Have to feel some type of pity for Norway’s Audrey Horne. Thanks to the current onslaught of retro-minded, bellbottom-lovin rock, they’ve cast as an afterthought while Rival Sons, Graveyard, and Witchcraft prance around like they’ve been doing this since the 70’s, while AH has been doing it since 2002, which in some weird twisted way, […]