Posts Tagged ‘Review’
Posted in Frontpage Feature, Reviews, Reviews › W on Monday, February 12th, 2018
I will attempt to do Watain’s ardent supporters proud by this review. Understand that I am new to the Watain camp, so forgive me if you disagree with me. Deepsend Records owner and friend, Graham Landers, recommended this new Watain to me and I was hooked. He guided me through their discography and within a […]
Tags: 2017, Black Metal, Century Media Records, Frank Rini, Review, Watain
Posted in Reviews, Reviews › M on Friday, February 9th, 2018
I’m not a big ‘stoner’ metal guy, but I do like me some big fuzzed out riffs and sludgy guitars, and the press sheet for Outlander, the second album from Norway’s Mammüth dropped both, so I checked it out on a whim. I’m glad I did- though outside of my usual musical strike zone, Mammüth deliver a pretty […]
Tags: 2018, E.Thomas, Mammüth, Negative Vibe Records, Review
Posted in Reviews, Reviews › S on Thursday, February 8th, 2018
Delaware’s Scorched impressed me when I saw them live, recently on the Morta Skuld and Embalmer tour and they were cool dudes. Kick ass tour!! I picked up the debut album, Echoes of Dismemberment. This album destroys and I immediately recognized a bunch of their songs, from the live show. The singer Matt Kapa gave […]
Tags: 2017, Death Metal, Frank Rini, Review, Scorched, Unspeakable Axe Records
Posted in Reviews, Reviews › D on Wednesday, February 7th, 2018
For three albums now, Finland’s Decaying have delivered their Bolt Thrower/Asphyx take on war themed death metal with solid results. But with the switch from Hellthrasher Productions to FDA Records, the band appear to have deiced to change things up a bit and spread their creative wings a little. Not that the band still does […]
Tags: 2018, Death Metal, Decaying, E.Thomas, FDA Records, Review
Posted in Reviews, Reviews › H on Tuesday, February 6th, 2018
I’ve been a big fan of Malaysia’s Humiliation, brand of war inspired death metal, for a number of years. They release an album every year, along with some splits to boot. The band is always writing new music. As we speak they are writing their 9th album. Their brand of Bolt Thrower/classic Obituary/Hail of Bullets […]
Tags: 2017, Brutal Art Records, Death Metal, Frank Rini, Humiliation, Review
Posted in Frontpage Feature, Reviews, Reviews › G on Monday, February 5th, 2018
I’ve been impressed with new label Raw Skull Recordz and their early releases from Bullcreek and Graceless, but the debut full length from Sweden’s Gravestone is clearly the label’s best effort so far (at least until the new Just Before Dawn?) . You know exactly what you are getting here as the band features Penki Samuelsson from […]
Tags: 2018, Death Metal, E.Thomas, Gravestone, Old School, Raw Skull Recordz, Review
Posted in Reviews, Reviews › M on Friday, February 2nd, 2018
Without question Metallica’s Master of Puppets, in 1986, is one of the all-time greatest thrash metal records ever to be released. This is the album that platooned them into super stardom. Along with their US tour with Ozzy, Metallica then began to rise to a popularity that many groups only have dreams of. Last year, Metallica […]
Tags: 2018, Blackened Recordings, Frank Rini, Metallica, Reissue, Review, thrash metal
Posted in Reviews, Reviews › X on Thursday, February 1st, 2018
Well, this certainly was an awesome recommendation. New Haven Connecticut’s Xenosis have literally blown me away with their third full length album, Devour and Birth. The opening track “Night Hag’ mixes progressive elements from bands like later era Death, with the melody and harmonies of a band like Spawn of Possession or Beyond Creation. I […]
Tags: 2018, Nick K, Review, Self-Released, Technical Death Metal, Xenosis
Posted in Reviews, Reviews › D on Wednesday, January 31st, 2018
