Maine’s Falls of Rauros improved greatly from their 2011 debut, The Light That Dwells in Rotten Wood, to 2014s Believe in No Coming Shore, which made my 2014 year end list.  And now with album number four, I feel these guys have absolutely reached elite status, as  Vigilance Perennial, isn’t just going to be on my […]

I’ve been listening to France’s Benighted ever since I reviewed 2004s Insane Cephalic Production for Digitalmetal.com and it blew me away. And it struck me as I prepared for this review that the band is 8 albums and 17 years into their career and all the albums are simply killer (how many current, active death […]

As I stated in my review of 2015s Forensic Nightmares, it would be easy to simply look at Cut Up as Vomitory 2.0, seeing as the band is comprised of 3/4 ex Vomitory members (drummer Tobias “Tobben” Gustafsson, guitarist Anders Bertilsson, and vocalist/bassist Erik Rundqvist),  and you know what? When it’s this solid, that’s perfectly OK. Still delivering the […]

Whoa! Here is a stunning little 4 song EP from Spain’s Aversio Humanitas (Aversion to Humanity) a completely new band to me, but hopefully one I will be hearing more from in the future. The Madrid trio has one full length debut and some splits/EPs under their belt, but this should be the release that gets […]

I’m not sure what’s worse; that I know exactly what this is going to sound like before I it play or that I’m still going to enjoy it. I mean is there a label that has a more predictable output that Comatose Records? And I mean that in a good way. You know exactly what […]

Those following this project know that Memoriam is a UK death metal super group of sorts born of sadness, loss and friendship. With the passing of Bolt Thrower drummer Martin “Kiddie” Kearns in 2015 and the death of Benediction’s Frank Healy’s father  just 3 weeks later, former members of both bands came together to form a cathartic […]

I’ve been keeping tabs on this Minnesota act since the demise of With Dead Hands Rising, one of the oos early and better deathcore/metalcore acts, as they feature some former WDHR members. And finally they have released a follow up to 2014s self released debut,  Poison of the Earth, and it’s quite the follow up. […]

TeethoftheDivine is excited to present the exclusive world premiere stream of the third album from The Netherland’s FUBAR. Already reviewed here, the album delivers a killer take on grindcore with emotive crust and hardcore elements. FDA Records press release: “After a bunch of split releases and 2 brillant full length albums, Netherlands finest Grindcore act […]

So in a recent mail package from the always reliable FDA records, I got the promos for the new Rude and Wound albums, and you’d think that in itself would be enough reason to be excited. However, tucked away in the package was a CD from a band called FUBAR, a band I was not […]

Ever since Metallica’s infamous 1991 album, self titled albums have always made me a bit leery. They always seem to scream sell out, contract out out or flat out of ideas. Throw in the simple ‘just our logo’ cover, the 10th album, and a song from a prior stopgap EP, and my spidey sense is […]

I vaguely remember seeing these guys pop up on my Facebook feed a year or so ago for the video for “Possessed“.  I recall the fairly average metalcore, but loving the female vocals and keyboards of Aimy Miller. So when this promo showed up,  I have to admit along with Miller, it was morbid curiosity […]

One of the better and most consistent band currently atop the Swedish death metal revival is Germany’s Revel In Flesh. As prolific as they are awesome, the band is now four albums in, in just 6 years, each as good as the last. The latest release, Emissary of All Plagues, was released late last year on Cyclone Empire and sees the band

As I still wade through 2016’s releases, I try to review stuff that I liked, was worth my time or an actual CD was sent. One such release that crossed all three boxes was the debut full length album from Finland’s Illusions Dead. With an odd moniker, generic art and the dreaded black/death metal tag, […]

So Maurizio Iacono and his Kataklysm crew are back with album number 3 of his Roman themed, epic, symphonic death metal project, Ex Deo. And while album number 2, Caligula was better than the debut, Romulus, and album number 3 is similarly incremental in its improvement, I’m still not enamored with a project that I really […]

I have reviewed both of Hellmouth’s prior albums here. And the Detroit band showed great development from 2009s Destroy Everything, Worship Nothing to 2011s Gravestone Skylines, so I was really hoping for another leap in quality for album number three. And while the band seemed to have matured and toned things down a bit there, […]

New Zealand’s Ulcerate apparently are far more influential than they know. While Gorguts gets the lions share of the credit for the churning, murky atonal style of off kilter death metal, Ulcerate were 3 albums in before Colored Sands and Gorguts‘ return. Other fine bands like Zhrine, Zealotry, Miserist, Construct of Lethe, Ara, Artificial Brain, Mitochondrion and […]

I’m far from an Immolation fanboy. In fact, I’m a real late bloomer when it comes to these guys. It wasn’t until I recently (2011) picked up 1999s Failures For Gods that I started to get an appreciation for the band, picked up the back catalog and looked forward to each new release. And I […]

I’m not super familiar with the German brutal/slam death metal scene. I’ve only heard one band/album and it’s Architect of Dissonance‘s Realm of the Deviant Throne, and that was a mighty fine slab of slam. So when the third album from Germany’s Arcanius showed up, a band name I heard mentioned in the same breath […]

I’ve never been a fan of instrumental metal. And I’m not a huge fan of EPs either. But here is Australia’s Miserist to make me eat crow with a debut 6 song EP, of flat out nasty, atonal, crumbling instrumental death metal that really kinda blew me away. With clear reference points to the likes […]

I heard about this band and album from one of Trever Strnad’s posts over at Metal Injection about albums he is liking, it’s always a good read and full of bands I already know and some I don’t. Bullcreek was one I didn’t know, so I checked it out. Named after a haunted Dutch lake […]

It’s been 15 years since I reviewed an album from Indiana’s war mongering Invasion. It was 2002s Bezerk Artillery Barrage and it was for Digitalmetal.com. It was a solid release of death metal and one of the first, if not the first US based band I hard heard utilizing a Swedish HM boss/Sunlight guitar tone. I […]

I’ll get right to it- Indiana’s Invasion have been around a while, plying their war themed death metal since 1999. They started as a more Swedish styled band and really got my attention with 2002s Bezerk Artillery Barrage, one of my early reviews back in the digital metal.com days. At the time, a US band using the Stockholm sound was virtually unheard of. They followed it up with 2010 Orchestrated Kill Maneuver, another slab of Swedish styled chainsaws. But then the band went quiet for a while. 8 years later we have Destroyers of Mankind and the band has now leaning on their American heritage for a far more USDM styled sound. I caught up with Peter Clemens Invasion founder and a busy man involved with many other projects.

After a solid self released debut, Bedlam, back in 2015, North Carolina’s war mongering blackened thrash act Suppressive Fire under went some line up changes and shuffling and got themselves signed to Virginia’s Lost Apparition Records. And now they have released album number 2 and it is yet another solid offering of black/thrash metal with […]

One of the more revered names in European brutal death metal, and the primary name in Maltese death metal, Beheaded have been around since the mid 90s and have released 4 fine albums of brutal/technical death metal, with a near classics in 1998s Perpetual Mockery and 2002s Recounts of Disembodiment.  I have not heard 2012s […]

Coming from the school of bad band names, baring the ambiguous black/death metal tag AND sharing the band name with another  fellow French act, Derealized had the cards stacked against them from the get go. But being the consummate professional I am, and considering this label gave some solid release from Stangala, Red Dawn, Sound of […]