Posts Tagged ‘Relapse Records’

Fuck the Facts – Desire Will Rot

Fuck the Facts is, right off the bat, just the best band name ever. The end. Musically, the band dwells in a grindcore geography, but is not of a grindcore geography. They are more akin to Today is the Day than Pig Destroyer or Napalm Death, and the point of each song is not to […]

Tau Cross – Tau Cross

This was one of my most anticipated albums in some time; a supergroup comprised of Amebix’s Rob Miller, Michel Langevin (Away) from Voivod, Jon Misery from crust punk stawarts Misery, and Andy Lefton, from the devastatingly crushing War//Plague. I don’t know what I expected that to sound like, given how wonderfully eclectic Ambebix and Voivod […]

Valkyrie – Shadows

Virginian, dual axe demons Valkyrie are back with this phenom of an album, their 3rd full-length to date and first for Relapse.  I make no bones or excuses about loving these guys to death.  I’ve seen them live thrice and they deliver more signed n’ sealed explosives than the Unabomber did in his heyday.  Guitar […]

Skinless – Only the Ruthless Remain

I don’t have much patience with geeker-provenance or hero worship. I was pleased as punch to hear Carcass and Godflesh put out fantastic, true to form records after being away for a while, but for the most part I agree with Death Grips: “Fuck where you’re from, fuck where you’re going, it’s all about where […]

Maruta – Remain Dystopian

Grind is a specific kind of metal that describes, band by band, a single aspect of being, more so than any other kind of metal – or music. The bands that make grind tend to live for that aspect, create for it. Maruta is about tension; sailing riffs on the edge of the world and […]

Gruesome – Savage Land

So I’m sure by now all of you know about Gruesome, the classic Death homage act fronted by Matt Harvey of Exhumed and joined by members of Possessed, Malevolent Creation and Derketa. What you don’t know, if you have not heard the album by now, is exactly how fucking spot on Savage Land is in it’s recreation […]

Abysmal Dawn – Obsolescence

In 2012, I covered the Slaughter on the Water III festival aboard the USS Hornet in San Francisco Bay. Yes, a death metal festival on an aircraft carrier. Actually, make that inside the hangar of an aircraft carrier, and you’d better believe that shit was loud. I got tinnitus in my balls. The day was a blur […]

Obituary – Inked In Blood

So here is the result of a $60,000 Kickstarter campaign: Some killer old-school death metal Andreas Marschall artwork, a killer production, and a killer Obituary album. Pity that money could not have been used to fix John Tardy’s ragged vocal cords… After these death metal legends quickly churned out three albums after reuniting in 2005 for […]

Myrkur – Myrkur EP

As expected from the fickle metal community there has been both a lot of hype and hate towards the debut release from this one woman black metal project from Denmark. From the elitist ‘no women in black metal’ to ‘Deafheaven suck’ crowd and those that think this is the future of black metal. And as is normal, the […]

Mortals – Cursed to See the Future

I guess, based by the number of bands playing the style currently loaded onto my Ipod (Nux Vomica, Stheno, Tombs, Plebian Grandstand, Direwolves, Young and in the Way, Wolvehammer, Black Monolith, Hexis, Protestant, Black Anvil to name a few) blackened crust/sludge/stuff, is the new black. However, what makes Brooklyn’s Mortals stand out (other than the high […]

Tombs – Savage Gold

It is a rare and beautiful thing when a band is heavy not for heaviness’ sake, but as a necessity to reaching a deeper, more worthy goal of expression. Both the post-sludge and post-black genres of metal are oft-exploited templates for such explorations, and therein lies their crossover appeal. With Savage Gold, Brooklyn’s Tombs joins […]

OBITUARY and Relapse Records Join Forces For New Album

    Death metal legends OBITUARY has partnered up with Relapse Records to release the band’s highly anticipated new album. One of the most influential and important death metal bands of all time, OBITUARY have completed recording their highly anticipated 9th studio album and first full-length in over five years. Self-recorded this April by the […]

Interview with Pyrrhon

Back in 2011, New York’s Pyrrhon released their debut album, An Excellent Servant But A Terrible Master on Selfmadegod Records. It was a noisy discordant death metal/grindcore record, but more importantly it featured a good friend and former co scribe from my metalreview.com days, Doug Moore. I had every intention of reviewing the album and also interviewing Doug for this site, but alas I never followed through. A full 3 years later and look at Pyrrhon now! All signed to Relapse Records and shit and releasing one of 2014’s early stellar releases on The Mother Of Virtues.