When I fall for a band, I fall HARD. In 2015 it was Vallendusk, and early last year it was Sabaton, and my latest infatuation has been with Hungary’s prolific Celtic/folk metal act Dalriada (formerly known as Echoes of Dalriada). I discovered them on Spotify while listening to the Asmegin radio station, the song “Hajdútánc” […]
Tags: 2018, Dalriada, E.Thomas, Folk Metal, Nail Records, Review
Posted in Reviews, Reviews › E on Tuesday, January 30th, 2018
Wisconsin’s Emblazoned released their debut album, in 2014, Eucharistiae Sacramentum and it was outstanding. Even topping their 2013 ep, The Living Magisterium. They return with their second full-length, Catharsis. Emblazoned have always had a black metal edge to the death metal sound and the black metal moments definitely are taking center stage with Catharsis. […]
Tags: 2018, Black/Death Metal, Emblazoned, Frank Rini, Malefic Records, Review
Posted in Frontpage Feature, Reviews, Reviews › B on Monday, January 29th, 2018
I’m not familiar with The Netherlands’ Bleeding Gods, but they have some Dutch scene veteran’s in their fold (Houwister, Grind Minded, Debauchery, Divine Sins) and a 2015 debut album under their belt. And with a few key words like ‘symphonic’ and ‘Hercules’, ‘war’ and ‘death metal’ popping up, I decided to give their second effort a […]
Tags: 2018, Bleeding Gods, E.Thomas, Melodic Death Metal, Nuclear Blast Records, Review, Symphonic
Posted in Reviews, Reviews › M on Thursday, January 25th, 2018
It’s been 5 years since Death Strike, the solid second effort from this Dismember/Grave worshiping Dutch act, and although this was released on vinyl and digital last year, I waited with baited breath for the CD version from FDA Records, and it was worth the wait. The formula is the same; well executed Dismember meets […]
Tags: 2017, Death Metal, E.Thomas, FDA Records, Massive Assault, Review, Swedish
Posted in Reviews, Reviews › B on Wednesday, January 24th, 2018
Hailing from Wichita, Kansas, Bestialord is a killer new project from band members that served time in kick ass outfits Manilla Road and Sanctus Infernum. Guitarist/vocalist Mark Anderson played on one of my favorite latter days MR records Spiral Castle. Bringing along his SI bandmate Chris Johnson on drums with bassist Rob Harris completing the […]
Tags: 2018, Bestialord, Death Metal, Jay S, Review, Symbol of Domination Productions
Posted in Reviews, Reviews › M on Tuesday, January 23rd, 2018
Milwaukee Wisconsin’s Morta Skuld released a monstrous debut album in 1993, Dying Remains and I listened to it constantly. Beyond quality death metal, with some thrash metal tendencies, but leaning more towards the brutal side of things, like Demolition Hammer and eventually some Solstice influence. Well fast forward 24 years later and I get to […]
Tags: 2017, Death Metal, Frank Rini, Morta Skuld, Old School, Peaceville Records, Review
Posted in Frontpage Feature, Reviews, Reviews › S on Monday, January 22nd, 2018
Though only a 5 year wait, down from the 7 year wait for Old Morning’ s Dawn, Summoning are back with another effort of their now predictable, but effective Tolkien inspired, dungeon synth based black metal and there is very little deviation from the last few efforts. And to many, the minimalist, tinny guitars and […]
Tags: 2018, Atmospheric Black Metal, E.Thomas, Napalm Records, Review, Summoning
Posted in Reviews, Reviews › N on Friday, January 19th, 2018
As I looked over the cover artwork for these Aussies, which I like, reminiscent of the great Chris Moyen (Abominant, Absu, Archgoat, Beherit, Goatlord etc) I sarcastically think to myself, “Uuuhm, I wonder what they will sound like?” First song “Hammer of Hatred” kicks in and it’s full on Marduk, meets Angelcorpse and I love it. […]
Tags: 2018, Black/Death Metal, Nocturnes Mist, Review, Séance Records, Will 'Bones' Lee
Posted in Reviews, Reviews › D on Thursday, January 18th, 2018
