It’s been 5 years since Las Vegas Brutal Death metal act Cordyceps released their debut, Betrayal. And while I feel like they missed the boat by not releasing this album a little sooner, at the same time as The Last of Us TV show (where the Cordyceps mushroom is the cause of the apocalypse), as […]

After a few albums of top-tier deathcore, Signs of the Swarm earned their spot as one of the genre’s better bands, with 2021’s Absolvere being their very peak in my humble opinion. But on 2023’s Amongst the Low and the Empty, along with a jump from Unique Leader to Century Media, came a slight development. While […]

I’m always down for some French black metal on the always reliable Antiq Records. That said, the last releases I dug into were the non-French act, Belnejoum, and the harrowing semi-French depressive black metal of Enterre Vivant. Both enjoyable, but not the usual regal, medieval-sounding French black metal I have come to expect from the […]

Finland’s Sarastus (Finnish for ‘Dawning’) was formed in 2014 and has 2 full-length albums since then. I grabbed the promo for Agony Eternal as I have been on a back metal/melodic black metal kick of late, and the promo dropped terms like ‘anthemic hooks are at the forefront’, ‘melodies spiral with nightsky fervor’, and ‘too […]

I consider myself a fairly well versed JRR Tolkien/ Lord of the Rings fan, but there are those that are just next level, Stephen Colbert types that are just way beyond me. and the duo that forms Anfauglir, Griss (guitars/vocals ) and Lord Bauglir (vocal/synths/drum programming) are in that category. Case and point; Anfauglir is […]

First off, there is a contender for the best album cover art of the year, right there (Though Clamfight’s S/T is still my favorite so far). After a 5-year wait, Germany’s most American-sounding death metal stalwarts, Dehuman Reign, are back with album number 3. And little has changed since 2020s Descending Upon the Oblivious. Still […]

Deliquesce (to liquefy during decomposition), is an Australian brutal/tech death project from Disentomb’s Adrian Cappelletti. He’s joined by vocalist James Cooper (ex-Incarnate), bassist Armando Wall and American session drummer Lyle Cooper (Mithridatum, Humanity Is A Cancer). And it’s a bit different from the hulking, brutal death metal of Disentomb, as Deliquesce is even more technical […]

Full disclosure: I grabbed this promo as I thought it was a new album from Finland’s doom/death band Noumena. Then I actually read the promo, saw some stuff about a female singer and production/mastering credits from some folks responsible for Lacuna Coil. At that moment, I braced for the worst, preparing for some sugary female-fronted […]

Loosely meaning ‘The Wild Hunt’ from Norwegian lore, it is the band name that got me to check out the promo for the third album from this Californian, not Norwegian duo, as well as that kickass stained glass dragon on the cover. Further digging revealed that this used to be a one-man project with Jay […]

I’ve said it many times; We get TONS of promotional emails here at Teeth. I try to check them all out, and make sure the staff here have access to them, but a lot slip through the cracks (my apologies if you have sent something to us, and we never got back to you or […]

Boy, Seek & Strike is snatching up all the newer, younger orchestral/blackened/symphonic deathcore acts, aren’t they? Existentialist, To Obey A Tyrant, Ruins of Perception, When Plagues Collide, and the big one, Immortal Disfigurement, etc, adding to the established likes of Assemble the Chariots and Downfall of Mankind. The UK’s Existentialist has been around for a […]

Patristic is a side project of Hideous Divinity guitarist Enrico Schettino. The band name comes from the study of early Christian writings and scholars, and the album name comes from instructions given to a person in preparation for a Christian baptism.  He is joined by drummer Nicolàs Petri (Chronic Hate, Mass Carnage, Hellion) and vocalist […]

British bruisers Malevolence have been knocking about the UK scene for over a decade now, and after two self-released albums, got signed to Nuclear Blast for their third effort, Malicious Intent, back in 2022. That was my first exposure to them. Despite hailing from the depths of darkest South Yorkshire, in England, you’d be forgiven […]

