While not overly familiar with Germany’s long-running brutes  Stillbirth, I’ve checked some of their releases via promotional material in the past but never been really impressed to put pen to paper and express my opinion about them, especially as they came off with a bit of a weed-based, tongue in check vibe (i.e song titles […]

Boy, I have not reviewed a Kataklysm album in years, not since the Digitalmetal.com days. But after rather enjoying 2018s Meditations, I thought I’d give Unconquered a go and see if the band’s 14th (yes 14th!) album grabbed my attention as their last effort did. And yes it has. I’m squarely in the Kataklysm camp […]

So I got three cassettes, the first 3 releases, from new label, Gurgling Gore. So rather than review the 12 songs individually, I thought I’d combine all 3 into a Cassette extravaganza!!!! First up is Wharflurch’s 5 song debut Lurking Doom EP. Hailing from Florida, the curiously named duo (a theme for these releases it […]

I thoroughly enjoyed the debut LP, Relinquishment, from Finland’s Ordinance, and it made my year-end for 2014. However, I never heard anything this else for the next 6 years- no splits, no EPs, no news, nothing. Then out of the blue, I get a promo from The Sinister Flame for a brand new album. And […]

So already this year I’ve talked about how HM2 pedals have surfaced in the unlikeliest of places like Indiana (Psychomancer), Chile (Soulrot), and even Ireland (Fleshwolf). Well, here is yet another surfacing in an unexpected place; Tokyo Japan. My experience with Japanese metal, let alone old school Swedish death metal from Japan is virtually zero, […]

Fuck, I really overlooked this, the fourth album from Australia’s Aversion’s Crown. So, sorry for the belated review. I’ve enjoyed the last 2 efforts (2017s Xenocide and 2014s Tyrant), but can’t say I’ve revisited them much since their release. But holy shit am I glad I revisited this on a whim after hearing the closing […]

I own the Ingested albums, and I kinda liked 2018s Level Above Human, 2015s The Architect of Extinction, and 2009s Surpassing the Boundaries of Human Suffering. But I have never really loved the Brits output, preferring countrymates Infant Annihilator  or Dyscarnate when it comes to British slams and breakdowns and always reaching for the likes […]

He Who Binds Himself is a death metal band from Arizona, and they are of interest to me and might be of interest to you as they feature members of Vehemence, the US death metal band who released the fantastic God Was Created back in 2002, a classic album from the 00s. When Vehemence went […]

OK, this is an odd, but intriguing one. ( and for clarification its Wood-Scream, not Woods-Cream) Hailing from Russia, with a few releases under their belt and playing folk metal and being female-fronted, I was hoping for some sort of epic eastern European folk romps akin to Dalriada or Grai. But instead, I got a […]

Here is some super pleasant and fun Folk/medieval/’renaissance ‘ metal from France that has traditional instruments like Accordions, Bohas (courtesy of Skiltron’s Pierre Delaporte) Hurdy-gurdys and Tabor Pipes, traditional Gascon language, as well as some actual medieval tunes as bonus tracks on the CD. Now, this isn’t your expected folk metal, meaning it’s not your […]

The promo for this new act got my attention because it is black metal on Purity Through Fire, and they have been killing it in that arena in 2020 with the likes of Mavorim, Kryptamok , SAD, Slagmark and Noidva. Also, Eisenkult features members of Mavorim as well as Totenwache and Meuchelmord, bands I am […]

2020’s run of high-quality black metal continues with the debut from Finland’s Gloom, a band that features members from Nekrokrist SS, whoever they are. And they are not Gloomy or depressive black metal at all as the name might lead you to believe. Blending a bit of Finnish black metal nastiness (especially the vocals) and […]

I knew some HM2 boss pedals had made their way to South and Central America by way of Zombiefication and Nocturnal Hollow, but it appears some have made to all the way to Chile and they are used to full effect on the band’s impressive homage laden second album. It’s clear immediately (after a short […]

