“Fermented Drippings” opens the album with a spoken word/movie clip then right into a blast beat with the snare drum super loud and poppy. Our wonderful editor, Erik, will not be a fan of this sound. It is loud AF. The double bass is pummeling all in its path. The new vocalist Johnny is the standard guttural style of vocals, however there is nothing resembling a word or syllable. If the band writes lyrics for the album, I would consider it a moot point if the booklet has them printed, I can’t make out a single word. It’s a brutal song, but damn, there needs to be some enunciation in all of this.

“Excoriated Integumental Sludge Altar” is up next and Shane is doing some crazy blasting, sounds like into the gravity blasting range. The stop and start moments are cool, and the riffs are heavy; they’re just a bit tough to make out. A lot of fuzz on those guitars which is cool but at times the production I find is kinda wack. It’s very bass heavy sounding with everything so it does help if you can adjust your sound preferences and make the album sound more trebly, dropping some of that bass. The muddiness then goes away a bunch and the album is better to listen to. There is a pretty crucial slam though, on this song that will get all the Texas pits swarming in unison.

The title track blasts like a mofo outta the starting gates, the song structure sounding a bit off, sloppy in places. The 1.45 slam is nice; however I truly wish that snare sound was not so grating, it’s a lot to handle. Some slower groove passages help make this song a bit more memorable. “Infatuated with Homicide” ends the album, similar to how it starts with the spoken word clips then the pop pop snare cuts through. I like how it comes in the beginning, then right into a nice groovy mid paced slam around the 1.15 timestamp. That is a heavy moment indeed. More blasting and the riffs over the double pounding moments are pretty well done. The slam at the 3 minute mark is crucial, nice riffing. The vocals are so monotone, and no offense, but he sounds like a bear throughout the recording and nothing separating him from a lot of the pack playing this style of death metal.

Headless Cum Dumpster is an uneven second album from Kill Everything. The production is off in places, certain parts come across as a bit sloppy and I already mentioned my dislike of the drum sound (not the drum playing) and the vocals are average at best. Kill Everything can do a lot better, especially since they released that destructive debut years ago. Come on guys pull it together for the next album!

You get Brian Wynn on guitar, Weston Wylie on guitar and backup vocals, Jeff Huffman on bass, Shane Newbrough on drums and Mike Majewski on vocals.  Let’s start off with the band named song. Starting off with an audio snippet-not sure where it’s from, but probably some serial killer…anyway the tune gets into some brutality pretty soon thereafter with some great drum rolls and heavy guitars and killer double bass.  Great to hear some great bass guitar playing and then Mike’s vocals come in.  He sounds a lot more pronounced than when he fronted Devourment, enunciating the words more, therefore you can hear all the violence he is vomiting forth.  The tune has some solid breakdowns.  The 3 minute breakdown I believe I fired up a jackhammer and began running it through my neighborhood.  I was putting holes the size of basketballs on people’s lawns and then the 3.55 part came in.  This guttural slam-fest breakdown started a collapse of the town.  Mike going extremely low.  Holy crap this is when I took that fired up jackhammer and started using it like a Texas lasso and began corralling cars and launching them across the Atlantic.  Seriously, guys, just open your live sets with this track.  It has the perfect combination of furious blasts, breakdowns and heavy mid-section swells to start up a pit immediately.

“Intrinsic Vexation” has a monster heavy guitar opening riff.  Highly influenced by the Texas brutal death metal scene.  Love the opening lyrics.  Yes the tune is violent and Mike letting out some nice croaking growls and I swear he sounds like he is mauling someone to death, as does the rest of the song.  The 2 minute mid-section part is quite brutal and relentless and then the song meanders into a wicked break-down and I felt the earth’s interior plates move.  The 3 minute death thrash beat is pure classic and I love this part-throw up your damn horns everyone.  Very cool to have the beginning lyrics tie in to end the song, as it originally began.  I like that-it helps to have the song embed in the listener’s brain even more.

The album cover is quite striking with its Lovecraftian imagery-very well done.  The album production is spot on for brutal death metal. It’s loud, noisy, yet clear and will be waking your neighbors up when you crank this puppy up.  There are a total of 8 songs, and again Kill Everything are not hear to write tech-noodly type of death metal.  They’re strictly here to write and create brutal American Death Metal-homegrown and making no apologies for it.  The music is well-played and very violent sounding.  Go to the label and pick out the various package deals of Scorched Earth-it will scorch your brain wide-open.  You will literally be Laid to Waste by Carnivorous Lunar Activities.  If you don’t understand that sentence-well then go out and buy the goddamned album already.  Buy  or Die!