Nux Vomica – Nux Vomica

Good  things come in small packages. That’s a tried and true homily that has worked it’s way into our collective lexicon since… forever. Why am I quoting homilies in a Metal review? Because Nux Vomica have created a luxurious sounds cape of an album in just three songs, so small packages, indeed. This is a […]

Pyrrhon – The Mother of Virtues

First off, congrats to Doug Moore, vocalist for Pyrrhon and former co-scribe at metalreview.com for getting a deal with the mighty Relapse Records, and second, apologies to Doug for not getting around to reviewing the band’s solid debut album, An Excellent Servant But a Terrible Master, released on Selfmadegod Records back in 2011. Now, on to […]

True Widow – Circumambulation

How this band isn’t more well-known is beyond me. In a world of musical styles being constantly blended, theirs seems to be a sound wholly their own. A slight mix of down tempo grunge and what could be misconstrued as shoegaze, they manage to not only be consistently rhythmic but also, in a cerebral sense, […]

Culted – Oblique to All Paths

The transatlantic collaborative beast known as Culted is back with album number two for Relapse. Their 2009 debut Below the Thunders of the Upper Deep was a heavy, fuzzed out dagger of blackened doom and sophomore effort Oblique to All Paths continues the established formula of shambling guitar and thick layers of distorted vocals. A […]

Toxic Holocaust – Chemistry of Consciousness

Stuck in a perpetual ’80s thrash-punk time warp, Joel Grind’s Toxic Holocaust are a prolific institution in the retro metal field. Already this year, Grind has released a retrospective snapshot of Toxic Holocaust’s non-album material (From the Ashes of Nuclear Destruction) while also releasing a fun little solo gem with his Yellowgoat Sessions project. Chemistry […]

Red Fang – Whales and Leeches

Portland’s Red Fang are a band I feel I should like more than I actually do.  On the surface their style of greasy heavy rock meets stoner metal jams holds great appeal.  Yet the significant hype that has been bestowed upon Red Fang and the commercial headway they have made suggests something extra special boils […]

Ulcerate – Vermis

Technical death metal is a demanding trade–and not just in terms of sheer speed and accuracy. Bands fall prey to various traps in the tech-death world: songs that overstay their welcome, boggling the listener’s mind with endless flurries of notes; a lack of musical coherence as the songs change tempo and/or time signatures over and […]

Windhand – Soma

Windhand’s self-titled debut dropped early last year and was one of the more promising doom debuts of the year.  The Richmond, Virginia 5-piece inked a deal with Relapse on the strength of the album, and following a solid split EP release with Cough, the band is back on deck with their second full length, titled […]

Horseback – A Plague of Knowing

Since the day that I first gave The Invisible Mountain its first spin in my Hi-Fi last year, Horseback have compelled and intrigued me to no end. I was blown away by the sheer audaciousness and ambition of that album – just four songs stretched across nearly forty minutes of music, each song underpinned with […]

Revocation – Revocation

Revocation’s highly anticipated fourth album comes on the back of significant momentum gained through the one-two punch of 2009’s brilliant Existence is Futile, and 2011’s worthy follow-up, Chaos of Forms. Firstly, forget all the over-analysis about the band’s decision to self-title this latest platter. There’s no drastic reinvention at play here, yet the important thing […]

Exhumed – Necrocracy

Prior to 2011’s surprisingly excellent All Guts, No Glory (which I still heard about a year after the fact), my last experience with Exhumed was 1998’s Gore Metal, which I never really cared for. So imagine my surprise when I was hearing a latter Carcass clone complete with melodic solos and hooky, catchy riffs, which […]

Mumakil – Flies Will Starve

Swiss grind metallers Mumakil are a band I’ve been following for a while. From their little known debut LP Customized Warfare, to follow up Behold the Failure, these guys have been blasting through the underground with a style of grind they call “blastcore” (because yeah that’s all we need is yet another sub-genre). But categories […]