Author Archive
Posted in Reviews, Reviews › N on Friday, April 29th, 2022
Spacefaring hype beast, John Goblikon is back with his musical band in tow after an almost 4 year layoff since the aptly named Welcome to Bonkers back in 2018. And not much has changed from this hard to pigeon-hole, but fun as fuck band, as they still play a sort of melodic death metal with […]
Tags: 2022, Erik T, Melodic Death Metal, Nekrogoblikon, Review, Self-Released
Posted in Reviews, Reviews › F on Wednesday, April 27th, 2022
I’ve been a big fan of Maine’s Falls of Rauros for a while now with the band’s last 2 efforts, 2017s Vigilance Perennial and 2019s Patterns in Mythology making my year-end lists, with the former being in my top three for 2017. So it kind of pains me to say that that trend might end […]
Tags: Atmospheric Black Metal, Eisenwald Records, Erik T, Falls of Rauros, Gilead Media, Review
Posted in Frontpage Feature, Reviews on Monday, April 25th, 2022
Though they started releasing albums in 2010, one could argue that the 2011 releases by Entrails (The Tomb Awaits) and Corpsessed ( The Dagger & The Chalice EP) were the label’s watershed, ‘we have arrived’ releases. Of course, Corpsessed waited another three years to release a debut full-length, Abysmal Thresholds in 2014, but by then […]
Tags: 2022, Corpsessed, Dark Descent Records, Death Metal, Erik T, Review
Posted in Reviews, Reviews › C on Friday, April 22nd, 2022
It’s been 2 years since Ulcerate released Stare into Death and be Still. So if you are fiending for that twisty-turny style of dissonant , experimental death metal, may I offer up Canada’s husband and wife duo, Crown of Madness? With a shared love of video games and death metal, this couple has delivered a stellar, […]
Tags: 2022, Crown of Madness, Death Metal, Erik T, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, April 18th, 2022
The undisputed heirs to Dismember‘s throne (here’s hoping for a reunion after the 2022 Maryland Deathfest), Demonical is back with album number 7, and as expected, there are absolutely zero surprises or curveballs from a band that features former members of Centinex and Grave. They can pretty much do this in their sleep. Essentially delivering […]
Tags: 2022, Agonia Records, Death Metal, Demonical, Erik T, Review, Swedish Death Metal
Posted in Reviews, Reviews › R on Wednesday, April 13th, 2022
Rampant mimicry is a large part of metal; Whether in the rip-off or homage category. There are 1000s of Cannibal Corpse clones. Just as many Suffocation clones and don’t get me started on Bolt Thrower and Entombed/Dismember. And those bands have their place, especially as the originals flag or call it quits. Some are really […]
Tags: 2022, Erik T, Review, Runeshard, Symphonic Black Metal, Wolfspell Records
Posted in Reviews, Reviews › F on Tuesday, April 12th, 2022
Sometimes production can make me overlook average or bad music. I’ll gladly listen to just OK albums if they have a killer guitar tone. Lord knows Ive got some pretty average CDs in my collection, that I retain merely due to the killer Stockholm HM 2 buzz (I’m looking at you Torture Pulse‘s God Leash), […]
Tags: 2022, Death Metal, Erik T, FDA Records, Feaces Christ, Grindcore, Review
Posted in Reviews, Reviews › H on Tuesday, April 12th, 2022
I snagged the debut from Denmark’s Heltekvad due to a trio of things; it features Ole Pedersen Luk of Afsky. Second, Eisenwald is pretty reliable when it comes to black metal with the likes of Fluisteraars and Alda on their roster. And third, the heraldic artwork reminded me of medieval black metal bands like France’s Véhémence […]
Tags: 2022, Black Metal, Eisenwald, Eisenwald Records, Heltekvad, Review
Posted in Reviews, Reviews › D on Friday, April 8th, 2022