I was fairly impressed with Discreation’s 2015 effort Procreation of the Wretched , a solid European death metal record from a group of Germans I had never heard of. The album took a while to get going, but its last 2/3 was pretty damn good. End of Day, does not take a while to get […]
Tags: 2017, Death Metal, Discreation, E.Thomas, FDA Records, Review
Posted in Reviews, Reviews › D on Wednesday, January 17th, 2018
Ever wonder what it would sound like if Angel Corpse and Dark Funeral spat forth some sort of infernal Black Death hybrid that aggressively mean and just down right nasty. Sweden’s Degial’s third full length effort Predator Reign is savage listen that wastes no time in pummeling the listener right off the bat. Opening up […]
Tags: 2017, Degial, Nick K, Review, Sepulchral Voice Records. Death Metal
Posted in Reviews, Reviews › L on Tuesday, January 16th, 2018
It’s been damn near 7 years since Belgian grinders Leng Tch’e dropped their last full-length slab of death-y, crusty doomgrind, Hypomanic. There hasn’t been an original member left in the band since 2007, although these maniacs have stayed relatively true to form sonically over the last 3 records. For me, the filthy highpoint of the […]
Tags: 2018, Grindcore, Jay S, Leng Tch'e, Review, Season of Mist
Posted in Reviews, Reviews › C on Monday, January 15th, 2018
There are some similarities between Germany’s Corrosive and Sweden’s Entrails. Both were active in the 90s but never really became fully productive until the reformed on the 00s. Also, both play a beefy, killer form of Old school death metal with a heavy emphasis on killer grooves and Stockholm based riffage. Corrosive isn’t quite on […]
Tags: 2017, Corrosive, Death Metal, E.Thomas, MDD Records, Review
Posted in Reviews, Reviews › G on Friday, January 12th, 2018
Even though he has long championed his home country (India) and other Asian bands , Transcending Obscurity Records owner Kunal Choksi has outdone himself with the second effort from Mumbia’s Gutslit. You’d would have no idea these guys were from India once you hit play, as the band culls from a plethora of brutal influences […]
Tags: 2017, Brutal Death Metal, E.Thomas, Gutslit, Review, Transcending Obscurity Records
Posted in Reviews, Reviews › L on Thursday, January 11th, 2018
What do you get when you cross the most successful and popular NWOBHM band, Iron Maiden, the (slightly) darker thrash of King Diamond and even Iced Earth, the swagger of Motorhead, and the headstrong dominance of Manowar, with ass kicking XX chromosomes of mighty frontwoman power? Lady Beast, you get Lady Beast my friends. Wait… […]
Tags: 2017, Cruz Del Sur Music, Heavy Metal, Kristofor Allred, Lady Beast, Review
Posted in Reviews, Reviews › M on Wednesday, January 10th, 2018
As usual. when the dust has settled on a year, a few late year releases find their way into my hands and miss the deadline for year end lists, but certainly need some attention, and this is the case with the second album from the UKs Monolith Cult, a new act to me. In my […]
Tags: 2017, Doom Metal, E.Thomas, Heavy Metal, Monolith Cult, Review, Traditional, Transcending Records
Posted in Reviews, Reviews › N on Tuesday, January 9th, 2018
Delving into this release just from the initial look at the cover, the imagery of the band members, logo etc, I will admit, it is a bit different soundwise than expected. Nothing bad mind you, it’s just going in, I was expecting a cold, speed assault similar to Marduk and their brethren but what I’m […]
Tags: 2017, Nazghor, Non Serviam Records, Review, Will 'Bones' Lee
Posted in Frontpage Feature, Reviews, Reviews › C on Monday, January 8th, 2018
All four of these albums were previously remastered in 1999 and now we get reissues of a reissue. But Tom Warrior breathed new life into the sound with the help from his Triptykon bandmate V.Santura who is an excellent engineer. Each paragraph will speak more about my experience with Celtic Frost and the added extras. […]
Tags: 2017, Celtic Frost, Frank Rini, Noise Records, Reissue, Review, thrash metal