Almost exactly a year after their debut, De Rerum Natura, Italian Symphonic metallers Moonlight Haze has already cranked out their second album. And you would think it would be a bit rushed and have a drop off in quality, but to their credit, they have kept things on a predictable, but high level with Lunaris. […]

Sarpa ( the Sanskrit term for serpent) is the Austin, Texas-based one-man black/death project from the mind of David Baxter, formerly of industrial thrashers Skrew). The aptly named album Solivagus (roughly translated from Latin to ‘wondering alone’) is his first effort, no demos, no singles, just right into this ambitious 7 song 48-minute affair that […]

Listen, I have my guilty pleasures, and one of them is female fronted or dual vocals (‘beauty and the beast’ I call it) styled Gothic/symphonic metal (or ‘cleavage-core’, for the kids) . Since the days of Thalarion and Beseech, How Like A Winter, early The Gathering, Theatre of Tragedy, Draconian, Epica and Delain and Tristania, and more […]

So recently, I have received a few progressive experimental and often symphonic metal/death metal albums. The Outsider‘s one man effort, From Ancient and Forbidden Books, Orbit Culture’s hammering, Gojira worshiping self titled album, and this, the second effort from the UKs Rannoch. With Opeth and Gojira worn openly on their sleeve, Rannoch delivers 12 tracks […]

Originally self released last year, but picked up by Prosthetic Records for a CD and gorgeous baby blue/purple swirl LP, Eternity’s End is the debut from this Ohio based melodic death metal trio featuring 2 members of Viking metal band Hammer Horde and 1 from Blood of the Prophets. Don’t let the term melodic death […]

I know it’s a broad, sweeping generalization, but it’s a pretty common phenomenon for metal, and death metal in particular to have a geographical sound or recognizable style. You’ve got Sweden’s buzzsaws, Florida’s punchy technicality, New Yawk’s groove, Finland’s filth and Canada’s uber complexity. But what is Norway’s know death metal sound? It’s not really […]

I had really high hopes for this, as I saw the bands self described ‘fantasycore’, and was hoping for some sort of Blind Guardian or Bal-Sagoth deathcore mash up. Unfortunately what you get is some pretty standard, more commercial, if solid modern keyboard-heavy, metalcore/ tech/dent core that you’d find on Sumerian Records, except the difference […]

I’m not usually down with split releases, but the last one I got featuring thrashers Hell On and Pripjat was actually pretty good, and now this one featuring Corporation SS and Beaten, both from Indiana, is also pretty solid. Corporation SS is the grind/crust band featuring members of Invasion and Yellowtooth, notably Orchestrated Misery Recordings […]

I know this review is a month or so late but it’s been 18 years since the last actual…And Oceans album so, I think I’m good So, after 18 years, … And Oceans are back and not just back, but back to their symphonic black metal roots that they abandoned when they became more industrial […]

There must be a huge Finnish or Scandinavian poplace or cultural influence in Canada right? Other wise  why is there such a surprisingly  large amount of solid Finnish sounding epic/folk/viking bands there? Blackguard/Profugus Mortis, Crimson Shadows, Vesperia/Bolero, Battlesoul. Will of the Ancients, Nordheim, Valfreya just to name a few. Well, add Vancouver’s Atavistia to that […]

As I peruse through albums I might consider year end candidates I see a lot of black metal; …And Oceans, Abduction, Kryptamok, Aara, Afsky, Eisenkult, Glaciation, Marrasmieli  to name a few. But there is very little truly special  death metal.Sure there’s some good stuff like the always reliable Abysmal Dawn,  The Project Hate‘s Purgatory or […]

As I mentioned in my Glaciation review, Ive been on a French metal kick and the third album from Abduction might be the best of the bunch so far this year. One of my cohorts reviewed their prior album A L’heure du Crépuscule, and succinctly threw around bands like Borknagar, Arcturus, Ved Buens Ende, and […]