Posts Tagged ‘Review’
Posted in Frontpage Feature, Reviews, Reviews › M on Monday, September 3rd, 2018
Though the band’s debut’ Imperial Doom is regarded as a Floridian death metal classic (“Horror Infinity” still gets regular airplay for me), in the grand scheme of things, Monstrosity were never quite as revered as brethren like Deicide, Obituary, Morbid Angel, Malevolent Creation, or even similarly peripheral Brutality, being not quire as productive, unique or […]
Tags: 2018, E.Thomas, Metal Blade Records, Monstrosity, Review
Posted in Reviews, Reviews › A on Thursday, August 30th, 2018
Russian brutal slammers Aborted Fetus are back with album number 5 and it adds to a pretty good year not just for brutal slammy death metal (Organectomy, Ingested, Manhattan Lovestory), and the always reliable Comatose Music ( Kraanium, Abhorrent Deformity, Kraanium, Kill Everything, Flesh Hoarder, Posthuman Abomination) also. I own all but the debut from these guys, […]
Tags: 2018, Aborted Fetus, Comatose Music, E.Thomas, Review
Posted in Reviews, Reviews › C on Wednesday, August 29th, 2018
This Belgian band has been around since the late 80’s and The Weiliaon Wielder Quest came out in 1995. Marquee Records, under the care of Armando Pereira, has brought this obscure album back into the light. I never heard of this band and they have three other albums. This is their debut and the music […]
Tags: 2018, Caducity, Frank Rini, Marquee Records, Review
Posted in Reviews, Reviews › W on Tuesday, August 28th, 2018
From the double-dipped tab of wah overloaded guitars and sinew taut bass lines that die their way to slow-motion life during the intro of the title track, it’s obvious that Ohio brutes Weed Demon mean business on their first full-length altar sacrifice. Riffs collapse with the space warping grace of dying stars, slowly ratcheting up […]
Tags: 2018, Electric Valley Records, Jay S, Review, Weed Demon
Posted in Frontpage Feature, Reviews on Monday, August 27th, 2018
While Burial Invocation‘s Abiogenesis is getting the lion’s share of the attention in the realms of murky, Incantation-y death metal (and rightly so, it’s a killer release), the second album from Italy’s Eroded is just as good and certainly one of the best releases of the year in the now common place style. I have […]
Tags: 2018, E.Thomas, Eroded, FDA Records, Review
Posted in Reviews, Reviews › E on Friday, August 24th, 2018
Excommunicated have been around for 8 years and in that time, released a comp in 2011 and their debut full-length in 2011 Skeleton Key. After quite some time Chad Kelly said F-this, I cannot continue to keep eating po-boys all the time, in Louisiana, let’s put something out. Putting down the huge sandwiches, Chad picked […]
Tags: 2018, Excommunicated, Frank Rini, Review, Satanath Records
Posted in Reviews, Reviews › C on Thursday, August 23rd, 2018
Transcending Obscurity’s first foray into pure Swedish death metal is relative success with Crawl’s debut, Rituals. Crawl’s members are relative unknowns but veterans of the scene and there are branches from the extensive Demonical family tree in drummer, Amir Batar and there is Joachim Lyngfelt formerly of the underrated Decomposed. Then output is a nasty, direct crusty, […]
Tags: 2018, Crawl, E.Thomas, Review, Transcending Obscurity Records
Posted in Reviews, Reviews › E on Wednesday, August 22nd, 2018
Bordeaux France’s Exocrine waste no time in laying down some quite nutty technical death metal with their third full length release Molten Giant. “Scorched Human Society” opens with a slight intro into some incredibly clean scalar runs. These guys do an excellent job of breaking up the technical section with groove laden bridge section that […]
Tags: 2018, Exocrine, Nick K, Review, Unique Leader Records
Posted in Reviews, Reviews › B on Tuesday, August 21st, 2018
Holy fuckin’ hell, this release is certainly up there in the category of “angriest music I’ve ever heard.” The Black Sorcery is a Canadian quintet that plays a ghoulish, beyond foul hybrid of blackened death/grind with lurching sludge influences cropping up from time to time. Even when the music does slow its unhinged ass down […]
Tags: 2018, Jay S, Krucyator Productions, Review, The Black Sorcery
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, August 20th, 2018
Did you find your self craving the new Jungle Rot record this year? Do you like meat and potatoes? Do you like chunky, no frills Death metal? Did you enjoy Grave’s last 4 albums? if you answered yes to the previous questions, just go ahead and order the third album from Germany’s Supreme Carnage. Seriously- what […]
Tags: 2018, E.Thomas, Raw Skull Recordz, Redefining Darkness Records, Review, Supreme Carnage
Posted in Reviews, Reviews › I on Friday, August 17th, 2018
Wow! Wow! Wow! Biggest surprise of the year so far hands down. Minnesota’s Inexorum have hit a colossal homerun with the debut album Lore of The Lakes. Inexorum is the genius of Carl Skildum who I know from The Minnesota Death/Thrash group Anti-Verse (Also way worth checking out). Lore of The Lakes is five tracks […]
Tags: 2018, Gilead Media, Inexorum, Nick K, Review
Posted in Reviews, Reviews › F on Thursday, August 16th, 2018
First and foremost, I would like to give Sevared Records’ Barret Amiss II, a big thanks and shout out for hooking me up, at this year’s Maryland Deathfest, with a copy of Flesh Consumed‘s new album, Hymn for the Leeches. Being that it has been eight years since their previous album (apparently, problems with label […]
Tags: 2018, Flesh Consumed, Kristofor Allred, Review, Sevared Records
Posted in Reviews, Reviews › C on Wednesday, August 15th, 2018
