I’m thinking this is the third interview I’ve done with Billy Nocera of Razorback records over a time span of what must be approaching 10 years, maybe eight. Heck, I don’t remember precisely, but I know that up until now I hadn’t interviewed him for Teeth of the Divine. Given some changes in Billy’s life on both the domestic and label fronts, it seemed a good time to check in with this long-time lurker of the underground. In this installment of the, uh, Razorback interview series Billy talks about the label’s doomier end, his marriage to Vanessa and their relocation to Kentucky, the world of underground distribution, and various other Boar-ing topics. If you’ve any interest in acts like Wooden Stake, Fester, Crypticus, Hooded Menace, Mausoleum, Church of Misery, Coffins, Blizaro, Revolting, Scaremaker, Mausoleum, Decrepitaph, and Fondlecorpse (to name a handful), then you should probably take the plunge and read on. Have horror will travel. Can you dig it? The grave I mean.

The combination of heavy metal and horror is usually a successful one when both aspects share similarities in subject matter and atmosphere. While it’s often attempted, many times the outcome falls short of being memorable. Thankfully, Razorback bands tend not to let listeners down in this area, with Wooden Stake being no exception. And although […]

This was a bit of a rocky road initially for me. By that I mean “getting into” the music of this split release from Wooden Stake and Blizaro. Given my often mood-driven response to CDs, it is not surprising that the first time or two this one wasn’t clicking. And that’s exactly why one or […]

Consistency is the name of the game with Decrepitaph. Wayne “Elektrokutioner” Sarantopolous (drums, guitar, bass, keyboards, backing vocals) and Sinworm (vocals, guitar, bass) will never be anything but an authentically doomy death metal band that plays with a passion for the old school and takes care to write the best songs possible within those parameters, […]

Razorback Records keeps picking winners from the nose of death. Said pickings would include Condemned Cathedral from Texas’ (Cooper or Dallas, depending on your geographic orientation) Decrepitaph. The trio’s self-described “death metal the ancient way” is filled to the rim with dirt-caked and pummeling, yet fundamentally structured and tuneful, death metal that takes its cues from the doomy side of the genre (Incantation, Asphyx, etc). And yes, zombies are involved. Drummer/lyricist/composer Elektrokutioner spills his guts about Decrepitaph.

Billy and Jill – Razorback Records’ dynamic duo – continue to unearth gore-splattered death metal and thrash. And don’t even start with the goregrind thing, as the vast majority of Razorback acts have fallen into one or both of the aforementioned categories. Anyway, Dallas’s Decrepitaph are a fine addition to the roster and continue a […]

Grindcore. Punk. Humor. Elements that have all been successfully melded into one 27-minute explosion of crusty blastbeats, power chord riffs and ridiculous non-traditional grindcore lyrics. I actually first heard Sweden’s Birdflesh on Relapse’s Swedish Assault album, and as a result dug up this album, their second “real” album. I’m not sure about the age of […]

Impetigo were considered by many to be the kings of true underground death metal when they broke up in 1993. This band played a large role in furthering the expansion of the underground during the tape trading days of old. They also remain a huge influence on our current international death and gore metal scene. […]