eternal-wanderer-of-the-night-sky</link>
					<comments>https://www.teethofthedivine.com/reviews/wooden-throne-eternal-wanderer-of-the-night-sky/#respond</comments>
		
		<dc:creator><![CDATA[Erik T]]></dc:creator>
		<pubDate>Thu, 05 Oct 2023 11:28:57 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews › W]]></category>
		<category><![CDATA[2023]]></category>
		<category><![CDATA[Atmospheric Black Metal]]></category>
		<category><![CDATA[Depressive Black Metall]]></category>
		<category><![CDATA[Erik T]]></category>
		<category><![CDATA[Purity Through Fire]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Wooden Throne]]></category>
		<guid isPermaLink="false">https://www.teethofthedivine.com/?p=65114</guid>

					<description><![CDATA[I usually check out almost all of the Purity Through Fire promos we get, as I usually know what I am getting; frosty or raw, or some sort of decent to excellent quality old school or second-wave inspired black metal, usually from Germany or Scandinavia. The likes of Eisenkult, Kryptamok, Mavorim, Noidva, and such have [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I usually check out almost all of the Purity Through Fire promos we get, as I usually know what I am getting; frosty or raw, or some sort of decent to excellent quality old school or second-wave inspired black metal, usually from Germany or Scandinavia. The likes of <strong>Eisenkult, Kryptamok, Mavorim, Noidva</strong>, and such have been examples of the better releases they have kicked out.</p>
<p>However, I was not expecting what I got when I opened the promo for the second album from<strong> Wooden Throne</strong>, the Finnish solo project from one Mikko Lehto, he of <strong>October Falls</strong>. So I was at least expecting something a little more atmospheric when considering <strong>October Falls</strong>&#8216;s more doomy, ambient and light/dark hues. what I wasn&#8217;t expecting was an almost <strong>Summoning</strong> or <strong>Fathomage</strong> level of orchestral, moody, majestic black metal.</p>
<p><iframe title="Wooden Throne (FIN) - Eternal Wanderer of the Night Sky - Trackpremiere 2023" width="500" height="281" src="https://www.youtube.com/embed/sON6yM09iTk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>Even knowing Lehto&#8217;s other output, I thought <strong>Wooden Throne</strong> might be an outlet for a more aggressive, icy offering, ( admittedly I have not heard the debut) but here he leans really hard into the piano-driven melodies and somber, mopey pace, that&#8217;s certainly doomy, but also wondrous and befitting song titles like &#8220;The Autumnal Frost&#8221;, &#8220;Forward into Starless Abyss&#8221; and &#8220;Firm Roots of the Scarred North&#8221; and the title track, &#8220;Eternal Wanderer of the Night Sky&#8221;.</p>
<p>It&#8217;s all very subdued and majestically morose with that <b>Summoning</b>-paced moody march for most of the 35-minute, 6-song runtime, with Lehto providing a standard, pained black metal rasp over slightly tinny but atmospheric guitars. But on these songs, his ivory work and choral/symphonic backdrop is the star of the show. Especially standouts <a class="js-track-play link" title=""> &#8220;The Autumnal Frost&#8221; and &#8220;The Earthly Womb&#8221;. </a></p>
<p>There is one slightly faster number in the penultimate song, &#8220;Firm Roots of the Scarred North&#8221;, which is a more traditional 90s symphonic/ melodic black metal track but is still driven by the superb piano work before closer &#8220;Talvikki&#8221; ends the album with a more despondent 7-minute number, ending the album with a nice dose of emotion.</p>
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