Posts Tagged ‘Fleshgod Apocalypse’

Album number 6 from Italy’s master of symphonic/orchestral brutal death metal sees more lineup changes, much like 2019s Veleno. And while they certainly weathered the changes admirably (replacing long-time members Christiano Trionfera and Tommaso Ricardi departing, Francisco Paoli moving from drums to vocals), with a really good album that even showed some more controlled and restrained songs, […]

Though I enjoyed every release from Italy’s Fleshgod Apocalypse, going back to 2009s Oracles, I’ve enjoyed some, like 2011s Agony (My album of the year) and 2016s  King, more than others (2013s Labyrinth), but King, really saw the band create the perfect balance between the tech death chaos and the sweeping orchestral majesty that is […]

Since transforming into a fully orchestral, symphonic death  metal band with 2011 Agony (my very top album of that year), the band has been pretty divisive with an either love them or hate them approach. Some claim the band is soulless, forgetful tech death with no riffs, simply window dressed with symphonics. Others, myself included […]

Italian symphonic-death metal masters FLESHGOD APOCALYPSE, will tentatively release their new album King in early 2016 via Nuclear Blast Records. Tracking will start this summer at Kick Recording and 16th Cellar studios in Rome. Mixing and mastering will be handled by the world-renowned Jens Bogren (AMON AMARTH, AT THE GATES, ARCH ENEMY) at Fascination Street […]

Fleshgod Apocalypse‘s second full-length album, Agony was my favorite album of 2011, so I’ll warn you, you can throw objectivity and unbiased opinions out of the window right now. I love these guys. However, Agony was surprisingly divisive as the band integrated full-on orchestration to their vortex of Italian technical brutality, with the end result […]

Last year, Italy’s Fleshgod Apocalypse unleashed ‘Agony’, their second full-length album. After delivering a debut album (‘Oracles’) and an EP (‘Mafia’) that injected classical instrumentation and symphonics into brutal death metal, ‘Agony’ fully merged the two elements that created a divisive collision of sounds. Some trumpeted it as chaotic, noisy mess while others (me included) hailed it as one of the year’s best death metal albums. When I found out that the band would be touring the US, and hit a relatively close venue along with my favorite deathcore band, All Shall Perish, I had to make the three hour trip and see them live. As a bonus guitarsit/vocalist Christiano Trionfera was kind enough to visit with me a little bit and talk a little further about, Agony’, the current tour and the future of Fleshgod Apocalypse…

Oh. My. Fucking. God. Imagine, metaphorically speaking, that two high speed trains are careening towards each other on a unavoidable collision course. One train is Origin‘s ultra technical, brutal, but intelligent form of death metal. The other train is Sigh and their over the top orchestral symphonics and theatrics. BAM!!!! They collide, each train melting […]

Mixing brutal, technical death metal with classical elements, Italy’s Fleshgod Apocalypse exploded onto the scene last year with their debut full length player, Oracles (if you have yet to hear it, do yourself a favor and buy it now). Thankfully, the band isn’t letting us forget about them in 2010, unleashing arguably the best EP […]

Holy hell. 2008 saw tech death metal explode with the likes of Origin, Decrepit Birth, Brain Drill, Trigger the Bloodshed, Severed Savior, Psycroptic and such; a year hard to top right? Well, 2009 already has seen brilliant releases from Obscura and Ulcerate as well as solid releases from Inevitable End, Gory Blister, Trigger the Bloodshed […]