Here’s a short, tasty review for a short, tasty, 20 minute, 4 song EP from the always reliable FDA Records. Dead Chasm is an Italian trio with members from a number of mid-tier/obscure Italian acts like Kadaver, Torment, Funest, Stench of Profit, and others. But they have come together to form a very impressive debut […]
Tags: 2022, Dead Chasm, Death Metal, Erik T, FDA Records, Review
Posted in Reviews, Reviews › F on Tuesday, April 5th, 2022
Fall Of Stasis: “Pssst you, metal review person, wanna review some symphonic, blackened folk metal?” Me: “Nah , I’m a bit burned out of bouncy folky metal, even the last Ensiferum really didn’t enthrall past the first few listens, *sigh* Fall of Stasis: “What if they had a more slicing, viscous edge like The Black […]
Tags: Erik T, Fall of Stasis, Folk, Melodic Death Metal, Review, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › C on Monday, March 28th, 2022
You see that symbol there on the left, emblazoned on the album cover of Crowbar’s new album, Zero and Below? That’s called a fleur d’lis ( Flower of Light), and is regarded as the symbol of the state of Louisiana, the city of New Orleans, and more importantly the logo for that city’s NFL team, […]
Tags: 2022, Crowbar, Erik T, MNRK Heavy, Review, Sludge Metal
Posted in Reviews, Reviews › C on Friday, March 25th, 2022
It’s amazing what adding a new band member or two can do for a band. After a self-released EP, The Prophet of Disgust, in 2018, Colorado’s Crown Magnetar added vocalist Dan Tucker and guitarist Nick Scott From And Hell Followed With, a decent deathcore band who were actually on Earache Records at one point (and […]
Tags: 2022, Crown Magnetar, Deathcore, Erik T, Review, Unique Leader Records
Posted in Reviews, Reviews › O on Tuesday, March 22nd, 2022
Holy Shit!, Here is a wonderful, unexpected surprise. Back in the mid 00s I was enamored with a band called The Pax Cecilia, who released 2 self-released and free releases with 2004s Ep, Nouveau and 2007s Blessed Are the Bonds, (which I covered back in the day at one of my other review sites Metalreview.com/ […]
Tags: 2022, Atmospheric/Ambient, Erik T, Ode And Elegy, Post-Metal, Review, Self-Released
Posted in Reviews, Reviews › B on Friday, March 18th, 2022
Here is one of those rare, blind promo grabs that works out, works out really well, as a matter of fact, as Chicago newcomers Burned In Effigy has delivered an exceptionally competent and enjoyable debut album of neoclassically inspired melodic death metal. Starting as an instrumental duo citing The Black Dahlia Murder, Between the Buried […]
Tags: 2022, Burned In Effigy, Erik T, Melodic Death Metal, Review, Self-Released
Posted in Reviews, Reviews › P on Wednesday, March 16th, 2022
So this release came out in late 2021, but just recently showed up on the TOTD emails, but when it name-dropped the likes of Wintersun, Ensiferum, Wolfheart, and Stormlord, it sure as fuck got my attention, and I had to check it out. I’m very glad I did, as the name-dropping, while a bit heavy-handed, […]
Tags: 2021, 2021. Review, Melodic Death Metal, Primalfrost, Self-Released
Posted in Frontpage Feature, Reviews, Reviews › V on Monday, March 14th, 2022
This review is brought to you by Google Translate. Par le sang versé, the 2019 sophomore album from these epic/medieval French black metallers, snuck into the back end of my 2019 year-end list, but I if were redoing that year’s list, it would have been a top ten, maybe a top 5 release, as I […]
Tags: 2022, Antiq Records, Black Metal, Erik T, Review, Vehemence
Posted in Reviews, Reviews › G on Friday, March 11th, 2022
Being a huge New Orleans Saints and LSU fan, I’m generally up for anything from Louisiana, especially musically where the likes of Crowbar, Soilent Green, and Goatwhore are concerned. There’s just something about that swampy, sweaty, moist riffage that appeals to me, so checking out the debut album from Lafayette’s Golgothan ( a literal ‘shit […]
