Posts Tagged ‘Review’
Posted in Reviews, Reviews › B on Thursday, March 22nd, 2012
All you really need to know about Blood Label to figure out how they sound are three things ; They are from Denmark, Existence Expires was recorded at Tue Madsen’s Antfarm Studio (Hatesphere, Illdisposed, The Haunted, etc) and the vocals were recorded at the studio of former Hateshphere/Allhelluya and current The Kandidate front-man Jacob Bredahl. […]
Tags: 2012, Blood Label, E.Thomas, Gateway Music, Review
Posted in Reviews, Reviews › R on Wednesday, March 21st, 2012
Some bands wear their heart and their influences on their sleeve, and none more so than the current crop of retro, old school Swedish death worshiping acts. For instance you’ve got the font and ‘tomb’ references of Entrails, Funeral Whore, who named a demo after a Grave song, Brutally Deceased is named after a Grave […]
Tags: 2012, Death Metal, E.Thomas, FDA Rekotz, Revel in Flesh, Review
Posted in Reviews, Reviews › K on Tuesday, March 20th, 2012
There’s an old adage that states ‘never judge a book by its cover’, and that applies aptly in the case of the debut album from Columbia’s King. Based on the Dark Funeral reject cover art, song titles like “Non laughter – Zero Fucking Happiness” and “Kill the Posers Like Fucking Christians” as well as the […]
Tags: 2012, Black Metal, Death Metal, Deathgasm Records, E.Thomas, King, Review
Posted in Reviews, Reviews › B on Monday, March 19th, 2012
It’s amazing to me that the band that left me relatively unimpressed with their debut EP Razor to Oblivion, then fired back with one of 2010s most critically acclaimed albums, Heavy Breathing and now followed that up with one of 2012s best releases, Sentenced to Life. Not only that, the band seemed to have really […]
Tags: 2012, Black Breath, E.Thomas, Review, Southern Lord Records
Posted in Reviews, Reviews › T on Monday, March 19th, 2012
Tort is yet another success from Spain’s blossoming doom scene. Spawned from the same fetid breeding ground that produced Eight Hands for Kali, Graveyard, and Warchetype, and featuring ex-members of Lords of Bukkake and Cuerno, Tort was formed out of a desire to play something other than “sad and slow doom”. Their debut for Totalrust […]
Tags: 2012, Chuck Kucher, Doom, Review, Tort, Total Rust Music
Posted in Reviews, Reviews › C on Monday, March 19th, 2012
Poland’s Centurion have been around for a while, but this is only the band’s second effort since their 2002 debut, Conquer & Rule, which I have not heard. Stylistically the band play typically competent Polish death metal with a solid Floridian (Morbid Angel/Deicide) influence and in fact, the band covered Morbid Angel‘s “Day of Suffering” […]
Tags: 2012, Centurion, Death Metal, E.Thomas, Review, Wydawnictwo Muzyczne Psycho
Posted in Reviews, Reviews › M on Friday, March 16th, 2012
Despite the retro thrash moniker and 1985 artwork, Massive Assault is actually a killer throwback Swedish styled death metal band who hail from the Netherlands. And whereas Denmark’s Funeral Whore were easily linked to Grave, Massive Assault are equally as easily linked to Dismember and fellow Dutchmen, Hail of Bullets (musically when they slow down, […]
Tags: 2012, Death Metal, E.Thomas, FDA Rekotz, Massive Assault, Review
Posted in Reviews, Reviews › K on Thursday, March 15th, 2012
I’m a sucker for a good Southern-flavored groove. It’s where I come from. I heard just as much Waylon Jennings, Hank Jr. and Lynyrd Skynyrd as Iron Maiden and Judas Priest growing up, and though I abandoned my Southern roots in music for a while in my teens and early 20s, I’ve grown to appreciate […]
Tags: 2012, Fred Phillips, King Giant, Review, The Path Less Traveled Records
Posted in Reviews, Reviews › L on Wednesday, March 14th, 2012