Just when I thought Just Before Dawn was the pinnacle of WW2 themed, Bolt Thrower and Hail of Bullets worshiping death metal, along comes Sweden’s Creeping Flesh and their compilation of demos and EPs to deliver a salvo of impressive tracks that do all the the bands above justice. While not having the big names […]
Tags: 2018, Creeping Flesh, E.Thomas, PRC Music, Review
Posted in Reviews, Reviews › B on Tuesday, August 14th, 2018
If you’re looking to catch a buzz lift and you positively need a good battering of hard-liner blues guitar, blood-drooling wah pedals, deep rhythmic highs and soul howlin’ vocals, then chances are that Italy’s Black Elephant are gonna go down well with your needs. Cosmic Blues is their third LP and I’m having a shame […]
Tags: 2018, Black Elephant, Jay S, Review, Smallstone Records
Posted in Frontpage Feature, Reviews, Reviews › A on Monday, August 13th, 2018
Although I enjoyed the debut from North Carolina’s Abhorrent Deformity, Entities of Malevolence, I can say I have not revisited it since its 2015 release. It was a solid slab of brutal/tech death that hinted at something better, and here is the something better. Way better. Though certainly still lingering in the putrid Comatose wheelhouse […]
Tags: 2018, Abhorrent Deformity, Comatose Music, E.Thomas, Review
Posted in Reviews, Reviews › C on Friday, August 10th, 2018
I’m always excited to see local metal bands from here in Missouri get some recognition or sign to a decent label. St Louis’s Cast the Stone were formed in 2002 and I crossed paths with bassist Derek Engemann at a few Sounds of the Underground/Summer Slaughter/Harkonin (another great St Louis act) shows in St Louis at […]
Tags: 2018, Agonia Records, Cast the Stone, E.Thomas, Review
Posted in Reviews, Reviews › V on Friday, August 10th, 2018
From the wilded realms in between, Vile Ent returns with a second EP of institutionalized industrial, mind melted metal, swingin’ hard rock and digitally molested soundscapes that follow-up 2017’s freaky, fun and fucked up Road Rash EP with a sonic glitch-out of equally mangled organic and computerized split personalities. Ent who has cut a swath […]
Tags: 2018, Jay S, Review, Self-Released, Vile Ent
Posted in Reviews, Reviews › K on Thursday, August 9th, 2018
Few fans of extreme metal have not heard of Kataklsym (even if you haven’t, you’ve probably accidentally seen them live as they seem to tour oh about 350 days out of the year), as these Canadians have been going strong for damn near 30(!) years. Their last album, Of Ghosts and Gods, just seemed to […]
Tags: 2018, Kataklysm, Kevin E, Nuclear Blast Records, Review
Posted in Reviews, Reviews › R on Wednesday, August 8th, 2018
The US is certainly upping the HM-2 death metal game here in the last few years with the likes of Fatalist, Skinfather, Terminate, Horrendous, Unwilling Flesh and just this year, we have had excellent releases from Angerot, Boethiath and one man project, Ripped to Shreds. The brain child of one Andrew Lee, formerly of Disincarnation, 埋葬 (Chinese […]
Tags: 2018, Craneo Negro Records, E.Thomas, Review, Ripped to Shreds
Posted in Reviews, Reviews › P on Tuesday, August 7th, 2018
As is common for the musically addicted I was perusing Bandcamp’s metal feed for something new and fitting to play before driving off. Scrolling along I made a stopping glance at the Pyre cover. After swiping down the feed a few more times I felt compelled to go back to it. Like any of us […]
Tags: 2018, Mars Budziszewski, Pyre, Redefining Darkness Records, Review
Posted in Frontpage Feature, Reviews, Reviews › D on Monday, August 6th, 2018
I’ll get right to it- I still think Deafheaven’s Sunbather is a landmark album, black metal or other wise and consider its standout tracks “The Pecan Tree”, “Dreamhouse” and “Sunbather” absolute gems that I still play regularly. However, I wasn’t nearly as enamored with the follow up, New Bermuda as the band tried to be […]
Tags: 2018, Anti Records, Deafheaven, E.Thomas, Review
Posted in Reviews, Reviews › B on Friday, August 3rd, 2018
I don’t know how Dark Descent continues to do it but man do they find palpably, pummeling old school death metal bands. Turkey’s Burial Invocation waste absolutely zero time with their debut full length album Abiogenesis. Featuring former members of the group Cenotaph I was expecting more of a brutal, gore styled form of death […]
Tags: 2018, Burial Invocation, Dark Descent Records, Nick K, Review
Posted in Reviews on Thursday, August 2nd, 2018
This really took me by surprise. I had never heard of Australia’s Asylum. Judging by the album cover you would think this was a death metal band. Asylum play really good thrash metal and Marquee Records has put together an awesome reissue compiling both of the bands releases. Their Slaughterhouse ep from 2013 and Concealed […]
Tags: 2018, Asylum, Frank Rini, Marquee Records, Review
Posted in Reviews, Reviews › W on Tuesday, July 31st, 2018
It looks like a copy of Grave’s Into the Grave and some HM -2 pedals have finally made their way to Russia as the debut full length from Nizhny Novgorod’s Wombripper is a pure, unabashed, primal throwback to Grave’s classic debut. Honestly- that’s probably you all you need to know right? Some Russian metal fans might […]
Tags: 2018, E.Thomas, Redefining Darkness Records, Review, Wombripper
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, July 30th, 2018
Considering my love of all things symphonic, especially symphonic black metal and even more especially my love of French horns and brass, you’d think i’d be more aware of Hungary’s Sear Bliss. I have heard the name whispered on the lips of the elite with 2004s Glory and Perdition often mentioned as a classic black […]
Tags: 2018, E.Thomas, Hammerheart Records, Review, Sear Bliss