Tags: 2022, Death Metal, Erik T, Golgothan, Lacerated Enemy Records, Review
Posted in Reviews, Reviews › P on Tuesday, March 8th, 2022
When was the last time you smiled from ear to ear while listening to a metal album? I mean a full-on, ear-to-ear grin, that you ‘felt’ in your soul? For me in 2early 2022, it’s every time I listen to the self-released debut from the self-proclaimed ‘peasant metal’ band from Wisconsin, Pillaging Villagers, a DIY […]
Tags: Pillaging Villagers, Self-Released
Posted in Reviews, Reviews › C on Thursday, March 3rd, 2022
“Then a new sound droned into our ears, the sound, deep, all-encompassing, with no notes in it, just a gigantic faraway surge of doom-like sound. It was the heavies, coming on with a terrible slowness in flights of twelve, three flights to a group, stretched out across the sky. I thought it would never end……and […]
Tags: 2022, Creeping Flesh, Death Metal, Emanzipation Productions, Erik T, Review
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, February 28th, 2022
I last heard this Seattle band back in 2016 when I reviewed their second self-released EP, Enduring Creation. However, I wasn’t sure what label they would fit on and what the audience was for their very heavily keyboard-drenched form of technical black-ish metal. Well, 6 years later we have our answer with a match made […]
Tags: Erik T, Symphonic Metal, Technical Death Metal, The Artisan Era, The Devils of Loudon
Posted in Reviews, Reviews › W on Friday, February 25th, 2022
Every so often a band comes around that makes me just childishly giddy. In the past its been Between the Buried and Me, Blind Guardian, Wilderun, and more recently in the symphonic/blackened deathcore explosion, bands like Sin Deliverance, Until We Die, and Lie to the Silence have added to bands I already enjoyed ( Lorna […]
Tags: 2022, Erik T, Metalcore, Self-Released, Symphonic, Winter's Gate
Posted in Reviews, Reviews › C on Wednesday, February 23rd, 2022
I had to check and see if this second album from Spain’s customed troupe, Crusade of Bards wasn’t on Napalm Records a few times, just to be sure. They have ‘that ‘ sort of sound with symphonic, female-fronted operatic bombastic, gothic-tinged metal, and a few heavier elements (gruffs death metal vocals etc) sprinkled in here […]
Tags: 2022, Crusade of Bards, Erik T, Power Metal, Review, Rockshots Records, Symphonic Metal
Posted in Reviews, Reviews › M on Tuesday, February 22nd, 2022
I had no idea that Nuclear Blast Records founder Markus Staiger had a split with his label last year and had formed a new label, the not so subtly named Atomic Fire Records, with some of his former Nuclear Blast folks. Not only that, they have pulled over some serious heavyweights over with them like […]
Tags: 2022, Atomic Fire Records, Erik T, Mystic Circle, Review, Symphonic Black Metal
Posted in Reviews, Reviews › M on Friday, February 18th, 2022
Man… now that is an album cover. In the annals of heavy metal/extreme music, the writings of JRR Tolkien have long resided in largely black metal (Summoning), power metal (Blind Guardian), ‘garb-core’ (Battlelore) and even death metal (Khazaddum). But what the world was clearly lacking was some Tolkien-based, technical, blackened deathcore. Well, here comes Washington […]
Tags: 2022, Deathcore, Erik T, Mines of Moria, Reality Fade, Review, Technical Death Metal
Posted in Reviews, Reviews › A on Tuesday, February 15th, 2022
So after an absolutely ridiculously good year for tech-death in 2021 with the likes of First Fragment, Obsidian I, Obscura, Hannes Grossman, Inferi, Stortregn, Alustrium and others, it took exactly one month for 2022 to see its first stellar tech-death record. Leiden (suffer or endure?) is the second album from this Tacoma, Washington act who […]
Tags: 2020, Aethereus, Erik T, Review, Technical Death Metal, The Artisan Era