Accept’s 2010 album Blood of the Nations, one of my favorite records of that year, served as sort of an introduction to the new incarnation of the band and featured some departures from what I expected going in. Stalingrad, on the other hand, takes a small step back toward the band’s history with a sound […]

For those familiar with my musical tastes, it might come as a bit of a surprise that I was never a big fan of Accept. Oh, I’ve got a copy of Restless and Wild and Balls to the Wall, but for some reason I never really connected with the band. When it was announced that […]