The influence of England’s Bolt Thrower is vast and far-reaching. The band’s paying homage and straight-up clones are endless. From Indonesia’s Humiliation, Germany’s Scaplture , France’s Infern, Canada’s World Eaters, Australia’s Domination Campaign, and of course England’s own tribute band Memoriam, the list goes on and on. Well, here is another one. A solid one […]

Re-recordings are a bit of an issue for me. On one side, sometimes replacing a bad production is a necessity; sometimes it’s not really warranted. And sometimes, a classic just needs a fresh lick of paint. There’s a little of all of the above going on here as Mirai Kawashima has decided to completely re-record […]

Can someone explain to me how Shadow of Intent is unsigned? Especially considering the absolute proliferation of the symphonic/blackened deathcore genre of late? Are the band members complete dicks? Are they independently wealthy? Do they hate labels? Imperium Delirium is the band’s 5th self-released effort, their third after dropping the Halo video game-inspired themes from […]

Battlespells, the second album from this Finnish duo, named after a Vlad Tepes song, was one of the more authentic 90s styled black metal albums of recent memory, up there with releases from Northwind Wolves, Mist From the Mountains, Pestilent Hex, and I Am The Night over the last few years. And even with a […]

I keep waiting for the Blackened/Symphonic deathcore movement to burn out, but nope, it appears 2025 is going to be an even better year than 2020 and 2025. Of course, the 800 lb gorilla in the room will be the forthcoming album from Lorna Shore, and then a 600 lb gorilla with Shadow of Intent. […]

Do you miss early/mid-00s ‘Myspace’ deathcore? Still jamming All Shall Perish, As Blood Runs Black, Embrace the End, The Red Chord, Salt the Wound, Knights of the Abyss, Animosity, The Number 12 Looks Like You, Rose Funeral, My Bitter End, and Dead to Fall? Well, Im right there with you- that era was my mutha-fucking […]

Deathcore duo Larcenia Roe got the deathcore scene’s attention back in 2023, with their self-titled EP, Dereliction. Especially the vocals of Ryan Vail, who made Lorna Shore‘s Will Ramos look like Hansi Kürsch. And indeed, there were immediate comparisons to Lorna Shore. However, Larcenia Roe‘s sound is much more of a grimier, beat down, and […]

I’m usually a little leery of bands that use the Kult, ‘K’ in their band moniker or album title. However, I also trust almost anything FDA Records puts out, so here we are. Nekrodeus hails from Austria and Ruaß (Austrian for ‘Soot’, but also a slang term for ‘rabble’ or ‘scum’) is their third album […]

Listen, I know. Even though they were founded first, Poland’s Hate sounds like Behemoth circa  Zos Kia Kultus, Demigod, Evangelion. I seen them be called ‘Wish’ Behemoth or ‘Temu’ Behemoth, but the fact is, I’ve ordered some pretty cool shit from Wish and Temu. And with the band’s 13th album that’s what you get- some […]

I knew nothing about Bavaria’s Drudensang. But the promo is listed ‘for fans of  Lunar Aurora, Abigor, Katharsis, Ascension, Nagelfar‘. And the band is comprised of current and former members of Mavorim, Atronos, Aphelium Aeternum and Belphegor. Im in. So Drudensang (loosely meaning ‘witch wail’ or ‘witch chant’), and Geysterzvvang (‘dark compulsion’) is a 6-song EP, […]

Listen, usually I spend the first part of my reviews wasting your time with introductory bullshit, back story, anecdotes, and general filler. Not for this one. Arizona’s Kardashev (named after a Russian astrophysicist who developed a theory for measuring a civilization’s level of technological advancement) is one on the most engaging and entralling new acts […]

After reforming after 18 years in 2020 and releasing one of the best reunion albums of recent memory with Cosmic World Mother, Finland’s enigmatic and genre-shifting…And Oceans wasted little time in releasing the follow-up, As In Gardens, So In Tombs, a mere 2 years later. And as I said in my review of As In […]