I remember being a little taken aback the first time I heard Michael Amott’s side project Spiritual Beggars. Being familiar with his work in Carcass and Arch Enemy, what I heard was not at all what I expected, but being a classic hard rock fan, I enjoyed it. The band’s latest effort, Return to Zero, […]

Firewind has long been one of the steadiest, most reliable acts in the power metal genre. Despite guitarist Gus G.’s newfound stardom as Ozzy Osbourne’s latest guitarist, nothing has changed on the band’s latest record Days of Defiance. The record comes blazing out of the gates with “Ark of Lies,” a tune that has everything […]

I really like what Russia’s SFC Records is doing; becoming the European/Eastern European equivalent of Unique Leader/Unmatched Brutality Records: Releasing a quality mix of brutal and technical death metal, that has good production values, good packaging littered with unreadable monikers like Cephalic Impurity, Human Parasite, Fetal Decay, Ruptured In Purulence and Leptotrichia. Not to mention […]

Upon hearing the news that The Crown, one of the most revered, and one of my personal favorite death/thrash bands were reuniting, I was ecstatic. I was slightly disappointed that vocalist Johan Lindstrand would not be involved, assuming he’s too busy with his lame post-The Crown band One Man Army, but ultimately thought things should […]

After a critically acclaimed debut (2008’s …Of Frost and War), Dutch supergroup (members of Gorefest, Asphyx, Thanatos and Houwitser) left fans wanting after a strange digital only EP last year, but have now fully satiated fans with a full-length follow-up that continues the quality of the debut. Though still a war themed album, On Divine […]

I’ve always liked Kamelot, and over the years, I’ve enjoyed just about everything they’ve done. But I’ve never been a hardcore fan. So maybe it’s a little strange that a record which is somewhat experimental for them has quickly become my favorite offering in their catalog. It’s not like Poetry for the Poisoned belongs in […]

What’s better than a silly, semi-profane band name? Apparently a misspelled silly, semi-profane band name. At least that seems to be the theory of this German band that longs to bring back the 1980s glam scene. To be honest, after seeing the name of the band, I was kind of hoping that this record wouldn’t […]

The read on this EP is pretty simple, actually: if you enjoyed Triptykon’s earlier-this-year debut, Eparistera Daimones—and you should have!—you’re going to devour this compact but powerful collection. Tom Gabriel Warrior, along with bandmates V Santura, Vanja Slajh, and Norman Lonhart, offers two never-before-released tracks from the debut album sessions, a fully realized version of […]

Ex-Dream Theater keyboardist reunited in 2003 with his old drummer Mike Portnoy (who himself is also ex-Dream Theater now) as well as Fates Warning guitarist Jim Matheos to form a project called OSI. Many who felt that Moore’s influence was something Dream Theater were sorely lacking after his departure were elated as this reunion of […]

So it’s been about six months since White Wizzard’s full-length debut, Over the Top, blew me away. It’s a record that will most certainly be near, if not at, the top of my year-end list. But much has changed for the band in those few months. They’ve lost a guitarist and singer Wyatt Anderson, who […]

DEATH ANGEL are back with their new opus ‘Relentless Retribution’. The two previous albums ‘The Art of Dying’ (2004) and ‘Killing Season’ (2008) seemed to divide the crowd quite a bit. How does the new album fare? Inspired? Uninspired? Total Thrash Domination? Read our review!

If you are only recently getting into Amorphis and their somewhat resurgent last three albums, (Eclipse, Silent Waters and Skyforger), you must grab this 20th anniversary retrospective album, to see just how really fucking good Amorphis were on their first three albums. Coinciding with the recently released Forging the Land of a 1000 Lakes DVD/CD, […]

Austria’s Heathen Foray are a new act to me. Being relative newcomers to the Viking metal scene, but already they have released two quality albums: 2009’s Passage and their stellar new effort, Armored Bards. Like easy comparison Amon Amarth, Heathen Foray use the backbone of crunchy, melodic death metal and deeper vocals to deliver their Teutonic […]

As the intro “I” and a song called “Wounds, Bloodstains and Richochets” scrolled across my iPod and well produced, synth driven metalcore/melodic death metal thundered into my ears, I wondered to myself, “Wow, Bleeding Through have another album out already? Didn’t they release their self tilted album earlier this year?” Then I began to notice […]

As I expressed here, Woe’s debut album, A Spell for the Death of Man was one of the best USBM releases of the last few years. So I was curious how Chris Grigg (no longer known as Xos) would deliver a follow up now residing on a legendary black metal label and having a full […]

You want to know how to get you self-released demo EP reviewed quickly? Send out a professional promotional package/folder that includes a retail CD, band contact information/bio, a poster, some glossy photos, a lyric sheet and some stickers. Even if your band is terrible, I’ll review your latest shite quicker than a few mp3s dumped […]

A glance at the cheesy, amateurish cover of Halford’s IV: Made of Metal, likely wouldn’t inspire metal fans to give it a second glance if not for the fact that it bears the Metal God’s name. Luckily for the legendary screamer, it’s not what’s on the cover, but what’s under the hood, and Rob Halford’s latest […]

The last Flotsam & Jetsam record to make an impact on me was 1995’s Drift. While I know that some fans of the band will disagree, I consider that record one of their finest moments. I loved the more progressive slant, and as much as I like No Place for Disgrace and Cuatro, it remains my […]

The hype-machine surrounding France’s Holding Sand seems to be in full-swing and it appears as if the band is at the verge of breaking through—at least in France. Having played through their 17-minute EP On Sleepless Night, I can see why. Pure metalheads need not apply, since there’s isn’t much for you here, even if […]

The second album (despite being around since 1997) from Australia’s Stargazer fills two needs: First, it makes up for the disappointing Blood Revolt, redeeming Profound Lore records once again. Second, it satiates me until Atheist’s Jupiter drops. OK, I recently got Jupiter, but this tied me over. You’d think an Australian band comprised of two […]

I’ll spare you the history lesson, because you’re no doubt going to see it included in any recent Malevolent Creation review you read.  So allow me to begin by saying that Invidious Dominion is a throat-stompingly mean album from start to finish, one that’s on par with previous Malevolent Creation output, though maybe not quite as (for lack […]

Where the hell did this come from? For Death, Glory and the End of the World came out of nowhere and hit me like a body tumbling down the stairs – a ragdoll flurry of fists and feet, and capped off with a neck-snapping headbutt. This roiling style of post-hardcore/sludge is frequently described as jagged […]

Vortex and Mustis gone. A 100-strong collection of musicians and singers from the Norweigan Radio Orchestra and Schola Cantorum Choir. All those three-word album titles, lopped down to a single word inspired by the magickal writings of Aleister Crowley – a man whose life was a mystical, semen-slick orgy of occult excess. And speaking of […]

There must be some legal wrangling going on between Rikard Martinsson and his former band mates from Mithotyn, because the debut (Fi’mbulvintr) from Sweden’s King of Asgard―which features ex-Mithotyn/Falconer members Karl Beckmann and Karsten Larsson (with Stefan Weinerhall providing some lyrics)―is basically a Mithotyn album without the band name. Or Rikard for that matter. Not […]

Have long-running Canadian death metal assault unit Kataklysm broken the mold with new album Heaven’s Venom?  Their own mold, that is, the one they’ve been on the verge of crumbling throughout the course of the past few albums?  Gone are the chaotic days of the northern hyperblast, shooed away in favor of hategroove and seething […]