From the same promotion company (Team All About the Music) that introduced me to the likes of the excellent Journal, Fallen Martyr, Truth Corroded, Hyno5eand A Band of Orcs comes the second album from Queensland, Australia’s Lynchmada. And while it’s a solid dose of modern metal that combines crunchy thrash and metalcore into one commercially […]
Tags: 2012, E.Thomas, Lynchmada, Review, Truth Inc. Records
Posted in Reviews, Reviews › D on Tuesday, March 13th, 2012
Remember that female guest vocalist featured in Dimmu Borgir’s music video for “Gateways”, the hit single of the black metal purist’s most-hated album of 2010, Abrahadabra? Yes, Agnete Kjølsrud, the lanky lady who looks like a witch and wears a tomboyish haircut, thick makeup, and who was swaying awkwardly to-and-fro like a gothic version of […]
Tags: 2012, Dane Prokofiev, Djerv, Indie Recordings, Review
Posted in Reviews, Reviews › C on Monday, March 12th, 2012
It has been a killer first part of 2012 for metal fans, with the godfathers of grind and death, Napalm Death and Cannibal Corpse respectively, both dropping new albums. The new Napalm Death absolutely slayed, and proved once again who still carries the grindcore crown. The questions when a legend comes out with a new […]
Tags: 2012, Cannibal Corpse, Death Metal, Kevin Ellis, Metal Blade Records, Review
Posted in Reviews, Reviews › C on Monday, March 12th, 2012
Haters gonna hate. To be frank, I think Cannibal Corpse is a strong brand name that has always cemented the band’s “indisputable” place as one of death metal’s most important bands. Look, Cannibal Corpse are one of those staple American death metal bands who have always done and probably will always do a brutally good […]
Tags: 2012, Cannibal Corpse, Dane Prokofiev, Death Metal, Metal Blade Records, Review
Posted in Reviews, Reviews › N on Monday, March 12th, 2012
You’ll have to forgive Indiana’s Nocturnal Torment for their horrendous 90s CG cover art, logo and moniker. You see, they actually formed in 1988 and up to now only had one 2009 demo to show for it. However, seeing as 1/2 of the band released some quality Swedish styled death metal via the underrated Invasion, […]
Tags: 2012, Death Metal, Deathgasm Records, E.Thomas, Nocturnal Torment, Review
Posted in Reviews, Reviews › T on Friday, March 9th, 2012
Formed in 1987 in suburb of St. Louis, Missouri as Doom Lyre, Timeghoul were largely unnoticed in the early 90s. Heck, I lived in Missouri in the early 90s, and I never heard of them. But here is Dark Descent Records to give you another one of their well done re-issues, but like the label’s […]
Tags: 2012, Dark Descent Records, Death Metal, E.Thomas, Review, Timeghoul
Posted in Reviews, Reviews › C on Thursday, March 8th, 2012
COC caused a bit of a stir when they announced they would be moving forward without longtime guitarist and singer Pepper Keenan. This was cause for concern for a lot of fans weaned on the heavy southern groove the band plied from Deliverance to In the Arms of God. A Pepper-less COC was unimaginable, unconscionable. […]
Tags: 2012, Candlelight Records, Chuck Kucher, Corrosion of Conformity, Review
Posted in Reviews, Reviews › L on Wednesday, March 7th, 2012
As Lacuna Coil’s sound has drifted more and more commercial, my opinion has been here and there on them. I love Comalies, but the bouncy, nu-metallish stuff of Karmacode didn’t connect with me. The catchy melodies of Shallow Life, though, managed to win me over despite the fact that it was easily the poppiest release […]
Tags: 2012, Century Media Records, Fred Phillips, Lacuna Coil, Review
Posted in Reviews, Reviews › S on Tuesday, March 6th, 2012
Brevity in musical descriptions goes a long ways in my book. Less IS more. Much like Hemingway’s “Iceberg Theory”, it gives credit to the beholder’s imagination to not just fill in the blanks, but to also not have their interpretation of the art limited to someone else’s view. It gives more freedom to the appreciator. […]
Tags: 2012, Crust, Hardcore, Man In Decline Records, Review, Seas WIll Rise, Stacy Buchanan
Posted in Reviews, Reviews › P on Monday, March 5th, 2012
There are some bands out there that really don’t need a review. When you hear the name, you know it’s going to be quality. Pharaoh has become one of those over the years. But, since it’s my job here, I’m going to give you a review anyway. Pharaoh is dependable. So much so that I […]
Tags: 2012, Cruz Del Sur Music, Fred Phillips, Pharaoh, Review
Posted in Reviews, Reviews › E, Reviews › S on Monday, March 5th, 2012
American Death Thrash is the perfect title for this 10 song split between Oklahoma’s Sacrificial Slaughter and California’s Enfuneration. 10 tracks, 5 from each of good ol’ fashioned American metal, with Sacrificial Slaughter firmly gripping the thrash element and Enfuneration being more of the death metal side. Sacrificial Slaughter are the more veteran act with […]
Tags: 2011, E.Thomas, Enfuneration, Horror Pain Gore Death Productions, Review, Sacrificial Slaughter
Posted in Reviews, Reviews › D on Monday, March 5th, 2012
A handful of lesser known, lower profile releases of brutal/technical death metal have grabbed my attention of late; the likes of Pyrrhon, Nocturnal Torment, and Parasitized have shown that there is still plenty of new bands from unexpected realms delivering material to compare to big boys like Origin, Fleshgod Apocalypse, Spawn of Possession and such, […]
Tags: 2012, Death Metal, Desecravity, E.Thomas, Review, Willowtip Records
Posted in Reviews, Reviews › F on Thursday, March 1st, 2012
If fans of old school Swedish death metal thought 2011 was a good year for the genre, boy are you going to enjoy 2012! With Horrendous‘ excellent debut already out, this year is slated to see releases by Zombie Inc., Revel in Flesh, Black Breath, Massive Assault, Blood Mortized, Megascavenger and this — the debut full-length […]
Tags: 2012, Chaos Records, Death Metal, E.Thomas, Funeral Whore, Review
Posted in Reviews, Reviews › N on Wednesday, February 29th, 2012
Ladies and gentlemen: Napalm Death have entered the building. This is their new album, Utilitarian. It kicks ass, just like their other albums. Go download it, stream it or steal the money from your grandmother to get your hands on a copy. End of review. So what more is there to be said? Why are […]
Tags: 2012, Century Media Records, Grindcore, Kevin Ellis, Napalm Death, Review
Posted in Reviews, Reviews › S on Wednesday, February 29th, 2012
Empyreal Cycle is the second self-released effort from Slovenia’s Smargroth, a fantasy based (knights, dragons, wizards etc) melodic black metal band. And while they aren’t bringing anything really striking or new to the table, they perform their chosen style well enough to be checked out by fans of Dissection, Sargeist, Naglfar and other less extreme […]
Tags: 2012, Black Metal, E.Thomas, Review, Samrgroth, Self-Released
Posted in Reviews, Reviews › B on Tuesday, February 28th, 2012
Willowtip has scored yet another massive-sounding and terrifying band in Australia’s Beyond Terror Beyond Grace. If you want to know what they sound like, well, the name says it all. These guys have created a black/post-metal sound at once brutal and transcendent – full of terror, full of grace and yet beyond both. Nadir pulverizes you with […]
Tags: 2012, Beyond Terror Beyond Grace, Black Metal, Jordan Itkowitz, Post-Metal, Review, Willowtip Records
Posted in Reviews, Reviews › B on Monday, February 27th, 2012
Technical death metal is a unique beast. When pulled off well (Origin, early Neuraxis, Decrepit Birth), it is one of the few genres that can make you stop and go – “Whoa… what the hell was that?!?”; leaving you reaching for the rewind button on your cd player to re-listen to what you just heard. […]
Tags: 2012, Beneath the Massacre, Death Metal, Kevin Ellis, Prosthetic Records, Review, Tech-Death